M is for mystery series

When I pick up a book by an author I've not read before, I want to like the book. And if I like the book and it's part of a series, I will go and read the whole series, preferably one right after another. I don't like coming in on the middle, so I'll track down the books leading up to the books if necessary.

When I was in high school, I worked at the local library, which had a really good mystery section, even in the Large Print section. (And what a boon eReaders have been to people who need larger print. It always made me sad that unless you wanted to read Reader's Digest and a small selection of best sellers, your large print options were limited.)

Somtimes the series went on so long that they started to get stale, but I kept with them. Here's a list--in no particular order--of mystery book series I devoured.

Laura Joh Rowland's Sano Ichiro Mysteries--I love these books, set in Imperial Japan and they set off a lifelong fascination with the country and the history. The covers were gorgeous too. 

I came to these books by way of the television series: Robert B. Parker Spenser.
Ellis Peters' Brother Cadfael--I liked the Cadfael books so much that when I ran out of them, I moved on to the books Peters wrote under her real name, which were  historical fiction and not mysteries.
janet Evanovich's Stephanie Plum (By the numbers) I hated the movie, but still think the books would make an awesome television series.
Robert Crais' Elvis Cole novels --I love, love, love the Elvis Cole novels and now there are spin-offs for Joe Archer, one of the characters first introduced in the books
Nele Neuhaus' Fairy Tale series--Set in Germany, there are only two books in the series so far, but they're great.
Ed McBain's 87th Precinct books--Forget NYPD Blue, these were the procedurals for me.

William Marshall's Yellowthread Street mysteries (which sparked my desire to go to Hong Kong)
M.C. Beaton's Hamish Macbeth series (there's a fantastic TV series starring Robert Carlyle out there, with Danny Boyle writing and directing. I tried reading her "Agatha Raisin series but they were just too "twee" for me).
Catherine Aird's Sloan and Crosby books
Anne Perry's Thomas and Charlotte Pitt novels
And last but not least--Carolyn Keene's Nancy Drew and Franklin Dixon's Hardy Boys mysteries. They were the books that inspired my love of reading mysteries and I can still remember saving up my allowance to buy them.

for the TBR pile: Blood Orange by Karen Keskinen

Blood Orange is a debut novel and the first, I'm sure, in a series about a Santa Barbara detective named Jaymie Zarlin. I've done a "Fresh Meat" segment on the book over at Crimional Element, but I'll be doing a full review later in the week. I really, really enjoyed this novel. The heroine feels real and she's got her quirks but she does not, as a friend of mine likes to say, wear a parrot on her shoulder. Keskinen has a knack for character and dialogue and also for setting her stage. The book takes place in Santa Barbara and takes us from the century-old houses inhabited by old money to the grittier parts the gangs refer to as "Santa Bruta." the crime Jaymie's investigating is brutal--the rape/murder of a lovely young woman--but the women she encounters in her investigation are anything but passive victims. Well, with the exception of one wife who may or may not know what's going on with her husband and his long-time lover. The book shares some elements with Janet Evanovich's popular Stephanie Plum series, but with more heart. If you like mysteries by and about women, you should check it out.

Month of Streaming Netflix: One for the Money

One for the Money is a perfect example of why Netflix streaming has a bad name. If you type "Katherine Heigl" into the search engine, you find out you can stream episodes of Grey's Anatomy or Roswell; you can get a documentary she narrated (Shelter Me, about adopting pound pets) and you can get One For the Money. There's no sign of any of the romantic comedies she's done--27 Dresses or Knocked Up or or even Life As We Know It.

One for the Money was based on Janet Evanovich's book of the same name, the first in her long-running series about Stephanie Plum, a Jersey girl turned bail enforcement officer who is torn between two hot men--high school bad-boy Joe, now a cop and the intriguing Ranger.  The books were a lot of fun for a long time--they've gotten kind of formulaic lately--and a movie based on the series was in development for a long time. Sometimes....that's a bad sign.

It was a bad movie. Just.  Bad.  Heigl had the sass to pull off Stephanie but Debbie Reynolds as her trigger-happy Grandma was utterly cartoonish. Daniel Sunjata--or as I like to call him, the best-looking man on the planet--made a sexy Ranger but didn't quite bring the character's danger to the movie.  (In fact, the PG-13 rating kept everything at a low-level simmer.) Just disappointing all the way around, the movie made me glad I didn't spring for it when it was in theaters. So that's another minus for Netflix Streaming.

Feminist Fiction Friday--odds and ends

Janet Evanovich has signed a deal to write several more Stephanie Plum novels, but more excitingly, she's teaming up with crime writer Lee Goldberg (co-creator of the Dead Man series, amongst other thing) to write a new series. starring a female FBI agent and a dashing male fugitive. Will lovejinks ensue as well as crime? You can read the details here.

The Library of Congress has released a list of 88 Books that Shaped America.  (Why not 100 or 50?  Eighty-eight seems like a really odd number.)  They are listed in the order they were published and the first woman author appears at #9--Amelia Simmons' American Cookery (1796).  Billed as "the first American cookbook," an exact reproduction of the book is available on Amazon. Harriet Beecher Stowe's Uncle Tom's Cabin is number 18, with Louisa May Alcott's Little Women coming in at a few notches lower.  (Seriously--it's like a rule you have to read this book if you are a girl.  It should have been #1 no matter when it was published.) Toni Morrison's 1987 novel Beloved is the last book written by a woman on the list, at #86.

In the oldies department, I just ran across an anthology called This is Not Chick Lit, published in 2006.  Subtitled "Original Stories by America's Best Women Writers," it's crazily affordable.  Amazon -affiliate sellers offer it for a penny plus $3.98 shipping.  (And btw, I don't have an Amazon affiliate account--they were discontinued in California awhile ago, so I'm not making any money by shilling books and videos for them.)  Of the women listed, I only know the work of two of them, so I am looking forward to my introduction to Dika Lam, Judy Budnitz, Samantha Hurt, and the rest of the ladies.

When characters take on a life of their own...

I have been speaking to an agent (squee) about my WIP Misbegotten and he strongly suggested I put together a biography of my main character--paracrimes journalist Kira Simkins. I had bits and pieces of her in folders and files and notebooks and sticky pads, but when I started pulling it all together, I realized that she had taken on a life of her own. I invented two true crime books for her and Joy Sillensen, my go-to-gal for covers, whipped up a couple of dummy covers for me.
I like the covers so much that at some point, I might actually write the books that go along with the covers. 
I never actually intended for my paranormal Los Angeles to be the setting of so much of my fiction. Kira was just a character I conjured up for a story I wrote for John Donald Carlucci's Astonishing Adventures Magazine.
There's a comfort zone there, though. I've lived in Los Angeles longer than I have lived anywhere else in my life--though for an Army brat who moved every year as a child, that's not much of a boast. My first job here was working at Los Angeles Magazine at the same time I was a cityside reporter for the now-defunct L.A. Weekly.  I know my adopted city and am inspired by it every time I leave the apartment. Putting the magical overlay on top of the city amuses me, and the settings I use the most often--Griffith Observatory, Hollywood, Malibu Creek Park--have a magic of their own even in their mundane state. 
When Patricia Cornwell first started writing her Kay Scarpetta stories, she disguised details of the Richmond, Virginia setting. (They were thinly disguised and it was easy to pick out the neighborhoods where the crimes were taking place.) By her second book, Cornwall's depiction of the city was so accurate a reader who found herself stranded in the city would not have needed a road map to get to downtown, where the Medical College of Virginia (location of the morgue) is located.
I can think of other writers who have picked a city and made it their own--from Matthew Funk's New Orleans stories to the adventures of Janet Evanovich's quintessential Jersey Girl Stephanie Plum.
I'm curious--how often do other writers return to a favorite city? Is it their own city or a place they consider their spiritual home town?  Do they ever set a story in a particular city but leave it anonymous?

Feminist Fiction Friday--Janet Evanovich

I’ve always thought that Janet Evanovich’s Stephanie Plum novels were Nancy Drew adventures for big girls. Stephanie is smart, pretty and always solves her mysteries. Instead of just one boyfriend, she has two, and instead of chums like “George,” she hangs around with a former hooker, but she’s

I’m not sure when or why I picked up Janet Evanovich’s first Stephanie Plum novel, One for the Money, but I laughed all the way through it. It was a mystery but it had large dollops of humor and romance, and Stephanie was a Jersey girl with money problems and curly hair that never seemed to want to stay in a pony tail.  I liked the character and I loved the book and from then on, I was hooked on the series. 

In fact, I always thought the books would make a great television series because Evanovich surrounded Stephanie with a great cast of characters. There are the people at the bail bonds office (including her cousin). Her parents (particularly her long-suffering dad) are always around to offer sympathy and pot roast. And then there’s her Grandma Mazur, whose idea of entertainment is heading over to the local funeral home for viewings. (That funeral home figures prominently in a couple of the books.) And then there are the two men who are both pursuing our heroine.

These are people we could actually know.

And while some of the hijinks in the stories get a little out there, her brand of contemporary romantic suspense set the bar for writers who followed.

She started out writing romance novels, turning to fiction in her 30s and publishing her first book in 1987 when she was 44 years old. One for the Money came out in 1994 and kickstarted a series that includes 18 “by the numbers” books and a couple “between the numbers” novels as well.

And in between she’s written a slew of other books, both alone and with other writers a la James Patterson. (According to Wikipedia, she and the late Stephen J. Cannell were supposed to have written a book together. That would have been one lively romp.) And Castle fans who remember Cannell from the poker playing scenes, wouldn't it be fun to see Rick Castle playing poker with Janet?

You can follow her on Twitter @janetevanovich; like her on Facebook; and sign up for the newsletter on her site.

And you can go to see the movie version of One for the Money today, with Katherine Heigl as Stephanie.