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Fictionista, Foodie, Feline-lover

Monday, June 9, 2014

Shakespeare in 144 characters

Photo courtesy of Bigstock
I think if Shakespeare were alive, he'd have embraced social media. "All the world's a stage," he wrote and isn't it thrilling to contemplate what he would have done with a global stage like the Internet? It's already amazing enough that his work remains potent nearly half a millennium after he was born.  And when we reach the stars, somewhere we will take Shakespeare with us. Because he is alive and well on social media.

There is a Facebook group devoted to Edward de Vere, the Earl of Oxford, who many believe was the "real Shakespeare." There is a group devoted to Kill Shakespeare, a comic book in which Shakespeare's greatest heroes are pitted against his most menacing villains (more on that later in the summer.) Goodreads has a Shakespeare Fans group that has more than a thousand members. There are study groups and reading clubs and appreciation circles all over the place, including the Michigan-based Oberon's Shakespeare Study Group, which is particularly interested in the authorship question.

Shakespeare is vibrantly alive on Twitter.

I follow a lot of Tweeps who tweet Shakespeare. Here in L.A. there are a number of Shakespeare-centric drama groups and theater companies that I keep up with (like Theatricum Botanicum) and it's a way of making sure I don't miss their special events. There's @ShakespearePost who has more than 32,000 followers and is following nearly 27K.  Not quite George Takei numbers, but if it were really Bill S posting, I bet he would have gotten to 1 million followers at least as fast as Anderson Cooper. Mostly this account tweets quotes from the plays and sonnets but every once in a while, there's something else, like a link to an article about very unfortunate tattoos that was quite entertaining.

If you're on Twitter and want to find more Shakespeare-friendly folk, all you have to do is type the bard's  name in the search bar. There are a lot of us out there.


Sunday, June 8, 2014

Coming Soon...Bride of the Midnight King

In my spare time I write for fun and profit. I use my own name for my crime fiction and horror, but I use my pseudonym, Kat Parrish for the fantasy stories. I've been writing more and more fantasy lately, and one of the results is a series of reimagined fairy tales I refer to as "Grimm Blood Tales" because they involve vampies.
Yes, I know. The world is full of vampire stories.
the world is also full of fairy tales and at some point, fairy tales and vampire stories just had to collide. (Probably already have, actually, I'm not arrogant enough to think I'm the first to think of it.)
I found myself thinking of different ways fairy tales could be woven into vampire stories and the first result is this novella, a Cinderella story in which a mortal girl becomes the bride of a vampire king.
I'm already plotting the next story in the series, Midnight's Daughter, which is a Sleeping Beauty story.
The cover for Bride of the Midnight King was created by Joy Sillesen of Indie Author Services. The book will be out at the end of June.

Saturday, June 7, 2014

Ryan Gosling and Shakespeare. You're welcome.


Shakespeare's Perfume...for the summer of Shakespeare reading list

I ran across this description for a book called Shakespeare's Perfume and was intrigued.

Drawing on theology, alchemy, psychoanalysis, philosophy, and literary criticism, Shakespeare's Perfume explores how the history of aesthetics and the history of sexuality are fundamentally connected.

Friday, June 6, 2014

Rosencrantz and Guildenstern for free

Tom Stoppard wrote the script for Shakespeare in Love and co-wrote the script for Brazil, but before he was famous for his screenwriting, he was a noted playwright whose plays were filled with witty wordplay and what Wikipedia calls "intellectual playfulness" with diverse and literate topics woven into his stories. I've seen most of his major plays but my favorite remains Rosencrantz and Guildenstern are Dead, his intriguing vision of Hamlet told from the point of view of two doomed minor characters. I discovered that the movie version, starring Tim Roth and Gary Oldman and directed by Stoppard. is playing on YouTube. It's divvied up into 12 parts. so you'll need some patience, but if you've never seen it, it's well worth your time.

Thursday, June 5, 2014

Shakespeare Noir...The Sister's Story

Painting of Ophelia  by John Everett Millais
the character of Ophelia in Hamlet has always annoyed me. Not because I think the character is unrealistic--sadly, I've known a few too many Ophelias in my life--but because she's such a ninny. She lets her father and brother boss her around; she lets Hamlet mistreat her and then she kills herself.  She'd have lasted about a day and a half n Westeros. But what if...Ophelia wasn't the pliant little maid we all know, weaving circlets of rosemary and singing nonsense songs? What if she were an altogether different person?

The Sister's Story
by Katherine Tomlnison

Prince Hamlet had been away at university for almost a year when his father died.
Ironically, he was on the road home to Elsinore when news of his father’s illness reached him.
It was far too late for him to send his companion away, so when the prince arrived to find the court in mourning, his friend was thrown into the midst of the maelstrom along with him.
It was a peculiar situation.
The old king had died of a stomach ailment and even though the prince was of age, the title had passed to the king’s brother, Claudius instead of him.
Odder still, the prince’s newly widowed mother had already married her former brother-in-law.
When Hamlet’s friend Horatio remarked upon the somewhat unseemly haste of the nuptials, Hamlet rebuked him saying that he admired the economy of the measure, which allowed the kitchen to serve the funeral’s baked meats sliced cold at the marriage feast.
In truth, Hamlet cared little for the crown itself—he was a scholar, not a fighter, and Prince Fortinbras of Norway had often been known to mock him as “the student prince.” Claudius was rooted from more martial stock, and eager to send the Norwegian prince threatening our borders back to his own kingdom without tribute or treasure.
King Hamlet had favored diplomacy in dealing with the Norse-men, a policy Claudius had openly disdained.
As soon as he was king, Claudius ordered the Danish army to prepare for war. My brother Laertes was ordered back from Paris to lead the troops that would protect the land between the border and Elsinore. If Hamlet felt the slight of his uncle’s favor passing him by, he did not show it.
In fact, if he had any feelings at all, he did not express them—not to me, not to Horatio, and certainly not to the two fools who were his best friends at court, Rosencrantz and Guildenstern.
I was surprised that Hamlet did not turn to me; surprised and somewhat hurt.
We had been lovers since I turned 15 and it was commonly assumed that one day we would marry. My brother opposed this idea, mostly because he did not like the prince (Rosencrantz once joked that Laertes opposed the match and I had overheard Rosencrantz say that his objections were not because he disliked the prince, but that he liked him a little too much. Guildenstern had countered this witticism with an observation of his own suggesting that perhaps Laertes wanted to keep me for himself.
Both gibes had enraged my brother and vastly amused the court, fueling speculation that was not kind to Laertes.
My father was giddy with the possibility of my marrying the prince, despite his public protestations to the contrary. My father was a noble by birth, but a minor noble and despite his title of “Lord Chamberlain,” his function at court was as only slightly more important than that of the king’s Master of Hounds. Being father-in-law to the future king was a prospect that thrilled him.
And there was no doubt that Claudius would name Hamlet his heir. The king had no children of his own and Queen Gertrude was well past child-bearing age.
I’d always assumed Hamlet’s parents found me…adequate…as a potential mate for their son. I am a pretty woman from a noble family and really, all the only thing they really required of a princess bride was a brood mare of sufficiently impressive bloodstock that the royal spawn would not be born with a crooked back or a cloudy eye.

Maya Angelou on Shakespeare

"Shakespeare must be a Black Girl."
--Maya Angelou

Illustration from William Shakespeare Things
I read that quote years ago and have never forgotten it. Over on the William Shakespeare Things blog, there's a clarification of what Angelou meant.  It seems appropriate to revisit the quote even as the memorial service for America's poet laureate is underway.