Jane Gaskell wrote her first novel, Strange Evil, when she was 14. Nobody had ever seen anything like it. (You can still find copies around. Here it is on Amazon with illustrations by Boris Vallejo.) China Mieville has called the book the first example of "new weird," a genre he now owns. Gaskell worked as a journalist for a while, and continued to write fiction until 1990. According to Wikipedia, she is now a professional astrologer.
The Shiny Narrow Grin is Gaskell's vampire novel and it is soooooo 60s pubished in 1964). I have a friend, born in the 70s, who is fascinated by everything Swinging Sixties, and this is one of her favorite books. The Shiny Narrow Grin . the book is almost impossible to find. But strangely, it's up at Wattpad. (Read it here.)
Showing posts with label China Mieville. Show all posts
Showing posts with label China Mieville. Show all posts
Sunday, January 10, 2016
Saturday, April 6, 2013
Review of Hard-boiled Wonderland and the End of the orld by Hauki Murakami
Call this Inception
by way of The Wizard of Oz. In fact, readers that loved either of those
movies should embrace Murakami’s work which mixes a stylized reality with a
dream world populated by people from the “reality.” The protagonist is a
"calcutec," a human data processor perhaps inspired by William
Gibson's Johnny Mnemonic.
The book slipstreams between science fiction, hardboiled
noir, cyberpunk, horror, and literary fiction.
(There’s definitely a little Franz Kafka here.) It's a dazzling, dizzying bit of writing that
fits nicely into the "new weird" typified by China Mieville’s The City and the City, where two
different worlds exist simultaneously in the same place.
Murakami is working with a palette that includes ambiguity,
consciousness, and self. In both
sections of the book, the hero (an unnamed Narrator) is an outsider who’s being
kept off-balance and trying to fit in.
Perhaps the best way to read the book is to see it as a spy
story in the Bourne Identity
mold. The Calcutec is a pawn in the
info-war going on between the System and the Factory, and he ends up in End of
the World severed from his shadow, the repository of memory. The scenes where the narrator tries to help
the librarian remember are filled with a delicate emotion that could be intense
in performance. (This material could
easily be adapted into a play, with the different locations indicated by
differing lighting.)
This novel is literate, adult entertainment with an edge of
magic and a veneer of science fiction; a romp through the tropes of pop culture,
and cross-culturally (and self-consciously) hip, in an almost cinematic way. In
the end, this is a brilliant book.
Tuesday, August 7, 2012
Review of Luminarium by Alex Shakar
As his twin languishes in a coma, a man seeks spiritual enlightenment
and meaning, aided by texts and emails that seem to be coming from his brother.
Alex Shakar’s Luminarium is a
beautifully written book that mashes up philosophy, pop culture, recent past,
quantum mechanics and a story about a man whose twin brother is dying.
It is the summer of 2006 and Fred Brounian is not in a good place. The
video game company he and his brothers founded has been stolen by a military company
that uses its game engine to run extremely realistic training scenarios for its
wannabe warriors. His fiancée Melanie
has broken up with him and taken up with someone new (or so he’s heard). And
despite being in a coma, his dying twin brother George has been sending him a
series of enigmatic emails—Help Avatara—that mean nothing to him.
Fred joins a group studying spirituality, and finds the experience
alternately liberating and frightening, made more complicated by his attraction
to Mira, the woman facilitating it. He reatreats into the cranky comfort of his
relationship with his father Vartan, a failed actor but decent musician who
performs at kids’ birthday parties in an act that George conceived when he and
Fred were in high school.
This nook is a dazzling, dizzying romp through pop culture, recent
history, East Indian myth, quantum physics and a whole spectrum of other
elements. It’s lovely to see a story in which the myth is not the same old
Catholic and Celtic tropes that have been done to death, and the author does a
graceful job of integrating the myth and the mundane. (He’s particularly good
with the various game scenarios and the texts and messages Fred gets from …
wherever he’s getting them from.)
Luminarium works on many levels. At its simplest, it’s
the story of a man whose life is falling apart, making him ripe for the “faith
without ignorance” spiritual awakening that Miri is offering. It’s the story of
a man coping with the impending death of his twin, his other self. It’s a love
story. It’s a tale of quantum revelation in which “real physics” coexists
alongside things that could not possibly happen, and yet do.
Labels:
Alex Shakar,
China Mieville,
Chuck Palaniuk,
Luminarium
Saturday, August 4, 2012
Review: Railsea by China Mieville
Railsea by China
Mieville is a coming-of-age tale that takes its inspiration from Moby Dick and Treasure island and a whole universe of elements that he’s mixed
into a wildly imaginative story of a young man who has grown up in a world
bounded by railroads who discovers there’s something beyond and goes looking
for it to claim his destiny.
The hero of the book, a young man called Sham (Shamus Yes Ap
Soorap) has gone “to rail’ to hunt the moldywarpes, beasts who inhabit the
railsea and used for their fat and meat and fur. Apprenticed to the train’s
doctor, Sham is eager to hear the stories the railsailors tell and fascinated
by the train’s captain Abacat Naphi, a one-armed woman who lost her limb to a
wily white moldywarpe and has been searching for it ever since.
He is less enthusiastic about the rough games the sailors
entertain themselves with—games like beetle races and death matches with birds
and beasts. One day Sham snaps, stealing a little day bat from the “arena” so
it won’t end up killed. This action marks him out to the other crew members. The
captain marks him out for reasons of her own, and he’s soon embroiled in feeding
her obsession with developing one of his own.
As a proponent of “New Weird,” Mieville has always blended
myth and pop culture and literature in his works (most gracefully in Kraken) and in this novel, readers will
recognize Moby Dick, Dune (the modlywarpes explode out of the
dirt like the “worms” that make spice), a bit of Treasure Island and also Tales
of the Arabian Nights.
Labels:
China Mieville,
Dune,
Kraken,
Moby Dick,
Railsea,
Treasure Island
Subscribe to:
Posts (Atom)