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Fictionista, Foodie, Feline-lover

Showing posts with label Hamlet. Show all posts
Showing posts with label Hamlet. Show all posts

Tuesday, July 4, 2017

From Russia with Love

Grigori Kozintsev's Hamlet
Every once in a while I get a huge spike in views of this blog in Russia. While I'd love to think that I've suddenly picked up a lot of fans in Moscow and Vladivostok and Yekaterinburg, the reality is that some Russian bot is probing Kattomic Energy for weak spots. The bots hang out for about a week, sending my view count sky high, and then they slink back to wherever they came from.

I found myself wondering what Shakespeare thought of Russia, if he thought of Russia at all. Shakespeare's life spanned the 16th and 17th centuries and by then, Moscow was a huge cultural center. It was a principality known to the English as "Muscovy." That land pops up a couple of times in Shakespeare's plays, most notably in Act V, Scene III of Love's Labour's Lost when Rosaline asks another character why he looks so  under the weather: 

Why look you pale?
Sea-sick, I think, coming from Muscovy. 

In searching for Shakespeare/Muscovy links, I ran across this article about the way Soviet Russia viewed Ophelia. Poor Ophelia.  Using Grigori Kozintsev's film version of Hamlet as a source, the article deconstructs her "corruption." It's interesting reading.


Wednesday, June 21, 2017

What to read by Margaret Atwood after you've reread A Handmaid's Tale

Margaret Atwood is one of the authors who is rewriting Shakespeare's plays for the "Hogarth Shakespeare'" collection. Her novel, Hag-Seed, is a r-imagining of Shakespeare's last play, The Tempest. Unlike some of the plays in the series so far (I'm thinking of Jeanette Winterson's luminous retelling of The Winter's Tale, Gap of Time), The Tempest is a play that's been re-imagined mamy, many times, most recently in Julie (The Lion King) Taymor's version with Helen Mirren as "Prospera." 

All of Shakespeare's plays are full of quotable lines, but my very favorite exchange in all of Shakespeare is a conversation between Prospero and Caliban. "You taught me language," Caliban says to Prospero, "and my profit on't is I know how to curse." I've seen about half a dozen performances of the play, including one stunning version mounted by Ellis Rabb and another starring Anthony Hopkins as Prospero. (Stephanie Zimbalist played Miranda.) 

I'm looking forward to reading Atwood's "take" on the tale because the books I've read so far have been terrific.  I'm especially looking forward to Nesbo's Macbeth, which is one of my favorite plays, despite its reputation for being a cursed piece of work.

Other books will be published over the next four years, including Jo Nesbo's version of Macbeth and Gillian Flynn's Hamlet. Tracy Chevalier's Othello re-do will be out this fall. I already have Anne Tyler's Vinegar Girl (The Taming of the Shrew) and Howard Jacobson's Shylock is My Name (The Merchant of Venice).

i'm surious how much of a feminist take on the play Hag-Seed will have. One of the things that has always bothered me about The Tempest is the way Prospero stole the island from Caliban's mother, the witch Sycorax.

Friday, July 1, 2016

Something Different in a Shakespeare Book: The Shakespeare Stealer

This looks like a coming of age story set in Shakespeare's time The hero is a young orphan 9aren't they always?) who can write a symbol language. His cruel master orders him to steal Hamlet or ele, and it goes from there.

Sunday, June 26, 2016

Another Cover Reveal!

Over at the Book Cover Designer, they're' going into their last week of a fabulous 20 percent off sale. (A new coupon will generate tonight at midnight PDT.) I've bought a number of covers for upcoming projects  and still have a pretty long "wish list."

I always try to steer my indie author clients toward BCD because they have a wide range of designers who offer covers for as low as $20. (They also have a few that are inexplicably in the $300 price range without, IMHO being worth it, but eye of the beholder and so forth.)

Later this year I have a whole series of novelettes coming out that are basically retellings of Shakespeare tales with a romantic/gothic gloss. Island of Magic (Tempest meets Beauty and the Beast), Cry, Little Sister (Hamlet), and two as-yet-untitled stories based on Othello and Macbeth.

This is the cover for Cry, Little Sister, my retelling of Hamlet from Ophelia's point of view. I liked the cover because I haven't seen the model, who is lovely, all over the stock photo libraries. The cover was designed by Serena Daphn.

Tuesday, April 19, 2016

Surprising Shakespeare Brand Name

so it's #ShakespeareWeek and I was Googling around looking for Shakespeare silliness and I discovered that there's a Shakespeare brand of fishing equipment. I know Shakespeare isn't the first name that comes to my mind when I think "fishing" so I went looking for something he might have said about the sport. (Was fishing a sport back then? Or was it just another way to catch dinner?) Turns out there is a famous quote from Hamlet:

“A man may fish with the worm that hath eat of a king, and eat of the fish that hath fed of that worm”



Wednesday, July 30, 2014

Shakespeare and sharks

When I saw the ads for Sharknado 2, I found myself wondering if Shakespeare ever used the word "shark." (After all, he knew about tigers, and there are no tigers in England while there are most definitely sharks in the waters around the island.) Turns out he used it twice, once as a noun and once as a verb. In Macbeth, shark parts are listed as ingredients of the witches' potion: Scale of dragon, tooth of wolf, Witches’ mummy, maw and gulf, Of the ravin’d salt-sea shark. In Hamlet, Horatio uses the verb in reference to Fortinbras: Now, sir, young Fortinbras, Of unimproved mettle hot and full, Hath in the skirts of Norway here and there Shark’d up a list of lawless resolutes and of course, in the Broadway musical West Side Story, inspired by Romeo & Juliet
, one of the street gangs is called "the Sharks."

Friday, June 6, 2014

Rosencrantz and Guildenstern for free

Tom Stoppard wrote the script for Shakespeare in Love and co-wrote the script for Brazil, but before he was famous for his screenwriting, he was a noted playwright whose plays were filled with witty wordplay and what Wikipedia calls "intellectual playfulness" with diverse and literate topics woven into his stories. I've seen most of his major plays but my favorite remains Rosencrantz and Guildenstern are Dead, his intriguing vision of Hamlet told from the point of view of two doomed minor characters. I discovered that the movie version, starring Tim Roth and Gary Oldman and directed by Stoppard. is playing on YouTube. It's divvied up into 12 parts. so you'll need some patience, but if you've never seen it, it's well worth your time.

Thursday, June 5, 2014

Shakespeare Noir...The Sister's Story

Painting of Ophelia  by John Everett Millais
the character of Ophelia in Hamlet has always annoyed me. Not because I think the character is unrealistic--sadly, I've known a few too many Ophelias in my life--but because she's such a ninny. She lets her father and brother boss her around; she lets Hamlet mistreat her and then she kills herself.  She'd have lasted about a day and a half n Westeros. But what if...Ophelia wasn't the pliant little maid we all know, weaving circlets of rosemary and singing nonsense songs? What if she were an altogether different person?

The Sister's Story
by Katherine Tomlnison

Prince Hamlet had been away at university for almost a year when his father died.
Ironically, he was on the road home to Elsinore when news of his father’s illness reached him.
It was far too late for him to send his companion away, so when the prince arrived to find the court in mourning, his friend was thrown into the midst of the maelstrom along with him.
It was a peculiar situation.
The old king had died of a stomach ailment and even though the prince was of age, the title had passed to the king’s brother, Claudius instead of him.
Odder still, the prince’s newly widowed mother had already married her former brother-in-law.
When Hamlet’s friend Horatio remarked upon the somewhat unseemly haste of the nuptials, Hamlet rebuked him saying that he admired the economy of the measure, which allowed the kitchen to serve the funeral’s baked meats sliced cold at the marriage feast.
In truth, Hamlet cared little for the crown itself—he was a scholar, not a fighter, and Prince Fortinbras of Norway had often been known to mock him as “the student prince.” Claudius was rooted from more martial stock, and eager to send the Norwegian prince threatening our borders back to his own kingdom without tribute or treasure.
King Hamlet had favored diplomacy in dealing with the Norse-men, a policy Claudius had openly disdained.
As soon as he was king, Claudius ordered the Danish army to prepare for war. My brother Laertes was ordered back from Paris to lead the troops that would protect the land between the border and Elsinore. If Hamlet felt the slight of his uncle’s favor passing him by, he did not show it.
In fact, if he had any feelings at all, he did not express them—not to me, not to Horatio, and certainly not to the two fools who were his best friends at court, Rosencrantz and Guildenstern.
I was surprised that Hamlet did not turn to me; surprised and somewhat hurt.
We had been lovers since I turned 15 and it was commonly assumed that one day we would marry. My brother opposed this idea, mostly because he did not like the prince (Rosencrantz once joked that Laertes opposed the match and I had overheard Rosencrantz say that his objections were not because he disliked the prince, but that he liked him a little too much. Guildenstern had countered this witticism with an observation of his own suggesting that perhaps Laertes wanted to keep me for himself.
Both gibes had enraged my brother and vastly amused the court, fueling speculation that was not kind to Laertes.
My father was giddy with the possibility of my marrying the prince, despite his public protestations to the contrary. My father was a noble by birth, but a minor noble and despite his title of “Lord Chamberlain,” his function at court was as only slightly more important than that of the king’s Master of Hounds. Being father-in-law to the future king was a prospect that thrilled him.
And there was no doubt that Claudius would name Hamlet his heir. The king had no children of his own and Queen Gertrude was well past child-bearing age.
I’d always assumed Hamlet’s parents found me…adequate…as a potential mate for their son. I am a pretty woman from a noble family and really, all the only thing they really required of a princess bride was a brood mare of sufficiently impressive bloodstock that the royal spawn would not be born with a crooked back or a cloudy eye.

Thursday, August 16, 2012

Celebrity Culture in Shakespeare's Time

Since I'm thinking about celebrity culture today, I started wondering about who the star of Shakespeare's day was. And then I realized I already knew--Richard Burbage. He and his older brother Cuthbert (don't you wonder how poor Cuthbert got saddled with a name like that while Richard got a perfectly normal name?) were both actors. Their father had been a joiner-turned-theatrical impresario.
Burbage was a member of a number of prestigious acting companies but made his name as Shakespeare's leading man, originating the roles of Hamlet, Othello, Richard III and King Lear.
Burbage later managed his own theater. His epitaph is brief, "Exit Burbage."
Martin Clunes plays Burbage in Shakespeare in Love. Wonder if they'll still be talking about Brad Pitt in 500 years.

Thursday, July 5, 2012

Shakespeare's Top Ten--According to Listverse

Twelfth Night
A contributor named Herojax put together this list which has Othello at number 10 and Hamlet at number one. It's worth looking at because the list-maker found a lot of cool old illustrations to accompany the text. Here's the list.

Thursday, June 28, 2012

Shakespeare Resources

I once wrote a paper comparing the character of Hotspur (from Henry IV, part 1) to Hamlet and got an A because my professor though the comparison was just too weird (Hotspur is all about action and Hamlet is deliberate) but he was entertained by my argument. I was thinking about that as I surfed around looking for resources students can use for writing papers these days. Who needs Cliff Notes?
Shakespeare Online is kind of an ugly site but it's really entertaining. The home page features something called "Bard Bite" which is a Shakespeare trivia question. (Today's is a question about what Edwin Booth thought was teh worst rhyming exit in all of the plays.)  The landing page offers fodder for at least a dozen term papers and it changes daily.
Absolute Shakespeare is another basic-looking site that includes study guides and trivia and summaries and all sorts of other info in a matter-of-fact all text format.  Their list of Shakespeare films is way out of date (it ends with the  Ethan Hawke version of Hamlet from 2000) but the rest of the material is still relevant.
Mr. Shakespeare and the Internet is a livelier looking site that has two goals--to be an annotated guide to scholarly Shakespeare resources; and to provide material not available anywhere else (like a timeline). They also have a store that will link you to DVDs of great Shakespeare plays (including a recording a performance of Macbeth by Patrick Stewart).