Neon Noir and returning to my roots

My name is Katherine Tomlinson and I'm a short story writer.
There, I've said it.
Yes, I write longer stuff.
Yes, I still write non-fiction.
Yes, I write scripts and teleplays and web series episodes.
But in my heart, I am a short story writer. I say this knowing that even masters of the short story form don't really make much money from their work. Paying markets for short stories are few and far between, although the mystery, science fiction, and fantasy genres are putting up a valiant fight to keep the short story form alive.
I've been concentrating on longer work of late, trying to ignore the siren call of the short story. I'm writing something for Gerri Leen's "Dark Goddess" anthology, and every time the new "Dark Markets" comes out, I see one or two "calls for submission" that pique my interest. Most of the time I ignore that little tingle of electricity and go back to working on my novel. But every so often, I see an opportunity that I cannot ignore. Like the one for a crime fiction story that's "Neon Noir."  Inspired by the 80s with all the fashion and music and awesomeness that decade possessed.
I lived through the 80s.
I got this.

Beauty and the Beast retold in Christine Pope's Wolf of Harrow Hall

"Beauty and the Beast" is one of the most beloved fairy tales ever told. Right now there are two different film versions being developed. Christophe Gans' gorgeous French language version is available on YouTube. And if you go on GoodReads looking for a retelling of the tale, you're directed to a list with 1006 results, one of them my own novelette The Summer Garden. (There are 2611 retellings of "Cinderella" so that's even more popular as source material.)

Christine Pope likes "Beauty and the Beast." She retold it in her novella Breath of Life, which kickstarted her Gaia Consortium Series. And now she's used the story as a basis for a lush, snow-bound love story called The Wolf of Harrow Hall. Part of her Tales of the Latter Kingdoms series--all stand-alone fairy tales--Wolf has a gorgeous cover by Ravven, and an original new mythos that explains the nature of the beast. Buy it now at Amazon and on other publishing platforms.

Drunk on the Moon--Werewolf PI Roman Dalton is back

Roman Dalton, the werewolf PI created by Paul D. Brazill, first appeared on the pages of Dark Valentine Magazine, a orint and digital publication I published. We ran a second adventure of Roman's and soon after that, Paul invited me to join him and a group of other writers (Kate Laity, John Donald Carlucci, Allan Leverone) to contribute a story to his anthology of Roman Dalton stories, Drunk on the Moon.
It was a lot of fun playing in Paul's sandbox and I enjoyed writing my story, which included Persian fire demons, albanian gangster werewolves and a whole lot of weirdness.
There's a new eidtion of the anthology out now with a deliberately retro cover, and newly slicked up stories. Right now it's free on Kindle, so if you like urban fantasy and hard-boiled noir, you should check it out.

Leaving Berlin by Joseph Kanon, a review

In Joseph Kanon’s book, Leaving Berlin, an American Communist writer returns to Berlin as a spy and discovers that the woman he once loved is now a Russian spy. This is a nicely atmospheric, character-driven spy thriller set roughly the same time as Kanon’s previous book TThe Good German. We’re immediately dropped into the complex political and ideological situation that was postwar Berlin, and Kanon does an excellent job of introducing us to the various characters with a minimum of fuss. The city (as much a character as any of the humans) is haunted for Alex, and a series of flashbacks fills in his complicated relationship with his former lover . (All of Kanon’s books have a woman like Irene, even Los Alamos, and we’re reminded of the line from The Good German, “You should never have come back to Berlin.”)

This is Alex’s story and he’s an intriguing protagonist. He’s a man being manipulated, but he doesn’t come off as weak or passive. His friends—like the playwright Bertolt Brecht—and his admirers—almost everyone—respect his work, which is passionate and anti-Fascist and brave. But it’s not simple—nothing is simple in Berlin.

City of Dragons by Kelli Stanley

I have been a fan of Kelli Stanley's wonderful historical mysteries since my friend Cormac Brown gave me a copy of her "Roman noir" Nox Dormienda. When Kelli came to Los Angeles to sign the first book of her San Francisco-based historical mysteries, City of Dragons, I bought a copy and had it autographed. I loved the book and have since read two of the three sequels. The heroine is Miranda Corbie, a private eye with a past and a passion for justice.

I recommended City of Dragons to the book club I belong to in Bellingham--the Bellingham Mysterians--join us on Facebook--and it looks like this one is a winner. (We don't always agree on the books we read.) If you love historical mysteries with social issues wrapped up in the plot, you will LOVE these books. And if you love elegant book covers, the whole series has wonderful covers.

The Angel Artifact

Sometimes you get a story bunny that just will not leave you alone, no matter how often you push it aside. The last time that happened to me was when the "Vampire Cinderella" idea pushed me to write Bride of the Midnight King.  I know where this one came from--hours spent refining my entry into the "Be James Patterson's co-author" contest, along with thinking about under-used supernatural beings in paranormal books.
The idea is that a little kid, a girl, I think, finds an angel feather in the woods. It's big--bigger than she is, anyway, and looks like a piece of brushed steal sculpture until you touch it. She brings the angel back home and takes it upstairs to show it to her little brother, a kid with some congenital and fatal disease who is bed-bound. And when he touches it,he's healed.
And consequences ensue.
I figure there are several of these angel feather artifacts scattered all over the world and some have been used for harming as well as healing.
How do you destroy such an artifact? It's not like you can throw it into the fires of Mt. Doom.
And of course, word of this object would get out.
And the government would probably get involved.
Maybe now that I've written this much down, the idea will be happy to sit in the back of my unconscious.
i know there's something there, but not sure what to do with it.

Sunday Shakespeare Goodness--Helen Mirren's TEMPEST for free

I've seen a lot of productions of Shakespeare's The Tempest. I've seen a Comnedia dell'arte production iperformed solely n Italian during the a cultural "Olympics" that accompanied the 1984 L.A. Summer Olympics, I've seen a production in San Diego with three oversized seashells as the only set (Ellis Rabb played Prospero) and I've seen two more traditional versions, one with Anthony Hopkins and Stephanie Zimbalist and one with Christopher Plummer as the vengeful mage.

When I found out Helen Mirren was going to do a female version of the play with Julie (The Lion King) Taymor directing, I was intrigued but somehow I never managed to catch the 2010 production. But now, thanks to YouTube, I can see the whole movie for free! It was worth the wait. Djimon Hounsou plays Caliban, who has the best line in the play (and one of my favorite lines in all of Shakespeare) when he says, "You taught me language and my profit on't is I know how to curse." 
This was Shakespeare's last play, the culmination of a career, a master at the top of his game.
Enjoy it here.