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Showing posts with label crime fiction. Show all posts
Showing posts with label crime fiction. Show all posts
Tuesday, March 17, 2020
Thursday, April 4, 2019
Deadly Southern Charm...a crime fiction collection
This new
collection of crime fiction from Wildside Press features more than a baker’s
dozen of stories about “steel magnolias”—strong southern women who “embody that
legendary mix of femininity and fortitude. The contributors are members of the
Central Virginia Chapter of Sisters in Crime and some “guest authors” and the
tales run the gamut from period pieces like “Southern Sisters Stick Together”
by Stacie Giles to the opening piece, “the Girl in the Airport” by Frances
Aylor, a neatly done bit of airport noir.
The tone of the
tales ranges from Lynn Calhoun’s Gothic tale “Cayce’s Treasures,” (with its
references to the fad for wearing “lover’s eye” jewelry to the black humor of
Libby Hall’s “Stewing” and the flinging around of dog carcasses to the
hilarious send-up of country music songs (“”Take My Heart, Leave the Dog”) in
Sherry Harris’ “Country Song Gone Wrong.”
A couple of
stories touch on the supernatural—Ronald Sterling’s “Just like Jiminy Cricket”
for one, and Brad Harper’s “Shadow Man.” Food comes up a lot and the reference
to grilled bacon and pimento cheese sandwiches will make any reader’s mouth
water. (K.L. Murphy’s “Burn.”)
Twist endings,
unfaithful spouses, unreliable narrators, and lots and lots of southern local
color—pick your poison (and yes, there’s poison here too).
If you love crime
fiction, pick up Deadly Southern Charm and enjoy. You can buy it on Amazon or directly from Wildside Press. For more Sisters in Crime anthologies with Virginia writers, check out the SinC website.
Tuesday, November 7, 2017
Such a Sensitive Boy...flash fiction for a cold November day
SUCH A SENSITIVE BOY by Katherine Tomlinson
I wish Devin wasn’t such a sensitive boy, Marla
thought as she watched her son happily chow down on a plate of store-bought
chocolate chip cookies and a glass of skim milk. The cookies were a rare
indulgence, a reward for the good grades he’d brought home on his report card.
Marla didn’t want Devin to end up squishy fat like some character on a redneck
reality show. (Like his daddy)
They
didn’t have the money to eat organic, but she kept junk food out of the house
as much as she could, trying to steer the boy away from the greasy fried pork
rinds his father favored and toward apple chips and veggies with humus. Not
that she called it “humus” around Lee, lest it set off a rant about “Ay-rab
food.”
Her
mother-in-law thought she was being mean denying Devin sweets, so whenever the
boy went over to his nana’s, Marla felt like she had to search his backpack for
contraband when he came home.
It
annoyed her that Barbara wouldn’t respect her wishes. “It’s my job to spoil my
grandbaby,” her mother-in-law always said. “A little love never hurt anyone.”
Then she’d give Marla a significant look. “It’s no wonder he such a sensitive
boy.”
Marla’s
husband wasn’t much help. Lee still ate breakfast at his momma’s nearly every
morning because she’d make him sausage gravy and biscuits like he liked while
Marla and Devin ate yogurt and fruit.
Lee had
voted for the president who’d won and ever since election night, he’d doubled
down on being an asshole, like he was sure any minute a Mexican Muslim was
going to show up in Huntsville and take his job as produce manager at the
Winn-Dixie.
Not that
it was much of a job any more. The store had cut his hours last spring and he
still wasn’t bringing in a full paycheck.
Marla had
been an inventory clerk at Redstone Arsenal before she got married, but Lee
didn’t want her working “outside the home,” even though they could have used
the extra income now that Devin was in middle school and didn’t need so much
supervision.
“No wife
of mine is going to work,” Lee had declared even as he sold off their washer
and dryer to cover the rent one especially lean month.
Friday, December 2, 2016
The Passenger by Lisa Lutz, a review
In
Lisa Lutz’ novel The Passenger, a woman running from her
past and accusations of murder receives help from a VERY unexpected person.
TANYA
DUBOIS was in the shower when her husband FRANK fell down the stairs in their
house and died. She tried moving his body but only smeared the blood around his
head. (He’s put on more than a few pounds.) Without really thinking about it,
she grabs the money he kept in his toolbox (his gambling stash), packs a bag
and takes off. There are only two people she regrets leaving behind, CAROL at the bar where she
works and DR. MIKE, her chiropractor and part-time lover. She can’t bother
Carol—she’ll wake her kids—but she drives by Dr. Mike’s house and lets herself
in with the key under a fake rock. He asks her if she needs an “adjustment”
(their little joke) and after they have sex, he realizes that it’s the last
time. She kisses him goodbye and gets on the road.
This
is a character study of a woman who is trying to outrun her past and her “self”
and ends up tripping over that past at every turn—and sometimes it’s not even
her own past, as when a man shows up looking for another woman entirely. Tanya is
a practical woman who has her limits and has her priorities, but we see that
she’s capable of meanness—and downright cruelty—at times. In the end, after all
the changes she goes through, Tanya has to figure out WHO she really is. But as
much time as we’ve spent with her, we really don’t know that much about her
ourselves. (Lutz puts us in Tanya’s head via copious internal monologue, but it
still feels a little superficial.)
In
the end, the big secret feels a bit familiar (and even predictable), but the
story is a page turner up until then.
Labels:
crime fiction,
Lisa Lutz,
The Passenger
Wednesday, March 12, 2014
Criminal Element runs a promotion for Whipping Boy!
I've been working as a "Fresh Meat" reviewer for Criminal Element," the crime fiction blog hosted by Macmillan publishing for a little over a year now. (And I learned about the paid gig via Twitter, which is something I tell my clients who see no value in social media because they don't think "anyone wants to know what I ate for breakfast.")
I am a proud indie author but it's still kind of fun to drop the phrase, "My editor at Macmillan," into casual conversation. The editor in question is Clare Toohey, and she is awesome. She set up a great promotion to celebrate the publication of my debut mystery novella, Whipping Boy, and is running it in conjunction with an excerpt on Criminal Element today. She's also helped me hone in on a description of the book that fits my brand of crime fiction, which is not that easily defined. Did I mention she's awesome? Here's how she describes Whipping Boy:
I am a proud indie author but it's still kind of fun to drop the phrase, "My editor at Macmillan," into casual conversation. The editor in question is Clare Toohey, and she is awesome. She set up a great promotion to celebrate the publication of my debut mystery novella, Whipping Boy, and is running it in conjunction with an excerpt on Criminal Element today. She's also helped me hone in on a description of the book that fits my brand of crime fiction, which is not that easily defined. Did I mention she's awesome? Here's how she describes Whipping Boy:
Whipping Boy by Katherine Tomlinson is a California cop
mystery novella, the debut of a female criminalist whose strange existence
swings from the darkest crime scenes to life among Hollywood royalty--no wonder
she has such a bad attitude (available March 12, 2014).
If you love crime fiction in all its varieties, you should be checking out Criminal Element. And you should definitely stop by today because if you leave a comment about the excerpt, you can win excellent swag! Here's a link to the excerpt.
Sunday, October 9, 2011
NoHo Noir gets a facelift
Photo by Thomas Hawk |
The clown logo for the series is a version of the real-life Circus Liquor clown sign, a North Hollywood landmark for years. The real clown (see photo on the left) is pretty creepy. It looms over the street right across from a bus stop. Mark put the logo together overnight because we were hired the same week the first story posted.
We found a lot of people loved the clown (shudder), so Mark put the logo up in his online shop. Yes, you can get NoHo Noir swag here. I am very fond of his original logo. (See right)
Now, though, as we move into the second year of stories, Mark has come up with a more surreal version, a Bozo-gone-bad image that suits the darker tone the new stories will take. There will be a more crime-centric vibe for the new stories, and the volume will start off with the murder of a homeless man that may or may not have been at the hands of a couple of junior high kids. (That's right, NoHo is not fooling around this year.)
The new logo is below. What do you think?
Labels:
Circus Liquor clown,
crime fiction,
Mark Satchwill,
NoHo Noir
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