When a free-thinking woman is hired to be the sheriff of a
self-sustaining silo world, a revolution is sparked in part one of Hugh Howey's
epic novel Wool.
Inside the Silo there is order, and that order is kept by
adhering to the PACT and to the ORDER and to a set of rules. One of the worst
crimes in the silo is voicing a desire for a better life. When the job of
Sheriff becomes vacant, the current deputy does not want it and recommends
Juliette Nichols for the job. Juliette, daughter of the man who keeps the
silo's nurseries running, is not anxious to leave the mechanical level of the
silo where she's worked for years tending to the respirators that recycle the
Silo's air, but is eventually convinced to take the position.
Her decision upsets the delicate political balance inside
the self-contained structure and leads to consequences no one could expect.
Soon Juliette is asking a lot of inconvenient questions about how the Silo came
into being and other secrets that the people in power have kept from its
inhabitants.
Howey's "arkology" is set some few hundred years
in the future. We’re not sure exactly where we are, although at one point, a character
sees a map with ATLANTA written on it. There are some nice world-building
touches here, including a ritualized funeral that includes throwing vegetables
and fruits into the grave to symbolize the circle of life.
The mechanics of keeping the Silo moving—the stratified
levels with different functions—don’t quite work, but we’re willing to buy the
setup. Far more interesting than the physical details of how the Silo function
is the politics in play. Couples are not allowed to bond randomly—so Juliette
and her lover kept their relationship a secret, never registering for the baby
lottery. It’s not clear why this should be so, and that’s really one of the
problems of the book. There are rules that seem to be in place just so the plot
can move forward.
There are also a lot of mechanical contrivances and
coincidences that move the plot forward as well. Still, the story moves forward
with a fluid grace that keeps readers turning pages.
The characters in the book vary from strong—Juliette is a
great character, a smart woman who is both beautiful and mechanically inclined.
The villain, Bernard, is a an excellent antagonist, silky smooth in his power
grabs. IT is his fiefdom, but he has grander plans. And he has secret rooms
built underneath the servers he monitors and he has people at his fingertips
and gate guards who can keep unauthorized access from occurring on his floors. He’s
a type of character we’ve seen before, but the writer does a nice job with him.
Fans of dystopian YA will enjoy this layered introduction to
a unique future world.
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