Artists Who Write/Writers Who Art

Ambrose Bierce by J.H.E. Partington

I actually know a lot of artists who write. In addition to Joanne Renaud and Kat Laurange, I can name friends--John Donald Carlucci, Mark Satchwill, Jefferson Moore--as well as inspirations--Edward Gorey, Beatrix Potter, Maurice Sendak, Janell Cannon (writer/illustrator of the lovely Stellaluna), and misanthropic writer.artist Ambrose Bierce.

I first encountered Bierce as an illustrator. I thought his King Arthur illustrations were fantastic. (To see a portfolio of his illustrations for Oscar Wilde's Salome. go here.)

Beardsley's illustrations were lush and detailed and for me, as much as Alphonse Mucha, defined Art Nouveau.

He had a very distinct style, and even for a kid, instantly recognizable.

I then stumbled across The Devil's Dictionary (formerly known as The Cynic's Word Book), a dark satire that was snarky and satisfying. For example: 

Lawyer 

(n.) One skilled in circumvention of the law.




I then read a number of his short story collections, which tended toward the fantastical and speculative. I liked his short fiction a lot--especially his writing on war--and wondered why he was so often eclipsed by Mark Twain in English classes. 

Here's an interesting article on whether Ambrose Bierce was a better writer than Mark Twain. I don't think he was--I took a whole semester of Twain when I was in college and read pretty much everything he wrote, including "War Prayer" and Gilded Age. I think Twain had more range. But if you're stacking up short stories, I'll take Ambrose Pierce's "An Occurrence at Owl Creek Bridge" over "The Celebrated Jumping Frog of Calaveras County." Kurt Vonnegut considered the Bierce story to be the greatest short story ever written.

Friday Freebie: Wild-Born by Adrian Howell

This novel sounds like it's something different in paranormal although it is a little weird that the author of the book has named the protagonist after himself. ("Adrian Howell" is actually the author's pen name and you can learn more about him and his books on his website.) I'm fascinated by "psy war" books ever since I discovered that the now-deceased police officer Pat Price  was a "remote viewer" and used to teach Learning Tree classes in the skill. (I SO wanted to take one of those classes but they were never offered at a good time for me.)

Interview with author/artist Kat Laurange

 From now until the end of the month, enter the March Mayhem contest sponsored by Joanne Renaud, Kat Laurange, Donna Thorland, Lynne Connelly and Kat Parrish. Details and entry form here.

 Introducing Kat Laurange, author of Somebody Brave, published this week.

I am in awe of what you get accomplished. I’m connected to you on Good Reads and every time I log on, you have read two or three more books and reviewed them. With a freelance career and a young son, and other commitments—how do you do it? Do you ever sleep? (I am totally onboard with your petition to have the day extended to 72 hours).

Wow, thanks! I've gotten pretty good at wedging things like reading into the interstices of daily life and responsibility--you can get a surprising amount of reading done in little five minute bites.

Do you listen to music as you work and if so, what was in your playlist for this book?

I try to find music that suits the mood of whatever I'm working on. A lot of writers use movie soundtracks, but I can't do that--that music already belongs to a different story, you know? My playlists usually end up a weird mix of Japanese rock (I love Gackt), bluegrass, and indie music.

AP or Chicago Manual of Style?

AP ALL THE WAY. And yes, I deplore the Oxford comma (but I'll still use it if it's truly, absolutely and entirely necessary)!

If you could live during any era in any place, where would it be, and what is it about that time/place that attracts you?

I'd like to be a pioneer: so I guess either back in the 1800s when the American frontier was being explored, or else sometime in the future when we start colonizing other planets. The adventure and the hard work really appeal to me, as well as the idea of both being far away from the parent civilization and starting something new. Interplanetary colonies probably don't need artists, though, so I'll probably have to learn a new skill before they let me go to Mars. :D

Which came first, the pictures or the words? Or did you always write and illustrate your own stories?

Pretty much for as long as I can remember! When I was about 7, my parents gave me a laptop (this was in the mid-80's, so you can imagine this little kid pecking out stories on a huge brick of a machine), and I wrote stories about my stuffed animals and their adventures, and drew pictures to go along. When I get stuck for an idea in my writing, I can usually turn to my sketchbook and knock some things loose from my backbrain--often, things I hadn't even considered in the forefront of my mind! So the drawing informs the writing and vice versa.

Cemetery fiction

Source: Wikipedia

When I was a kid, you could--if for some reason you wanted to--picnic at Arlington National Cemetery. For me, this was not as bizarre a concept as it might have been to some people because in the South, there's a tradition of "visiting relatives" in graveyards, cleaning up around tombstones and memorial markers, and generally "keeping in touch." There are some truly beautiful cemeteries in the South, from the above-ground vaults in New Orleans' Saint Louis No. 1 to Bonaventure Cemetery in Savannah. (If you've seen the cover of Midnight in the Garden of Good and Evil, you've seen one of the cemetery monuments from Bonaventure.)

I'm not alone in my appreciation of a beautiful cemetery. Life's Business Insider once ran a pictorial called "20 of the World's Most Stunning Cemeteries." (Find it here.) Cemeteries from all over the globe were photographed, and the US still had some of the most beautiful. Some of my favorite fantasy books are set in cemeteries. They are:

For the TBR Pile: Teriyaki Samurai

I'm always a bit skeptical of books that are billed as "hilarious" and "zany." (I'm also deeply suspicious of "whimsical. In general, I have found, I am not a fan of whimsy.") But this book caught my eye today as I skimmed through the daily avalanche of emails offering free (and not-so-free) ebooks. I love road trip novels. (Handling Sin is one of my all-time favorite novels) and I'm always willing to give them a try. the Teriyaki Samurai.  Watch this space!

Some Thoughts on Historical Fiction

From now until the end of the month, enter the March Mayhem contest sponsored by Joanne Renaud, Kat Laurange, Donna Thorland, Lynne Connelly and Kat Parrish. Details and entry form here.

I've always been an omnivorous reader. I've always read a lot of nonfiction--I loved biographies when I was in elementary school and these days I'm a sucker for books like Bowling Alone, The Collapse and Revival of American Community and Nickel and Dimed: On (Not) Getting By in America. I also love reading travel memoirs, from Peter Mayle's A Year in Provence to Video Night in Kathmandu. When I worked at Warner Bros. there was a travel bookstore just down the street and I probably bought two books a week there. So many places to visit! And I think my fascination with other places has carried over into my fascination with other times. Fatherland and The Years of Rice and Salt.
And alternate versions of time. (Loved Robert Harris'

Even as a kid when I read fiction, I read widely and without a lot of discrimination. I loved mysteries and they were my go-to books of choice, but I lived in a neighborhood with a small library and after I'd read all the mysteries, I started reading everything else. My library had two sections--fiction and nonfiction, plus a shelf of LARGE PRINT books for the grannies and a little cubby hole of children's books for the little ones. And that was it. You had Agatha Christies novels shelved next to Bernard Cornwell's and Arthur C. Clarke. It was like the literary equivalent of the iPod Shuffle. I'd just pick up books that looked interesting.

Excerpt from DOORS by Joanne Renaud

 

From now until the end of the month, enter the March Mayhem contest sponsored by Joanne Renaud, Kat Laurange, Donna Thorland, Lynne Connelly and Kat Parrish. Details and entry form here.

Artist/illustrator Joanne Renaud's new novel, Doors is a sequel to her 2915 A Question of Time. As the title implies, the story involves a form of time travel, but she has created a new twist on an old trope, playing with the multiverse.  Here's how the publishers at Champagne books describe Doors:

Jackie Karam always knew her friend Orne was a weirdo, even before he enlists her help in opening a door to an alternate dimension. His theory is that if one could find a book one lost, a book one loved but can no longer remember anything about, it might open a door to another world. Jackie just happens to have such a book in her past. A science fiction novel her high school teacher had recommended to her before he died in a car crash.

Jackie loves hanging out with her handsome, charming, eccentric friend, so she agrees on a trip back to her hometown to look for Mr. Forrest's book. She finds it in the White Springs library, and just as Orne hoped, opens a door to another dimension, one altered from the world she knows. Not just altered, but better. Her career is a success, her old teacher is alive and well, and her relationship with Orne is so much more intimate. Her own world is so drab and hopeless by contrast, she's tempted to stay.

But does she truly belong in this other world? What happens to this world's Jackie if she stays? And what will happen to her, if she refuses to go back through that door?  

 Sounds like fun doesn't it? Here's an excerpt:

Ordinarily I would have been afraid of running in heels, but I was so determined to get down to the Village that it didn’t occur to me to trip. I think a guy whistled at me while I sprinted down the street, but I barely noticed.