Thursday, December 26, 2013
Wednesday, December 25, 2013
Merry Christmas
My brother took this picture of a red and white cardinal a couple of years ago. I didn't even know that cardinals came in red and white. One of the things I miss about living on the east coast is cardinals. We don't have them in Los Angeles. And we don't have snow. (We have 70+ temps today.) I like the weather, but I do miss the cardinals.
Sunday, December 22, 2013
The View From My Window
I have a Japanese Magnolia tree outsie my office window. In spring, it is full of the gorgeous purple blossons, but they don't last very long. It was so warm here last week that the tree was fooled into putting forth one perfect bloom.
R.I.P. Ned Vizzini
I was saddened to hear that Ned Vizzini killed himself this week after living with depression for more than half his life. He was the author of, among other books, a novel about his struggle with darkness. It's a book that promised a great career as a writer. But in the end his darkness swallowed him whole. Here's the review I wrote at the time.
In Ned Vizzini’s quasi-autobiographical novel, It's Kind of a Funny Story, ateenage boy
struggles with clinical depression and finally realizes he might be able to
conquer it one day at a time.
The trouble starts when CRAIG GILNER applies to a tough
private school in Brooklyn. He spends
most of a year studying for the entrance exam and taking private lessons and
undergoing prep exams. When he isn’t
studying, he’s hanging with his friend AARON, who also wants to get into
EXECUTIVE PRE-PROFESSIONAL HIGH SCHOOL.
Aaron is a lot more laid back than Craig about the whole thing. He spends most of his time smoking pot and
having sex with his girlfriend NIA.
(Craig covets Nia in the worst way and when Aaron tells him about
feeling the inside of her “pussy” and tells him it feels like the inside of a
cheek, Craig nearly goes wild.)
Always sensitive, Craig gets clinically depressed after he
gets into the school. His parents (mom
designs postcards, dad’s in health insurance) are very concerned and send him
off to a psycho-pharmacologist named DR. BARNEY. He puts Craig on Zoloft and refers him to a
psychotherapist. It takes a few sessions
to find a good fit for him, but Craig really likes DR. MINERVA. And that’s when
Craig’s problems really begin.
There’s an urgency and a freshness to this novel that marks
the author as a real talent. This is not
the usual coming of age story. It is,
instead, a character study. Craig is
just a normal kid until his depression and anxiety spin out of control and he
succumbs to the pain of it all. Every
step along the downward spiral feels completely real and plausible, as does the
ambiguous ending. (Craig is all right,
for the time being, and hopeful that he will only get better with time.)
The characters here are not always developed to their
fullest, but the author has a knack for giving us the detail that will make
them come alive. Craig’s mom shows up at
the hospital toting the family dog, much to everyone’s dismay. When she hugs Craig, the dog is in between
them and growls. (It does not go
unnoticed by Craig that the dog began barking at him when he his depression
began to take hold.)
Nia, the girl of Craig’s dreams, proves to be a superficial
sort long before Craig realizes it.
She’s a tease and not really worth all the energy he pours into loving
her. (His friend Noelle speaks for most
readers when she tells Craig that Nia is a slut.)
The various patients on the adult ward are a mixed bag. The writer does a good job of making these
damaged people come alive. It is perhaps
too on the nose that Noelle is a survivor of a suicide attempt brought on by
sexual abuse. Bobby and Tommy and Humble
are actually pretty funny in their roles as drug burn-outs (what Bobby calls
being a “garbage-head”) and they’re as close to the voice of reason as he’s
going to find.
Saturday, December 21, 2013
A Christmas Story
I like Christmas. I like the lights and the trees and the carols. (The real carols. I'd be happy never to hear "It's a holly, jolly Christmas" ever again.) But since 2007, when my little sister died, Christmas has always been just a little bit melancholy. I wrote this essay in 2008 and the emotions I felt then are still present, especially when I go into a certain shop where I pass the displays of salt caramels and candy canes she enjoyed so much. i don't really talk about why I tend to get "internal" during the holidays because they're so stressful for everyone and burdening friends with my baggage is selfish.
And by Christmas Day, I've usually snapped out of my funk. But in case you wondered...this is my christmas story.
y sister Mary
loved Christmas. You think it’s rushing the season when the yuletide
decorations appear the day after Halloween?She kept little white
Christmas tree lights strewn around her apartment year round,
surrounding the space with a dotted line of luminosity that defied the
darkness that often threatened to engulf her.
She started her
Christmas wish list in January, appending directions and diagrams for
the hopping-impaired, and revising it weekly throughout the year.
Christmas was what she
called “a candy holiday,” a time she gave herself permission to eat all
the wrong things … all the time.Meals were made of eggnog and sugar
cookies.Dessert would be dates stuffed with cream cheese frosting.There
would be candy canes.She was picky about her peppermint, would only
deign to eat one particular brand.She’d stock up during the half-price
sales after the holiday and mourn when her supply ran out.(And by stock
up, I’m not talking about purchasing a couple of boxes; I mean she
stocked up.She’d buy enough to last till February.)
She’d had her Christmas
stocking since she was a girl.It was made by our mother out of red
velvet, with her name stitched in white around the top, framed by a
constellation of embroidered stars.She liked that stocking filled with
Hershey’s kisses, packets of dried figs, and one of those Lifesavers’
Sweet Story Book collections with the butter rum and pep-o-mint flavors.
These were treats from
our childhood, items that showed up year after year, along with a dozen
pencils with our names on them (mail-ordered from a catalogue in the
days before the Internet) and the hard, black rubber comb that seemed
inevitably to lodge in the toe of our stockings.The Lifesavers’
assortment was the candy equivalent of the Crayola box with the built-in
crayon sharpener—we usually got one of those as well.In recent years,
the crayons and comb were optional, but the kisses were not.
Friday, December 20, 2013
Ian Fleming and J.R.R. Tolkien save the world!
Geektastic fun for both fans of both Tolkien AND James Bond
No Dawn for Men by James Lepore and Carlos Davis is an historical action/thriller with romance and paranormal elements, which makes it sound like kind of a mess, but it's not.
Ian Fleming and J.R.R. Tolkien team up to prevent an object
of dark power from falling into the hands of Nazis. It is 1938 and Hitler has
risen to power in Germany and is poised to unleash his “Final Solution.” In
Nazi circles, J.R.R. Tolkien’s novel “The Hobbit” is highly valued as a
propaganda tool. (“It’s a children’s book,” Tolkien insists, baffled by the
Nazi interest.) The scholarly writer—his expertise is Norse legends—is a
veteran of WWI, so he has seen evil up close and what he’s seen has shaken him
to his core. When a former student enlists his aid in fighting a magical
menace, he eagerly signs on and in the process frames the story that will
become his greatest epic.
Fleming, for his part, is a dashing spy posing as a
journalist and living forever in the shadow of his heroic, war-hero father
Valentine, who met Tolkien in a trench during “the Great War.” He and Tolkien
make a very odd couple, but that could be said of the ragtag assortment of men,
elves and dwarves who banded together in the “Fellowship of the Ring.” You
don’t have to know anything about either Tolkien or Fleming to enjoy this book
but if you are a fan of hobbits and womanizing British agents, you will enjoy
the book even more.
Every single page of this historical novel is chock full of
geekery and goodness, whether it’s a description of a torture that shows up in
an early Bond novel or a description of a particularly lurid sunset that gives
Tolkien the idea of the “Eye of Sauron” for the “Lord of the Rings” trilogy.
Aside from the storylines that follow Tolkien and
Fleming—stories filled with action, romance, courage, and betrayal—there’s an
ongoing power play behind the scenes of the Nazi inner circle as Himmler,
Goebbels, and Heydrich jockey for position. It’s all very “Game of Thrones” and
the stakes are very, very high. As Indiana Jones once said, “Nazis. I hate
those guys.” Well, who doesn’t? And framing them as dark lords in search of an
unspeakable power makes a lot of sense.
This book is a LOT of fun.
Labels:
Carlos Davis,
Ian Fleming,
J.R.R. Tolkien,
James Bond,
James Lepore,
Nazis,
No Dawn for Men
It's time to take back the American brand
I have been thinking about marketing a lot lately. what constitutes a "brand" and what makes that brand worthwhile.
So when this whole "free speech" flap blew up over theA&E reality star's homophobic rant, I looked at it from a marketing perspective. First of all, I wondered how it has come to pass that a cable channel branding itself the "Arts & Entertainment" channel even has a series like Duck Dynasty. It doesn't seem to go with their brand. I guess "art" wasn't paying the bills and like everyone else, A&E has to keep the lights on.
Then I thought about the way people are trying to "brand" this as a matter of free speech. As Inigo Montoya says to Fezzini--the phrase does not mean what they think it means. When we learn about "free speech" in civics class, the first thing we learn is that "free speech" does not mean you can yell "fire" in a crowded theater. Because that would be dangerous and irresponsible and could get people killed. Those who support the patriarch--and as of this morning, there were more than 100,000 people who'd signed a petition to have him reinstated--argue that A&E is stifling the man's God-given right to express his opinion. And apparently some of those supporters are willing to back up their support with death threats. Because by God, nothing expresses commitment to free speech like a death threat.
This is not about free speech; it's about hate speech. This is not about political correctness, it's about basic human decency. There have always been haters.
There will always be haters.
But that doesn't mean that a company that employs a hater has to give that person a public forum to continue to spread a message of hate.
Look what happened to Paula Deen when she uttered "the n-word" in what she thought was a private, protected legal setting, a word she would never have uttered in a more public way because it's shameful.
And yet, not so long ago, it was accepted.
Do we have to elect a gay president before it's clear that gay-bashing is just as shameful?
Being a hater runs counter to the American brand.
I'm an American.
And I'm tired of yahoos hijacking my brand.
So when this whole "free speech" flap blew up over theA&E reality star's homophobic rant, I looked at it from a marketing perspective. First of all, I wondered how it has come to pass that a cable channel branding itself the "Arts & Entertainment" channel even has a series like Duck Dynasty. It doesn't seem to go with their brand. I guess "art" wasn't paying the bills and like everyone else, A&E has to keep the lights on.
Then I thought about the way people are trying to "brand" this as a matter of free speech. As Inigo Montoya says to Fezzini--the phrase does not mean what they think it means. When we learn about "free speech" in civics class, the first thing we learn is that "free speech" does not mean you can yell "fire" in a crowded theater. Because that would be dangerous and irresponsible and could get people killed. Those who support the patriarch--and as of this morning, there were more than 100,000 people who'd signed a petition to have him reinstated--argue that A&E is stifling the man's God-given right to express his opinion. And apparently some of those supporters are willing to back up their support with death threats. Because by God, nothing expresses commitment to free speech like a death threat.
This is not about free speech; it's about hate speech. This is not about political correctness, it's about basic human decency. There have always been haters.
There will always be haters.
But that doesn't mean that a company that employs a hater has to give that person a public forum to continue to spread a message of hate.
Look what happened to Paula Deen when she uttered "the n-word" in what she thought was a private, protected legal setting, a word she would never have uttered in a more public way because it's shameful.
And yet, not so long ago, it was accepted.
Do we have to elect a gay president before it's clear that gay-bashing is just as shameful?
Being a hater runs counter to the American brand.
I'm an American.
And I'm tired of yahoos hijacking my brand.
Labels:
A&E,
Duck Dynasty,
free speech,
Inigo Montoya,
Paula Deen
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