Temperatures hit 24 Celsius in London this weekend, which is a rather balmy 75 Fahrenheit. That's much cooler than almost anywhere in the United States right now, including the Pacific Northwest where overnight temps are still dipping into the 50s even though daytime temps are in the mid-80s.
June would not have been particularly warm in Shakespeare's time. He was born in 1564, right in the middle of the Little Ice Age and only a decade after major glacial expansion began. There's a reason why they wore so many layers of clothes back then.
Saturday, June 24, 2017
Friday, June 23, 2017
The Essex Serpent should be on your TBR pile
I've always loved historical fiction but I don't read that much of it any more, unless it's for work. In the past year I've read some wornderful books, including Karen Essex's Kleopatra and its sequel. This weekend I read The Essex Serpent, a debut novel from UK author Sarah Perry and it was the best couple of hours I've spent in some time. Not only is the period well-researched, right down to little details like mention of a game of "Chinese whispers," but her writing is lush and layered and downright beautiful without getting in the way of the story.
In The Essex Serpent, a widowed woman with a scientific mind becomes intrigued by a local legend and with her companion and odd young son in tow, she begins looking into things, much to the dismay of her London friends, some of whom are aware her rich, controlling husband was an abusive bastard and some who are not. (Cora has a scar on her neck in the exact shape of an ornate leaf decorating a candlestick that her husband once pressed into her flesh lhard enough to wound.)
The "mystery" of the serpent is eventually solved, but that particular plot thread is not the only one that holds our attention.
This is a character-driven book and the characters are fantastic. Cora is an extremely sympathetic character. For all her flaws (and her companion Martha freely points those out), she's also a generous woman with a prodigious intellect, a woman born a century too soon. (There are scenes where ehs has to endure "mansplaining" and has to bite her tongue and readers will bond with her over the experience.) But then there's Cora's complex relationship with her 11-year-old son Francis. She doesn't really like him and though she'd say she loves him, we sense it's only out of duty. He IS very odd, and nowadays would likely be diagnosed as being somewhere along the autism spectrum. But Francis is not just a gimmick of a character; he's fully realized and when he unexpectedly bonds with a sick woman, it is a touching and believable event.
Cora meets a kindred spirit in the most unlikely place--the local rectory. She's a Darwinist and an atheist and she's delighted that the local minister is open-minded and quick-witted, and more than happy to challenge her to debates on a subject both find fascinating. And meanwhile, there's mass hysteria at the village school, a missing girl, a Socialist who awakens the social conscience of a wealthy man, and more.
In The Essex Serpent, a widowed woman with a scientific mind becomes intrigued by a local legend and with her companion and odd young son in tow, she begins looking into things, much to the dismay of her London friends, some of whom are aware her rich, controlling husband was an abusive bastard and some who are not. (Cora has a scar on her neck in the exact shape of an ornate leaf decorating a candlestick that her husband once pressed into her flesh lhard enough to wound.)
The "mystery" of the serpent is eventually solved, but that particular plot thread is not the only one that holds our attention.
This is a character-driven book and the characters are fantastic. Cora is an extremely sympathetic character. For all her flaws (and her companion Martha freely points those out), she's also a generous woman with a prodigious intellect, a woman born a century too soon. (There are scenes where ehs has to endure "mansplaining" and has to bite her tongue and readers will bond with her over the experience.) But then there's Cora's complex relationship with her 11-year-old son Francis. She doesn't really like him and though she'd say she loves him, we sense it's only out of duty. He IS very odd, and nowadays would likely be diagnosed as being somewhere along the autism spectrum. But Francis is not just a gimmick of a character; he's fully realized and when he unexpectedly bonds with a sick woman, it is a touching and believable event.
Cora meets a kindred spirit in the most unlikely place--the local rectory. She's a Darwinist and an atheist and she's delighted that the local minister is open-minded and quick-witted, and more than happy to challenge her to debates on a subject both find fascinating. And meanwhile, there's mass hysteria at the village school, a missing girl, a Socialist who awakens the social conscience of a wealthy man, and more.
Labels:
Historical fiction,
Karen Essex,
Kleopatra,
Sarah Perry
Thursday, June 22, 2017
Because a good meme is timeless!
When the "Nevertheless, she persisted" meme first showed up, it was in honor of Elizabeth Warren. But as it turns out, there have been a number of times when it is applicable. Ansaldo Design Group has taken the phrase and adapted it to a series of graphic totes featuring feminist icons ranging from Joan of Arc to Queen Elizabeth I to Harriet Tubman to Junko Tabei (a Japanese mountaineer and the first woman to summit Everest). Some designs are also available on t-shirts. Check them all out here.
Labels:
Ansaldo Design,
Elizabeth Warren,
Etsy,
Harriet Tubman,
Junko Tabei
Venom and Vampires Boxed Set--for Apple
Wednesday, June 21, 2017
Julius Caesar, then and now
My first encounter with Shakespeare's play Julius Caesar was watching the star-studded 1953 film in my 9th grade English class. James Mason was Brutus, Marlon Brando played Mark Antony, and John Gielgud played Cassius, he of the "lean and hungry look." I have to say, I was not particularly impressed then, and upon looking at Antony's famous "I come to bury Caesar not to praise him" speech (see it here on Youtube), I haven't really changed my mind although looking at the black and white clip, it's eerie how Marlon Brando seems a sculpture come to life, so faded is the whitee of the film. And oddly, too, he reminds me of James Purefoy as Antony in Rome. (If you're interested, you can compare it to Charlton Heston's version from the 1970 adaptation here.)
I never really liked the play. A couple of female characters make cameo appearances, but there's no one like Coriolanus' mother in my favorite of Shakespeare's political plays. Vanessa Redgrave played her in the Ralph Fiennes version, and she was in her full Vanessa glory in a meaty part. For some reason, almost every high school English program uses Julius Caesar to introduce the bard to their students. (Sometimes it's Romeo and Juliet but in four of the five high schools I attended, Julius Caesar was the first play offered. And it's a wonder anyone ever went on to another play.)
That's why I'm so interested in the controversy the Public Theater has generated with their politically charged interpretation depicting Caesar as looking like Donald Trump.
I never really liked the play. A couple of female characters make cameo appearances, but there's no one like Coriolanus' mother in my favorite of Shakespeare's political plays. Vanessa Redgrave played her in the Ralph Fiennes version, and she was in her full Vanessa glory in a meaty part. For some reason, almost every high school English program uses Julius Caesar to introduce the bard to their students. (Sometimes it's Romeo and Juliet but in four of the five high schools I attended, Julius Caesar was the first play offered. And it's a wonder anyone ever went on to another play.)
That's why I'm so interested in the controversy the Public Theater has generated with their politically charged interpretation depicting Caesar as looking like Donald Trump.
Labels:
Donald Trump,
James Mason,
Julius Caesar,
Marlon Brando,
Shakespeare
What to read by Margaret Atwood after you've reread A Handmaid's Tale
Margaret Atwood is one of the authors who is rewriting Shakespeare's plays for the "Hogarth Shakespeare'" collection. Her novel, Hag-Seed, is a r-imagining of Shakespeare's last play, The Tempest. Unlike some of the plays in the series so far (I'm thinking of Jeanette Winterson's luminous retelling of The Winter's Tale, Gap of Time), The Tempest is a play that's been re-imagined mamy, many times, most recently in Julie (The Lion King) Taymor's version with Helen Mirren as "Prospera."
All of Shakespeare's plays are full of quotable lines, but my very favorite exchange in all of Shakespeare is a conversation between Prospero and Caliban. "You taught me language," Caliban says to Prospero, "and my profit on't is I know how to curse." I've seen about half a dozen performances of the play, including one stunning version mounted by Ellis Rabb and another starring Anthony Hopkins as Prospero. (Stephanie Zimbalist played Miranda.)
I'm looking forward to reading Atwood's "take" on the tale because the books I've read so far have been terrific. I'm especially looking forward to Nesbo's Macbeth, which is one of my favorite plays, despite its reputation for being a cursed piece of work.
Other books will be published over the next four years, including Jo Nesbo's version of Macbeth and Gillian Flynn's Hamlet. Tracy Chevalier's Othello re-do will be out this fall. I already have Anne Tyler's Vinegar Girl (The Taming of the Shrew) and Howard Jacobson's Shylock is My Name (The Merchant of Venice).
i'm surious how much of a feminist take on the play Hag-Seed will have. One of the things that has always bothered me about The Tempest is the way Prospero stole the island from Caliban's mother, the witch Sycorax.
All of Shakespeare's plays are full of quotable lines, but my very favorite exchange in all of Shakespeare is a conversation between Prospero and Caliban. "You taught me language," Caliban says to Prospero, "and my profit on't is I know how to curse." I've seen about half a dozen performances of the play, including one stunning version mounted by Ellis Rabb and another starring Anthony Hopkins as Prospero. (Stephanie Zimbalist played Miranda.)
I'm looking forward to reading Atwood's "take" on the tale because the books I've read so far have been terrific. I'm especially looking forward to Nesbo's Macbeth, which is one of my favorite plays, despite its reputation for being a cursed piece of work.
Other books will be published over the next four years, including Jo Nesbo's version of Macbeth and Gillian Flynn's Hamlet. Tracy Chevalier's Othello re-do will be out this fall. I already have Anne Tyler's Vinegar Girl (The Taming of the Shrew) and Howard Jacobson's Shylock is My Name (The Merchant of Venice).
i'm surious how much of a feminist take on the play Hag-Seed will have. One of the things that has always bothered me about The Tempest is the way Prospero stole the island from Caliban's mother, the witch Sycorax.
Wednesday, June 14, 2017
Saints and Misfits...a book fro the TBR pile
This has been a good year for coming-of-age stories by debut authors and Saints and Misfits by S.K. Ali is another one. Just read the sales copy and you'll want to read this book, which came out yesterday.
There are three kinds of people in my world:
1. Saints, those special people moving the world forward. Sometimes you glaze over them. Or, at least, I do. They’re in your face so much, you can’t see them, like how you can’t see your nose.
2. Misfits, people who don’t belong. Like me—the way I don’t fit into Dad’s brand-new family or in the leftover one composed of Mom and my older brother, Mama’s-Boy-Muhammad.
Also, there’s Jeremy and me. Misfits. Because although, alliteratively speaking, Janna and Jeremy sound good together, we don’t go together. Same planet, different worlds.
But sometimes worlds collide and beautiful things happen, right?
3. Monsters. Well, monsters wearing saint masks, like in Flannery O’Connor’s stories.
There are three kinds of people in my world:
1. Saints, those special people moving the world forward. Sometimes you glaze over them. Or, at least, I do. They’re in your face so much, you can’t see them, like how you can’t see your nose.
2. Misfits, people who don’t belong. Like me—the way I don’t fit into Dad’s brand-new family or in the leftover one composed of Mom and my older brother, Mama’s-Boy-Muhammad.
Also, there’s Jeremy and me. Misfits. Because although, alliteratively speaking, Janna and Jeremy sound good together, we don’t go together. Same planet, different worlds.
But sometimes worlds collide and beautiful things happen, right?
3. Monsters. Well, monsters wearing saint masks, like in Flannery O’Connor’s stories.
Labels:
coming of age novel,
S K Ali,
Saints and Misfits,
YA novel
Tuesday, June 13, 2017
Summer of Shakespeare is Coming!!
I do like the phrase, "Upstart Crow," though.
Labels:
Etsy,
Upstart Crow,
William Shakespeare
Saturday, June 3, 2017
Coming Soon...Day of the Dark anthology
Kaye George has edited this very cool anthology of crime stories themed to the upcoming eclipse this summer. The book will be out next month from Wildside Press and I'm thrilled that my story, "The Path of Totality" is included. I like the cover a lot.
Thursday, June 1, 2017
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