Showing posts with label rod Serling. Show all posts
Showing posts with label rod Serling. Show all posts
Wednesday, April 16, 2014
O is for O. Henry
I love stories with twist endings. Saki, O. Henry. Guy de Maupassant, Rod Serling's Twilight Zone. They were all major influences on the kind of short stories I write. O. Henry (real name William Sydney Porter) was born on September 11, which I choose to remember instead of other events that happened on that date. His most famous stories are probably "The Gift of the Magi" and "the Ransom of Red Chief" but I am fond of "A Retrieved Reformation." You can read a number of O. Henry's short stories here, including many that you've probably never heard of.
Labels:
Guy de Maupassant,
O. Henry,
rod Serling,
Saki
Saturday, October 6, 2012
Halloween Movie Marathon: Night Gallery
Rod Serling was one of the writers who shaped my own fiction. (He was only 50 when he died, but he'd packed a lot of living into those 50 years.)
I loved Twilight Zone so much and even today rarely miss the hoiday episode marathons they show here in L.A., even though I know most of the episodes they show by heart. I was never that huge a fan of Night Gallery, but the pilot episode (available as part of the first season DVD) has three stories that are scary in very different ways.
The famous segment, "Eyes" starred Joan Crawford and is notable because it was a young Steven Spielberg's break-out directing gig. For me it was kind of a knockoff of the famous Isaac Asimov story "Nightfall." The other two stories gripped my imagination in a much stronger way. The first episode was about a greedy man in the south who is scared to death by paintings showing relatives coming out of their graves. Roddy McDowall and Ossie Davis starred in the episode and I remember Ossie Davis' character was named "Portifoy." That episode was directed by Boris Sagal, father of Sons of Anarchy's Katy Sagal.
For me the most powerful of the pilot's episodes was "Escape Route," starring Richard Kiley as a Nazi war criminal who imagines himself into a painting of an idyllic scene, only to discover someone's moved the painting and he's now trapped in a living hell. It was not a subtle story, but was really effective.
The first season of the show was the strongest, and the disk is something to watch over a long weekend when all the broadcast channels are showing cheesy made-for-television horror movies and theatrical films with the profanity and sex cut out.
I loved Twilight Zone so much and even today rarely miss the hoiday episode marathons they show here in L.A., even though I know most of the episodes they show by heart. I was never that huge a fan of Night Gallery, but the pilot episode (available as part of the first season DVD) has three stories that are scary in very different ways.
The famous segment, "Eyes" starred Joan Crawford and is notable because it was a young Steven Spielberg's break-out directing gig. For me it was kind of a knockoff of the famous Isaac Asimov story "Nightfall." The other two stories gripped my imagination in a much stronger way. The first episode was about a greedy man in the south who is scared to death by paintings showing relatives coming out of their graves. Roddy McDowall and Ossie Davis starred in the episode and I remember Ossie Davis' character was named "Portifoy." That episode was directed by Boris Sagal, father of Sons of Anarchy's Katy Sagal.
For me the most powerful of the pilot's episodes was "Escape Route," starring Richard Kiley as a Nazi war criminal who imagines himself into a painting of an idyllic scene, only to discover someone's moved the painting and he's now trapped in a living hell. It was not a subtle story, but was really effective.
The first season of the show was the strongest, and the disk is something to watch over a long weekend when all the broadcast channels are showing cheesy made-for-television horror movies and theatrical films with the profanity and sex cut out.
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