Like Guy
Gavriel Kay’s FIONAVAR TAPESTRY and Suzanne Collins’ wonderful UNDERLAND
CHRONICLES or C.S. Lewis’ CHRONICLES OF NARNIA, Robert Hewitt Wolfe’s THE
GOBLIN CROWN, is a story of ordinary people suddenly thrust into an
extraordinary, magical world. We know up front that this world is a dangerous
place and that the stakes—whatever they are—will be real and that actions will
have consequences for Billy, Lexi, and Kurt, as well as all they meet.
Billy, our
hero, is an outsider, a kid who has NEVER felt he fit in anywhere and who
certainly doesn’t expect that his high school experience is going to be any
different. Billy is, a familiar enough character, but Wolfe nails him, bringing
him to vivid life on the page. But pretty Filipina Lexi—who really isn’t very
good at minding her own business—and bullying jock Kurt are also three-dimensional
and believable people. These characters are grounded—no, rooted—in reality and
we believe they act in a way that has context. (There’s a lovely, magical
moment when Billy meets all the freckle-faced, redheaded men who came before
him and takes courage from the encounter.