P is for Philip Seymour Hoffman

Philip Seymour Hoffman died in February and the movie with his last starring role, A Most Wanted Man, will be out this summer. The movie was adapted from a novel by John LeCarre, who pretty much wrote the book on Cold War and post-Cold War spy stories, and the trailer llooks pretty exciting.  It's got an incredible cast that includes Ellen Page and Robin Wright, Willem Dafoe, and Rachel McAdams. And watching Hoffman, who gets the last line in the trailer, it's just heart-breakign knowing that this talented man is gone.

And meanwhile, here's the trailer for the book, which features John LeCarre himself.

P is for Mrs. Pollifax

Another of the mystery series I really liked were the "Mrs. Pollifax" books by Dorothy Gilman.  They weren't really mysteries so much as they were "cozy" spy novels. Emily Pollifax was a widow in her 60s who ended up recruited as a CIA agent. the series includes a delightful cast of recurring characters and there's a nice freindship that grows between Mrs. Pollifax and a young agent she works with.

Gilman was named a "Grand Master" by the Mystery Writers of America in 2010, two years before she died.  She also wrote a slew of other mysteries. I've read some but none of them engaged me as much as the Pollifax series. Rosalind Russell starred in a movie version of The Unexpected Mrs. Pollifax, and Angela Lansbury starred in a TV-movie version. I think the series would make a dandy television series, kind of a Scarecrow and Mrs. King for an older audience.  (Or put it another way, Murder, She Wrote with an international setting.)  The books might be a little old-fashioned and cozy for today's readers but I loved them.

O is for Ophelia

Painting by John William Waterhouse

I am a Shakespeare geek. One of my friends once horrified me by saying he thought Aaron Sorkin was a better writer than Shakespeare and asking me to explain "why everybody thinks Shakespeare is so great." (Don't get me wrong. I really enjoyed his scripts for The Social Network and Charlie Wilson's War. (To be honest though, I was bored to tears by Moneyball. I think Draft Day was the movie Moneyball wanted to be. It's disappointing that not more people are oging to see Draft Day.) But I digress.

The point is that because I love words and never quite outgrew my delight in ornate words (I blame Dr. Seuss with his silly, made-up words), I don't find Shakespeare's language a problem or a barrier to my enjoyment of his plays. I think most high school students learn to loathe the plays because they're forced to read Julius Caesar first.  that play is not the best gateway play into Shakespeare. (I think Macbeth is.  It's got a little bit of everything--a ghost. Murder. A strong female lead.

But wait, you say, Hamlet has a ghost. Hamlet has a murder. Hamlet has a strong female. To which I replay--if you're talking about Gertrude, I disagree. She marries the man who murdered her husband and then leaves her son to take revenge. (Wouldn't it have been kind of interesting if it had been Gertrude whoorchestrated the play that pricked the usurper's conscience?)  And don't even get me started on Ophelia.

I hate Ophelia.  I really do. Manipulated by her father. Mistreated by Hamlet. A suicide at the end. I always wanted her to have more gumption. (A word my grandparents used that has fallen out of favor despite being a great word.) Give me Lady Macbeth any time.

O is for O. Henry

I love stories with twist endings. Saki, O. Henry. Guy de Maupassant, Rod Serling's Twilight Zone. They were all major influences on the kind of short stories I write. O. Henry (real name William Sydney Porter) was born on September 11, which I choose to remember instead of other events that happened on that date. His most famous stories are probably "The Gift of the Magi" and "the Ransom of Red Chief" but I am fond of "A Retrieved Reformation." You can read a number of O. Henry's short stories here, including many that you've probably never heard of.

N is also for Film Noir

Speaking of Noir, as we were earlier today, Tuesday marked the 70th anniversary release of Double Indemnity, still my favorite Film Noir. Fred McMurray, Barbara Stanwyck.  And the always awesome Edward G. Robinson.  Directed by Billy Wilder from a script by Wilder and Raymond Chandler. It just does not get better than this.

N is for Noir

I like my fiction dark. (Most of the time. I actually have a really soft spot for cozy mysteries.) When I was writing the twice-weekly stories for America Online's "NoHo Noir," I routinely put my characters in situations that were dark. One of my best friends was particularly horrified by one story in which a kitten got killed. He has never let me forget about it. (And it's not like I would kill a kitten in real life, for God's sake. In addition to being having a soft spot for cozy mysteries, I have a soft spot for fuzzy creatures. I also have several friends who do animal rescue. So there's always a cat or two on the premises. but I digress.)

I don't remember the first "noir" story I ever read, but it was probably something by Cornell Woolrich. I've always been a sucker for pithy sentences and his line, "First you dream and then you die," which was borrowed for one of the Nightmare on Elm Street movies, is one of my favorite quotes.  According to a blurb on Amazon.com, "Cornell Woolrich was called the Poe of the 20th century and the poet of its shadows."

I'm pretty sure that the first time I saw Cornell Woolrich's name in print was in an essay by Harlan Ellison, himself something of a poet of the shadows. ("I Have No Mouth and I Must Scream" is in my top five of all-time favorite short stories, and his "Repent Harlequin, said the Tick-Tock Man" is also on that short list.)  Woolrich also wrote under the pseudonym "William Irish.," which is just one of those tough-guy sounding names that is too cool. I imagine a guy in a Fedora, an unfiltered cigarette dangling from his lips, banging away at an old typewriter. 

My favorite noir authors, in no particular order, are:
Jim Thompson
Dorothy B. Hughes
and the late, great Elmore Leonard.
Charles Willeford
Ian Rankin (who represents "Tartan Noir)

Noir flourished in the niddle of the last century but for my money, it's the genre that typefies this post-millennial time.

M is for mystery series

When I pick up a book by an author I've not read before, I want to like the book. And if I like the book and it's part of a series, I will go and read the whole series, preferably one right after another. I don't like coming in on the middle, so I'll track down the books leading up to the books if necessary.

When I was in high school, I worked at the local library, which had a really good mystery section, even in the Large Print section. (And what a boon eReaders have been to people who need larger print. It always made me sad that unless you wanted to read Reader's Digest and a small selection of best sellers, your large print options were limited.)

Somtimes the series went on so long that they started to get stale, but I kept with them. Here's a list--in no particular order--of mystery book series I devoured.

Laura Joh Rowland's Sano Ichiro Mysteries--I love these books, set in Imperial Japan and they set off a lifelong fascination with the country and the history. The covers were gorgeous too. 

I came to these books by way of the television series: Robert B. Parker Spenser.
Ellis Peters' Brother Cadfael--I liked the Cadfael books so much that when I ran out of them, I moved on to the books Peters wrote under her real name, which were  historical fiction and not mysteries.
janet Evanovich's Stephanie Plum (By the numbers) I hated the movie, but still think the books would make an awesome television series.
Robert Crais' Elvis Cole novels --I love, love, love the Elvis Cole novels and now there are spin-offs for Joe Archer, one of the characters first introduced in the books
Nele Neuhaus' Fairy Tale series--Set in Germany, there are only two books in the series so far, but they're great.
Ed McBain's 87th Precinct books--Forget NYPD Blue, these were the procedurals for me.

William Marshall's Yellowthread Street mysteries (which sparked my desire to go to Hong Kong)
M.C. Beaton's Hamish Macbeth series (there's a fantastic TV series starring Robert Carlyle out there, with Danny Boyle writing and directing. I tried reading her "Agatha Raisin series but they were just too "twee" for me).
Catherine Aird's Sloan and Crosby books
Anne Perry's Thomas and Charlotte Pitt novels
And last but not least--Carolyn Keene's Nancy Drew and Franklin Dixon's Hardy Boys mysteries. They were the books that inspired my love of reading mysteries and I can still remember saving up my allowance to buy them.