Julius Caesar, then and now

My first encounter with Shakespeare's play Julius Caesar was watching the star-studded 1953 film in my 9th grade English class. James Mason was Brutus, Marlon Brando played Mark Antony, and John Gielgud played Cassius, he of the "lean and hungry look." I have to say, I was not particularly impressed then, and upon looking at Antony's famous "I come to bury Caesar not to praise him" speech (see it here on Youtube), I haven't really changed my mind although looking at the black and white clip, it's eerie how Marlon Brando seems a sculpture come to life, so faded is the whitee of the film. And oddly, too, he reminds me of James Purefoy as Antony in Rome. (If you're interested, you can compare it to Charlton Heston's version from the 1970 adaptation here.)

I never really liked the play. A couple of female characters make cameo appearances, but there's no one like Coriolanus' mother in my favorite of Shakespeare's political plays. Vanessa Redgrave played her in the Ralph Fiennes version, and she was in her full Vanessa glory in a meaty part. For some reason, almost every high school English program uses Julius Caesar to introduce the bard to their students. (Sometimes it's Romeo and Juliet but in four of the five high schools I attended, Julius Caesar was the first play offered. And it's a wonder anyone ever went on to another play.)
That's why I'm so interested in the controversy the Public Theater has generated with their politically charged interpretation depicting Caesar as looking like Donald Trump.

What to read by Margaret Atwood after you've reread A Handmaid's Tale

Margaret Atwood is one of the authors who is rewriting Shakespeare's plays for the "Hogarth Shakespeare'" collection. Her novel, Hag-Seed, is a r-imagining of Shakespeare's last play, The Tempest. Unlike some of the plays in the series so far (I'm thinking of Jeanette Winterson's luminous retelling of The Winter's Tale, Gap of Time), The Tempest is a play that's been re-imagined mamy, many times, most recently in Julie (The Lion King) Taymor's version with Helen Mirren as "Prospera." 

All of Shakespeare's plays are full of quotable lines, but my very favorite exchange in all of Shakespeare is a conversation between Prospero and Caliban. "You taught me language," Caliban says to Prospero, "and my profit on't is I know how to curse." I've seen about half a dozen performances of the play, including one stunning version mounted by Ellis Rabb and another starring Anthony Hopkins as Prospero. (Stephanie Zimbalist played Miranda.) 

I'm looking forward to reading Atwood's "take" on the tale because the books I've read so far have been terrific.  I'm especially looking forward to Nesbo's Macbeth, which is one of my favorite plays, despite its reputation for being a cursed piece of work.

Other books will be published over the next four years, including Jo Nesbo's version of Macbeth and Gillian Flynn's Hamlet. Tracy Chevalier's Othello re-do will be out this fall. I already have Anne Tyler's Vinegar Girl (The Taming of the Shrew) and Howard Jacobson's Shylock is My Name (The Merchant of Venice).

i'm surious how much of a feminist take on the play Hag-Seed will have. One of the things that has always bothered me about The Tempest is the way Prospero stole the island from Caliban's mother, the witch Sycorax.

Saints and Misfits...a book fro the TBR pile

This has been a good year for coming-of-age stories by debut authors and Saints and Misfits by S.K. Ali is another one.  Just read the sales copy and you'll want to read this book, which came out yesterday.

There are three kinds of people in my world:

1. Saints, those special people moving the world forward. Sometimes you glaze over them. Or, at least, I do. They’re in your face so much, you can’t see them, like how you can’t see your nose.

2. Misfits, people who don’t belong. Like me—the way I don’t fit into Dad’s brand-new family or in the leftover one composed of Mom and my older brother, Mama’s-Boy-Muhammad.

Also, there’s Jeremy and me. Misfits. Because although, alliteratively speaking, Janna and Jeremy sound good together, we don’t go together. Same planet, different worlds.

But sometimes worlds collide and beautiful things happen, right?

3. Monsters. Well, monsters wearing saint masks, like in Flannery O’Connor’s stories.

Summer of Shakespeare is Coming!!

Summer of Shakespeare took the summer off last year, but this year it'll be back, commenting on all things Shakespearean for three solid months. (Along with other items of interest and bookish things.) Get in the mood by wearing your "upstart crow" t-shirt, available on Etsy. The phrase "upstart crow" is attributed to Robert Greene, one of Shakespeare's contemporaries, who was throwing shade on the bard in his own work, A Groats-Worth of Wit. Greene died young (he was only 34), so maybe it's not fair to judge him on his body of work but honestly--just on titles alone, how memorable is A Groats- Worth of Wit, bought with a Million in Repentance? It sounds like required reading from a particularly humorless Sunday School teacher.

I do like the phrase, "Upstart Crow," though.

Coming Soon...Day of the Dark anthology

Kaye George has edited this very cool anthology of crime stories themed to the upcoming eclipse this summer. The book will be out next month from Wildside Press and I'm thrilled that my story, "The Path of Totality" is included. I like the cover a lot.

US is pulled out of the Paris Climate Accords

Image by Bigstock

New from M.J. Rose

M.J. Rose was the first really successful indie published writer I was aware of. (I hadn't yet heard of John Locke or Amanda Hocking.) I even had a book she'd written about self-publishing and selling the books herself. Then she got a traditional publishing contract. I liked her books and I liked that she was willing to share her tips. So I've been a fan for five years or so.
M.J. Rose writes lush prose.

I started out reading her Morgan Snow books, and they were a lot of fun. Her more work reminds me of the late, great Tanith Lee, and this new book (available in July) has pretty much everything I love in a book, plus Paris. 

Here's the blurb:

In this riveting and richly drawn novel from “one of the master storytellers of historical fiction” (New York Times bestselling author Beatriz Williams), a talented young artist flees New York for the South of France after one of her scandalous drawings reveals a dark secret—and triggers a terrible tragedy.

In the wake of a dark and brutal World War, the glitz and glamour of 1925 Manhattan shine like a beacon for the high society set, desperate to keep their gaze firmly fixed to the future. But Delphine Duplessi sees more than most. At a time in her career when she could easily be unknown and penniless, like so many of her classmates from L’École des Beaux Arts, in America she has gained notoriety for her stunning “shadow portraits” that frequently expose her subjects’ most scandalous secrets. Most nights Delphine doesn’t mind that her gift has become mere entertainment—a party trick—for the fashionable crowd.