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Showing posts with label Haruki Murakami. Show all posts
Showing posts with label Haruki Murakami. Show all posts

Saturday, April 12, 2014

M is for Murakami, Haruki

Haruki Murakami has been criticized for his "surrealistic and nihilistic" fantasy by some Japanese critics, but for me, that's what makes his work so wonderfully original and engaging. Also, my first encounter with the novelist was through Hard-Boiled Wonderland and the End of the World, which was a lovely story filled with hope and beauty. It's a book I recommend to friends who don't really read "lit fic" and they've enjoyed it. I know a producer who's trying to bring this novel to the screen and I hope he succeeds because it would make a really beautiful movie. (I was not a huge fan of Ang Lee's Life of Pi, but wasn't it gorgeous? The right director could turn Murakami's work into something visually stunning to compete with the superhero movies and the giant robots.)

Saturday, April 6, 2013

Review of Hard-boiled Wonderland and the End of the orld by Hauki Murakami



Call this Inception by way of The Wizard of Oz.  In fact, readers that loved either of those movies should embrace Murakami’s work which mixes a stylized reality with a dream world populated by people from the “reality.” The protagonist is a "calcutec," a human data processor perhaps inspired by William Gibson's Johnny Mnemonic.

The book slipstreams between science fiction, hardboiled noir, cyberpunk, horror, and literary fiction.  (There’s definitely a little Franz Kafka here.)  It's a dazzling, dizzying bit of writing that fits nicely into the "new weird" typified by China Mieville’s The City and the City, where two different worlds exist simultaneously in the same place.

Murakami is working with a palette that includes ambiguity, consciousness, and self.  In both sections of the book, the hero (an unnamed Narrator) is an outsider who’s being kept off-balance and trying to fit in. 

Perhaps the best way to read the book is to see it as a spy story in the Bourne Identity mold.  The Calcutec is a pawn in the info-war going on between the System and the Factory, and he ends up in End of the World severed from his shadow, the repository of memory.  The scenes where the narrator tries to help the librarian remember are filled with a delicate emotion that could be intense in performance.  (This material could easily be adapted into a play, with the different locations indicated by differing lighting.)

This novel is literate, adult entertainment with an edge of magic and a veneer of science fiction; a romp through the tropes of pop culture, and cross-culturally (and self-consciously) hip, in an almost cinematic way. In the end, this is a brilliant book.

Saturday, September 10, 2011

Ready. Steady, Write.

Every time I sit down to work on THE NOVEL, a bunch of really interesting short fiction challenges and contests and calls for submission seem to pop up.  Focus.  I struggle with it.  But in the meantime, here are some people who want to see short stories...some for glory, some for pay.

NPR is back with their three-minute fiction contest. Submissions are open until September 25 for stories no longer than 600 words. The theme this time--leaving town, arriving in town. Full details here

Chuck Wendig of Terrible Minds continues to entice with his weekly flash fiction challenge. (Last week's 100-word "Revenge" challenge scored triple digit numbers of submissions.) This week the challenge comes with a photo prompt. For details on "The Torch" go here

Then there's Paragraph Planet, a site that posts 75-word stories--one paragraph, one micro-story. I sent them a snippet story on a lark and they're publishing it Monday.  (Notice how I slipped in that bit of shameless self-promotion?)  Here's the site..

For Haruki Murakami fans, there's a really interesting fiction challenge being sponsored by his publisher to promote his latest book, 1Q84. The challenge is to use this sentence from the book as the opening line of a story of your own:. Carrying a single bag, the young man is travelling alone at his whim with no particular destination in mind.' Word limit is 1500.  The winning story will be published on Random House and Foyle's websites and a complete cache of the author's backlist.  Here are the details.

And finally, consider submitting to Omnium Gatherum's Detritus anthology. They want stories about your collections--your secret obsessions. Stories up to 5K, deadline is October 15. (The cover is very handsome.) More information here.


 




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