Mark Rogers is a writer and artist
whose literary heroes include Charles Bukowski, Willie Vlautin and Charles
Portis. He lives most of the year in
Baja California, Mexico with his Sinaloa-born wife, Sophy. His work has
appeared in the New York Times, Village Voice and other publications and his
travel journalism has brought him to 54 countries; these trips have provided
plenty of inspiration for his novels and screenplays. His crime novel Koreatown
Blues will be published by Brash Books, Feb. 2017; his mystery novel Red Thread
is available from Endeavour Press. Drop into his Wordpress blogs Pissing on My Pistols and Mark Rogers – Author https://markrogersauthor.wordpress.com/ for news about upcoming books from him.
You’re a journalist. Did you start off with
short stories or dive right in to fiction?
I started
writing fiction in the fifth grade, which was the year I discovered the writer
Edgar Rice Burroughs, the author of the Tarzan series. Reading was probably
like a drug for me, a way to shut out the world. I’ve never been drawn to
writing short stories, and didn’t write fiction at all for many years, until
the 1980s, when I wrote the novella now titled “Night Within Night.” Other
unpublished novels followed, as well as unproduced screenplays. Luckily, I
found rewards in the process, since I had very little encouragement. This all
changed last April, when I had four novels contracted in one month, from four
different publishers. Some of these works had been knocking around for decades,
while others, like “Koreatown Blues,” were written in the last year or so. That
very first novella, “Night Within Night” will be published next year by
London-based Endeavour Press. I’m very psyched to have made the transition from
“writer” to “author.”
Most writers are readers, who are the
writers who influenced you?
It’s a bit
like an archeological dig, with the deepest layer being Edgar Rice Burroughs,
up to Knut Hamsun and Henry Miller in my late teens, to Charles Bukowski,
Charles Portis, Charles Willeford, and Willy Vlautin. I’ve come to enjoy a
crisp, clean line, which is what I try to do in my own work. Kaurismäki.
On the crime novel
side, I’m a big fan of John D. MacDonald, Elmore Leonard, and Raymond Chandler.
There are other one-offs that I cherish, like “The Hustler” by Walter Tevis,
and “Fat City” by Leonard Gardner. I think I’m also influenced by film,
especially the movies by Finnish director Aki
What’s a book you wish you’d written?
The first
one that comes to mind is “Lean on Pete” by Willy Vlautin. This is a very
deceptive book that reads like a YA novel, but throws a wicked punch. You can
read more about it HERE.
Vlautin is an amazing talent with a huge heart. He’s often compared to
Steinbeck.
Do you have an agent?
Yes. I’m
represented by Italia Gandolfo at Gandolfo, Helin & Fountain Literary
Management.
How did you end up at Brash Books?
I received
an email from a site called Freedom With Writing, that mentioned Brash Books
was open to unagented submissions. I looked at Brash’s site and liked what they
were doing. I mentioned to my agent that I would approach Brash on my own with
“Koreatown Blues,” since she was occupied with other work of mine. Brash was
amazing. I sent them the first 25 pages and within a few hours they asked for
the complete manuscript. I think it was only five days later that I got the
email saying they loved the book and wanted to publish it. This kind of express
train response is really rare and I was blown away. Working with the two
publishers, Lee Goldberg, and Joel Goldman (crime writers themselves) has been
an amazing experience, from editing, to cover design, to marketing.
You travel for a living—are there any
countries that you want to visit again and again?
I have a
great affection for Thailand, which I’ve visited a half-dozen times. I’ve just
completed a crime novel set in Bangkok, titled “Sky Dog.” That’s presently going
through a beta reader process and I hope to have my agent begin submitting it
in January.
What’s on your travel “bucket list,” places
you’ve never been but want to visit?
I always
wanted to visit Cuba, but before it became open again. Unfortunately, I waited
too long. It now appears to be going through an unappealing tourism
transformation. A major part of my family tree is from Wales. I’ve never been,
so that would be at the top of my list, especially if it was at least a
three-month stay to work on a new book while exploring the country.
When you write, do you listen to music, or
do you find that distracting?
I can’t
listen to music with lyrics – that is way too distracting for me. I don’t
always listen to music, but when I do, I listen to soundtracks. Some of my
favorites are the soundtracks to “The Counselor,” “Drive,” and “Last of the
Mohicans.” I also listen to a lot of Phillip Glass.
Have you ever done karaoke yourself and if
so, what’s your song?
I lived in
Koreatown in LA for a couple of years, and used to drop into my neighborhood
nightclub a couple of nights a week. I sang pretty much everything, but my
signature song was “Always On My Mind.” The song reverberated for me, since I
was going through a divorce at the time, and I had a crush on the Korean
barmaid. I now live in Mexico, and at every family party someone eventually
fires up the karaoke machine. Those of us who don’t go to church have to sing somewhere,
so I guess it’s karaoke for me.
Is Koreatown Blues a one-off or will it be
a series? (Please)
I’m really
happy you’d like to see a series, but it’s definitely a one-off for me. I like
where my protagonist Wes ends up – he’s earned his peace. Depending on the
reception it gets, “Sky Dog” will be a series, but it’s too soon to tell.
- if koreatown packs half the punch of `red thread', rogers will soon be recognized as the latter-day east coast incarnation of raymond chandler. only a born in the wool hudson river-area guy could have captured the horrific yet subtle nuances that rogers lays out like so many weapons in `thread'. looking forward to `koreatown' mightily -- and whatever follows.
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