Interview with G. Wells Taylor

G. WELLS TAYLOR was born in Oakville, Ontario, Canada in 1962, but spent most of his early life north of there in Owen Sound where he went on to study Design Arts at a local college. He later traveled to North Bay, Ontario to complete Canadore College’s Journalism program before receiving a degree in English from Nipissing University. Taylor worked as a freelance writer for small market newspapers and later wrote, designed and edited for several Canadian niche magazines.

He joined the digital publishing revolution early with an eBook version of his first novel When Graveyards Yawn that has been available online since 2000. Taylor published and edited the Wildclown Chronicle e-zine from 2001-2003 that showcased his novels, book trailer animations and illustrations, short story writing and book reviews alongside titles from other up-and-coming horror, fantasy and science fiction writers.

Still based in Canada, Taylor continues with his publishing plans that include additions to the Wildclown Mysteries and sequels to the popular Variant Effect series.

1.      You’re a horror writer. What scares you?
The knowledge that civilization is only a thin veneer.

2.      Who were the writers who introduced you to horror?
Mary Shelley, Bram Stoker, Robert E. Howard, Rod Serling, Ray Bradbury and Stephen King among others.

3.      What are the scariest supernatural creatures?
Ghosts.

4.      Did you write stories as a child? Were you encouraged to write?
I read comic books when I was a kid and learned some of the drawing basics by copying pictures of my favorite superheroes and monsters. Later I began creating my own characters and writing stories about them. My mother who was a teacher read these and encouraged me to write more. She was also a fan of genre fiction and we shared novels and talked about authors and books.

5.      What was your first publishing credit?
My high school English teacher produced a play I wrote as a class project and entered it in a countywide drama festival where it won the special adjudicator award for promising new writer. While it wasn’t a paid gig, it sure encouraged me to take my writing more seriously.

6.      Your trilogy, DRACULA OF THE APES, must have involved an enormous amount of research. I was particularly impressed by how well you managed to imitate 19^th century storytelling (in all the best ways). What did you do to prep for writing that saga? In preparation for writing Dracula of the Apes, I read fiction and genre novels from the era, and re-read the source books until I was dreaming them. So far as historical references and setting, I have to thank the local library and the many text, audio and video resources offered online.
Regarding the nineteenth century storytelling style, I love early genre fiction, and studied it in university. The lavish descriptions found in such narratives provide detailed accounts and definitions of the unknown or unfamiliar for audiences that had no access to radio, television or Internet communications. It is perfect for writing about exotic locations, horror and mystery.

7.   

The Variant Effect: Madhouse 1: Ziploc City by G. Wells Taylor

CRANK IT UP!

It’s never been easy working the squads, and in the aftermath of the GreenMourning operation, it’s gotten worse. Friends and colleagues died during GreenMourning, and something essential died with them. So now, everyone’s on edge knowing that the city-wide quarantine and their own efforts aren’t going to be enough if the Variant Effect takes hold of the population and spreads like a wildfire the way it did before.

The extreme psychological stresses experienced by squads had made those rules flexible, as if in homage to the days when the Variant Effect had first appeared, when half the force was drunk most of the time. They called it “cranking” when they used alcohol and drugs in the misguided belief that anesthetizing their nervous systems made them resistant to the Variant Effect.

Science had never proven this to be an effective barrier against infection, while it easily drew a correlation between cranking and absenteeism, insubordination, injury and accidental death.

However, the authorities knew that working the squads was dangerous and psychologically damaging with higher mortality rates than the police services, so members were given leeway for eccentric behavior.

But there were still limits.

And “Beachboy” has reached those limits. 

Fiction Friday: G. Wells Taylor's "Memory Lane:"

I'm a huge fan of Canadian horror writer G. Wells Taylor (whose vampire novel Bent Steeple is one of the best of the genre). He writes creepy, character-based stories that run the gamut from post-apocalyptic urban fantasy/noir (his Wildclown series) to his variant on the zombie apocalypse (The Variant Effect) to this tale of psychological horror featuring a couple of memorable human monsters. You can read my review on Amazon here, and while you're there, pick up a copy of the novella for $1.99.

Review of GreenMourning by G. Wells Taylor

A serial killer called “Pinocchio” is stalking Metro, collecting perfect body parts so he (or she) can construct a perfect body and be a “real boy.” Pinocchio is hiding inside the ranks of the “Variant Squad,” an elite group tasked with protecting the city against a new outbreak of Variant, which in its most virulent form turns ordinary citizens into skin-eating zombie-type monsters.

And meanwhile, a billionaire whose personal agenda involves evolving to a new, Variant-enhanced human 2.0 is manipulating everyone around him to force that outcome sooner rather than later.

It’s enough to make anyone go crazy and the people who make up the Variant Squad aren’t the most solid citizens around. There’s alcoholic Borland who forges a bond with a troubled orphan who gets under his skin in spite of himself. There’s Beachboy who numbs himself with sex and drugs and alcohol—“cranking” in Squad parlance. There’s Hyde, who literally has skin in the game, having lost his epidermis in the last Variant outbreak. And then there’s Marisol, whose own presentation of Variant Effect caused her to literally eat part of herself. Singly and together, these characters are original and memorable, and their interaction is intense, sometimes hilarious and often truly scary.

As any good horror novel should be.

GreenMourning is a sequel to G. Wells Taylor’s novel The Variant Effect, and while that book was good, this one is great, with every aspect of the story and characters amped up a notch. The relationship between Hyde and Marisol plays out in a way that’s breath-taking in its honesty and her “tough love” stance in the face of his reticence is impressive and admirable. Their interaction alone is worth the price of the book.

The various officials who are manipulating events are all very plausible character constructs, and the goings on at the GreenMourning company are convincingly conveyed. Taylor knows a little bit about manipulation himself, and he knows how to whip up his readers with anticipation and mysteries (who IS Pinocchio, for example) while taking them deep into a story that turns the zombie mythos on its head.

The novel ends on a cliff-hanger that will leave readers panting for more. People we like will die. People we thought we knew will surprise us.

No one is safe in the world of this book.

And the Variant Effect is back, and worse than ever.

If you like your horror cinematic and character-driven, you need to check out GreenMourning.

Free books. Who Knew?

I am not one for devices. It's not that I'm a Luddite--you'll have to peel my computer from my cold dead hand--but I don't see the point of phones that double as NASA flight control, you know? (I'll probably have a Droid this time next year and people will snicker and point at me, but right now, I'm content with just being able to text.)

But then there's the Kindle. I don't know when I would have bought one for myself. Probably not for awhile as it seems kind of a frivolous item for a person who works at home. But my friend Connie, who is an early adopter of everything techno, gave me one and well, I will probably never look back. After I bought a copy of my friend Geoff Taylor's new OFFICIAL VARIANT EFFECT COLLECTOR PACK (and you should too)I started looking around to see what else was on offer at Kindle. And imagine my surprise when I found a whole lot of neat books for FREE.

Free books. Two words that gladden my heart as almost none other can, except perhaps for the words "Gerard Butler." It is true that these are books in the public domain that I could find and download at any time. Still, when you search a name like, say, Wilkie Collins, and get back dozens of titles that you've never heard of, it's like Christmas. (And speaking of Christmas, did you know Wilkie wrote a couple of books with Charles Dickens? Definitely worth a look-see.)

So I started clicking away and the next thing I knew, there were 134 books stored in my Kindle. (I kind of went into a fugue state.) I can't wait to start reading...

Halloween Horror--Painkiller from G. Wells Taylor

If you don't know the work of horror writer G. Wells Taylor, now is a perfect time to remedy that situation. His seven-part serial The Variant Effect is available in a free e-book and just in time for Halloween, he's released a sequel novella, Painkiller. Painkiller bridges the gap between The Variant Effect and Taylor's upcoming novel, GreenMourning.

Painkiller features the return of Variant Squad Captain Joe Borland in a gut-wrenching story of grisly horror that reminds readers that the Variant Effect has returned and this time...it's personal. Both Borland and his colleague Hyde have had bitter losses and there are more to come.

The Variant Effect: Painkiller is available in FREE multi-format downloads at SkinEaters.com and other locations. If you haven't read the novel that started it all--Get a free copy of The Variant Effect for your digital library at Taylor's site; SkinEaters.com, , BarnesandNoble.com, Amazon.com, Kobobooks.com, iBookstore, Diesel-eBooks.com, Smashwords.com and eBookstoreSony.com where all other G. Wells Taylor titles are available as multi-format eBook for $3.99 or to order in paperback.

If you're not in the mood for Skin Eaters, then bite into a very different kind of horror with Taylor's vampire novel Bent Steeple. I'm going to keep telling you about Bent Steeple until you go out and read it, so you might as well listen to me now.