Sunday, April 14, 2013
Brother Sun--Sweetest Harmonies since Simon & Garfunkel
Saturday, April 13, 2013
On the TBR pile Paul cornell's London Falling
This book sounds like it's right up my alley--a mixture of noir and fantasy. Read a review here and see what you think.
Labels:
fatnasy fiction,
London Falling,
noir fiction,
Paul cornell
Wednesday, April 10, 2013
Tuesday, April 9, 2013
This is an unsolicited testimonial
I used to review books for the review site Bitten by Books, which specializes in paranormal books. I read a lot of great stuff, and found an intensely interactive community of readers. I did not know until recently that Bitten By Books offered advertising rates for authors who want to target those readers directly. I will definitely be talking to their sales people when Misbegotten comes out (in September if all goes well.) Check it out if you write paranormal; the exposure might be useful. and even if you don't want to take advantage of their author services, you should check the site out. In addition to honest reviews, publishing news, blog tour stops and giveaways and contests, it's just a fun place to hang out.
Labels:
bitten by Books,
Misbegotten,
paranormal fiction
Girls Write Now
I'd never heard of Girls Write Now until today but I love the idea. The organization encourages girls to write their way to a better future. You go girls!
Monday, April 8, 2013
Saturday, April 6, 2013
Review of Hard-boiled Wonderland and the End of the orld by Hauki Murakami
Call this Inception
by way of The Wizard of Oz. In fact, readers that loved either of those
movies should embrace Murakami’s work which mixes a stylized reality with a
dream world populated by people from the “reality.” The protagonist is a
"calcutec," a human data processor perhaps inspired by William
Gibson's Johnny Mnemonic.
The book slipstreams between science fiction, hardboiled
noir, cyberpunk, horror, and literary fiction.
(There’s definitely a little Franz Kafka here.) It's a dazzling, dizzying bit of writing that
fits nicely into the "new weird" typified by China Mieville’s The City and the City, where two
different worlds exist simultaneously in the same place.
Murakami is working with a palette that includes ambiguity,
consciousness, and self. In both
sections of the book, the hero (an unnamed Narrator) is an outsider who’s being
kept off-balance and trying to fit in.
Perhaps the best way to read the book is to see it as a spy
story in the Bourne Identity
mold. The Calcutec is a pawn in the
info-war going on between the System and the Factory, and he ends up in End of
the World severed from his shadow, the repository of memory. The scenes where the narrator tries to help
the librarian remember are filled with a delicate emotion that could be intense
in performance. (This material could
easily be adapted into a play, with the different locations indicated by
differing lighting.)
This novel is literate, adult entertainment with an edge of
magic and a veneer of science fiction; a romp through the tropes of pop culture,
and cross-culturally (and self-consciously) hip, in an almost cinematic way. In
the end, this is a brilliant book.
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