Peng Shepherd's Book of M--a review

In a world where people are suddenly losing their shadows, the lives of a group of unrelated people are bound up in a hope for building a new world on the memory of the old.

This is an epic, apocalyptic quest along the lines of Stephen King’s THE STAND or Robert McCammon’s SWAN SONG, with a large dose of INCEPTION thrown in. It’s also a zombie story of sorts, particularly in scenes where the “shadowless” surround those who are still tethered to their ‘dark twins.” The story unfolds in a somewhat nonlinear fashion where events being recounted by various characters overlap, but there’s a good mix of adventure and intimate contact.

The unraveling of reality is incredibly visual, and no one will much quibble with the premise that memories are stored in our shadows (and not in a certain part of our brains). The writer tells the story from multiple points of view, with both first and third person being used. The author does a very good job of “opening out” the story with flashbacks to “before” and even to multiple events after the Forgetting hits.

Peng Shepherd's debut novel is a multi-faceted apocalyptic quest story told from multiple points of view. She plays with pov in a way that I haven't seen since Kevin Brooks' iBoy, and it's astonishing that this is her first book. 

Reading Road Trip...Alabama

Robert McCammon's Boy's Life and Fannie Flagg's Fried Green Tomatoes at the Whistle Stop Cafe are both set in Alabama and they couldn't be more different. McCammon's book (a Bram Stoker award winning fantasy/horor) is set in Zephyr, Alabama in 1964 and it opens with a chilling scene as a car plunges into a lake some say are bottomless. A milkman who witnesses the accident while makings his rounds with his son, dives down to see if he can rescue the driver and discovers...this was no accident. Flagg's book, the basis for the movie Fried Green Tomatoes, is set in the fictional town of Whistle Stop, Alabama and tells the story of a friendship between two women and plays out against various timelines. I highly recommend both books.

And then there's This is Where it Ends by Marieke Nijcamp. Set in Opportunity, Alabama, it's the story of a school shooting told through multiple points of view. I have a fondness for that kind of storytelling (Ryan Gattis' All Involved is probably my favorite) and the writer does a fantastic job here. The book is tagged as YA but it is in the vein of Angie Thomas' The Hate U Give than John Green's The Fault in Our Stars.

the shooter in Nijcamp's book, Tyler Browne, is an outcast whose rage is fueled by the mantra, "I will make sure you remember me." In some ways it will remind readers of Todd Strasser's Give a Boy a Gun, a novel based on the 1999 Columbine school shooting.

Happy Birthday Stephen King!

The first writer I sought out because I loved her books and wanted to read everything she wrote was Beverly Cleary, who just turned 100 in April. (Live long and prosper Bev!)  And then it was Carolyn Keene "who" wrote the Nancy Drew books but she wasn't really one person, so "she" doesn't count. And then it was Stephen King.
I didn't start with Carrie; my gateway to the Kingdom was a collection of his short stories. Back then, he wasn't writing six or seven books a year like an indie author, but he'd been writing for a couple of years by the time I discovered him and so it took me a while to work through the backlog. (Well, it probably took me a week. I read fast and back then, I still had a lot of free time.)
I was moved by The Dead Zone and scared by Pet Sematary and blown away by The Stand. To this day, the only epic apocalyptic novel that even comes close to it in terms of Dickensian breadth of characters is Robert McCammon's Swan Song.
So I've been reading along all these years and love that he's writing like his life depends on it.

Wait, maybe it does? Maybe the reason he's so prolific is that in the terrible accident that nearly killed him, he did die? And he made a bargain with the devil to come back. But if he doesn't write 10 books a year, he has to return.
Happy Birthday Stephen King.
Thank you for the books!

Pondering the paranormal

I write urban fiction and am about to release my L.A. Nocturne Collection of stories set in a paranormal-infested Los Angeles (with a handful of stories set in the Middle East.) Looking through them I see a ghosts, djinm, a succubus, a couple of mermaids, more than a couple of vampires, some fairies, but only a couple of werewolves (and one werebear and a couple of shapeshifters.) I even have some zombies. But I was thinking about werewolves. They're not my favorite and yet, suddenly they're everywhere. Especially billionaire shifters and step-brother shifters and seal shifters. (I find myself thinking how interesting it might be if a SEAL was actually a mer-man.) I was thinking about the werewolf books I've liked and only a few come to mind. They are:

Wolf's Hour by Robert McCammon. I'm a huge McCammon fan anyway, and I started reading his work when you could buy his paperback originals (like this one) for something like five bucks at the supermarket. (Remember those days when paperbacks were cheap enough you could chuck two or three in with the frozen vegetables and the ground turkey and never think twice?) This one features a spy who's also a werewolf during WWII and it's a treat.

Lycanthia by Tanith Lee. I so miss Tanith Lee. I have read almost all of her books, some of them so long ago that I could probably enjoy reading them again. This one was great with its decadent, Gothic deatails--old mansions and secrets. 

Those two books are the ONLY two werewolf novels I can think of off the top of my head. So I did a little Googling around to refresh my memory.
I like Carrie Vaughn's Kitty Norville stories but I put those in a different category from "real" werewolf stories. Ditto Laurell K. Hamilton's Anita Blake series (which I loved, loved, loved, when i first started reading them). I've never read Patricia Briggs' popular Mercy Thompson series, although Moon Called has been on my Kindle for forever.

I saw the movie Blood and Chocolate, which is based on a novel by Annette Curtis Klause, and it made me curious to read the original. I looked up a list of werewolf novels on Good Reads and out of the first 50 of 725, I hadn't read ANY.

But i have an idea for a series that might work with werewolves and I'm wondering if I can bring something fresh to the "canon," something beyond silver bullets and full moon madness. It's going to be interesting to see. Because it's clear that readers want more shifters!

A Vampire a Day: They Thirst by Robert McCammon

Anyone who knows me knows that I am a huge Stephen King fan. I think The Stand is a monumental book. I first read it while home sick from school with a horrible case of the flu and believe me, the chapters covering the spread of the plague scared the bejesus out of me.
But as much as I love The Stand, I think Robert McCammon's post-apocalyptic novel Swan Song is even better. I first read that while staying in a series of really awful motels during my first cross-country drive. I'd drive for 10-12 hours and then read until I couldn't read any more. I pulled into L.A. with a bad sunburn on my left arm--I didn't have air conditioning in my car--and about 100 pages left of the book.
They Thirst was the first of McCammon's books I ever read. Then I read Wolf's Hour, which is a Nazi/werewolf thing. I liked both of them. They were pulpy fun, the sort of horror novels you could read in a single sitting.
Like King, McCammon defies categorization. He writes horror, yes, but other things as well. I'm a big fan of his short stories, particularly one called "Night Calls the Green Falcon," which Birdman reminded me of a bit.
McCammon disappeared from publishing for nearly 20 years, and that's a shame. He has a new novel out as of last year and it's on the ever-growing TBR pile.