A Magical Book Series to Embrace

Victor Kloss, author if The Royal Institute of Magic series, died last week after a bout of cancer. If you're a fan of books in the Harry Potter, Percy and the Olympians vein, you should definitely check out the series. (The first book has 511 reviews, with an average of 4.6 stars.)

Tanglewreck by Jeanette Winterson

This smart book about a young protagonist taking on dark forces owes a lot to the Harry Potter series.  She’s an orphan whose father and mother perished under peculiar circumstances and she now lives with a woman who may or may not be her aunt, but who is certainly rather abusive.  Mrs. Rokaby is bad enough but her evil rabbit Bigamist is a real villain! 

The characters are rooted in the real world, which makes the time tornados and time traps really work.  They’re more magical fantastical than science fiction, and we are very interested in how things are going to play out.  (That opening is really tasty and very visual.)

In some ways, we can see the derivation of a lot of the ideas here.  In particular, the story reminds us of John Bellairs’ trilogy of books that begins with The House with the Clock in its Walls.  The young protagonist of that book (a chubby ten year old) has to track down the clock by solving a mystery, and saves the world thereby.  This book is just as complex and just as satisfying, and young Silver (named after her father’s favorite pirate, Long John Silver) is a kid we can really sympathize with and really like.  She is just little (sort of like a hobbit) but she has to do a brave thing because it’s the thing to do. 

He'll always be Hans Gruber to me. RIP Alan Rickman.

Yes, yes, he was in the Harry Potter movies, but he'll always be Hans Gruber to me. I started working for Silver Pictures the month that Die Hard came out. I've always liked action movies and Die Hard, like many of Joel Silver's movies, established a new story paradigm that other companies were quick to pick up on and run with. I cannot tell you how many "Die Hard on a (fill in the blank)" movies I read in the 18 months I worked there.Some were pretty cool, others were just lame knockoffs.

Bruce Willis ruled as John McClane in Die Hard. I'd only ever seen him on Moonlighting and in those beer commercials but he had a good smirk--only Clark Gregg does it as well--and I  liked his style. He was great. But Alan Rickman as Hans Gruber? He was perfection. Sinister and smart and he had the first "resurrected villain" moment that ever really worked for me.

The next thing I saw Alan Rickman in was Robin Hood: Prince of Thieves and my favorite scene in the whole movie was the one where he (as the Sheriff of Nottingham) has a conversation with Michael Wincott's hilariously dim Guy of Gisborne. "I'll cut out his heart with a spoon."  "Why a spoon cousin?" "Because it will hurt more."

Review: Serpents of Arakesh by V.M. Jones

Serpents of Arakesh by V. M. Jones

Appearances can be deceptive.  The four people around the table look like a businesswoman (Veronica Sherwood); a tramp (Quentin Quested); a bodybuilder (Shaw; and a bank manager (Withers).  You would neverguess that Quentin is actually one of the wealthiest men in the world, the world’s most wizardly computer genius and the man behind the best-selling Quest computer games. 

The most recent game—Quest for the Golden Goblet—is being marketed with a special promotion sweepstakes.  People who register the game get to enter a contest to win a complete computer system, a complete set of the Quest games and … a two-day gaming workshop with Q himself. Faster than you can say “golden ticket,” thousands of entries pour in, and salfes have jumped two hundred percent.

Q has a very personal agenda behind the contest, though. He wants to find five children who can enter the magical world of his creation and find a healing potion that will save the life of his daughter Hannah.

It’s clear the author has seen Willy Wonka and the Chocolate Factory  a few times, but that’s okay.  Jones has taken the basic “golden ticket” premise and given it an interesting Harry Potte-ish gloss.  (Like Harry, protagonist Adam is an orphan who has to deal with bullies.) 

Freebie sample--Romeo and Juliet, a werewolf, vampire love story

Romeo and Juliet--a vampire/werewolf love story by H.T. Night is now available on Amazon for $2.99, but there's a generous free sample. I'm interested in seeing what Night has done with this premise because I have a story in which a clueless young theater company "revamps" the classics into Twilight and Harry Potter-inspired stories.  Turning the Montagues and Capulets into werewolves and vampires seems like a no-brainer of a way to interest teens in the story, which is already the greatest story of teenage romantic angst ever.
H.T. Night is a paranormal romance writer with a degree in theater from Cal State Fullerton. He's working on several series simultaneously and put out two books last month.  Check out his website here for more information on his books.

Lord Voldemort rocks Shakespeare

When I read John Locke's adaptation of Coriolanus for a film market in 2009, I scoffed. Although I thought he did a brilliant job with the language and the conceit of the play (which was filmed in Serbia, Montenegro and the UK), I predicted it would not be very commercial. In fact, it was a box office disaster, earning a little over a million dollars in its global release. (Interestingly, three-quarters of that million was from US dollars, it only earned $31 million overseas.)
I've never seen the play performed live an I barely remember reading it, so when the dvd of Coriolanus came out, I picked it up. And was ... dazzled.
Ralph Fiennes directed the movie and stars in the title role. with his shaved head and facial scars he looks every inch the warrior he is playing, a soldier who never wanted to be a politician and who has no patience (or love) for the common people who want to embrace him as their hero. In the Harry Potter movies, Fiennes delivers lines like, "Harry Potter, the boy who lived, come to die," with a sinister silkiness. Here he blows out all the stops--sometimes whispering his lines, sometimes roaring them like the "dragon" he becomes. It's a symphonic performance even when it skirts close to melodrama.
Vanessa Redgrave plays Coriolanus' mother--a great part for a mature actress--with a ferocity that just wipes everyone off the screen. (You'll get a glimpse of her intensity in the trailer.)She is a master (mistress) of manipulation but her ambitions for her only son go horribly awry. With her coronet of silver braids and her noble profile (it should be on a coin), she takes command of the story.  "I would the gods had nothing else to do but confirm my curses," she spits at a Tribune who has betrayed her son. (This story is full of excellent insults, my favorite being, "This Triton of minnows.")

Of course, she's Vanessa Redgrave... so you'd expect her to be awesome, but what's surprising is Gerard Butler's mastery of the Shakespeare's words. He's terrific and in the scene where Coriolanus' mother comes to beg him not to destroy Rome, he's got one line and does everything else with his eyes and his body language.
And then there's Brian Cox. Brian Cox should be in every Shakespeare production somewhere.  He's just the perfect actor.
The setting of the story is a world of graffiti and greed, and the color scheme is monochromatic, often black and white in color (or more precisely...gray and white with splashes of blood). Blood is spilled here, and there are a couple of brutally intimate scenes where one or another character is slitting someone's throat or knifing them int he guts. (The story begins with a character sharpening the blade he will later sheathe in a body.)  The war-torn country LOOKS war-torn and not art-directed, and some of the scenes could have come from an Occupy Wall Street rally.
The directing is spotty and Fiennes occasionally makes some creative choices that seem a bit iffy. But all in all, this is a terrific production of one of Shakespeare's lesser-known plays and it's worth two hours of your time.