I am a huge fan of Heath Lowrance's short stories. I've read a number of the ones in this collection and I look forward to re-reading them and discovering new ones. Look for a review soon. And in the meantime, buy your own copy here.
Showing posts with label Noir. Show all posts
Showing posts with label Noir. Show all posts
Monday, September 13, 2021
Monday, March 18, 2019
A review of Monkey Justice by Patricia Abbott
Patricia
Abbott crafts stories like Cartier designs jewelry, one polished gem of a word
at a time. And yet there’s nothing “precious” about any of these
stories—gritty, gravely, raw stories about people and their worst impulses.
Many of these stories take place on the margins, in the places between memory
and the present. Things aren’t always what they seem, and if there is any
justice to be had in the end, it is rough justice, vigilante justice, final
justice.
Abbott’s
stories are character-heavy, and dialogue-rich. Even the internal musings of
the characters have substance. Her descriptions are precise, and immediately
relatable, as when she describes the “gluey, mousey” smell of all used
bookstores. “I thought only cops used the word vehicles,” one character muses,
“but maybe prisoners and cops traded words like a cold.” It’s an offhand
comment but it seems like the perfect combination of words.
Most of the
stories here are dark, effortlessly noir-ish and strongly rendered slices of low-life
pie. But there are also delights like “Bit Players,” which features the late,
great character actor Jack Elam and a telling bit about the way casting
directors work in Hollywood.
Labels:
Down and Out Books,
Noir,
Patricia Abbott,
short fiction
Saturday, January 19, 2013
Book Review The Dead Do Not Improve by Jay Caspian Kang
If you like your noir leavened with humor and a lot of local color, you will LOVE Jay Caspian Kang's San Francisco-based, cross-cultural mystery, The Dead Do Not Improve.
THE DEAD DO NOT IMPROVE by Jay Caspian Kang
THE DEAD DO NOT IMPROVE by Jay Caspian Kang
The lives of a detective and an under-employed
Korean-American intersect when a woman is murdered in Jay Caspian Kang's novel The Dead Do Not Improve.
Philip Kim, a first-generation Korean-American, sleeps through
the murder of his neighbor, Dolores Stone. He never knew her name until after
the fact, just always called her the "Baby Molester," a name bestowed
on her by Kathleen, the girl Philip followed to San Francisco and hasn’t talked
to in a year.
Philip often sleeps late and just as often is late to his
job, working for a social network that targets men who have been dumped.
(getoverit.com). He is responsible for greeting the new accounts and sending
them chatty emails every so often. For this he’s encouraged to use the named "Philip
Davis" because research has convinced his boss that no one trusts Asians
when it comes to relationship advice.
The man investigating the murder is Sid (short for
Siddhartha) Finch, and he's more interested in saving his marriage to Sarah than
in solving the crime which is, as is often the case, a gateway murder that
leads to a much larger problem.
The dual stories are both interesting and the worlds of
Finch and Philip are populated by extremely good characters. Philip's internal
monologues often have to do with Korean identity and there's a running motif
about the Korean-American school shooter at Virginia Tech.
Some of the dialogue is absolutely hilarious, particularly
the interactions between Sid and the waitresses at a restaurant called Being
Abundance, where everyone seems to have a reddish glow. There’s also a scene at
a vintage clothing store where Philip and a neighbor suit up for Dolores’
bizarre funeral that seems incredibly and indelibly San Francisco.
Labels:
Jay Caspian Kang,
Noir,
the Dead Do Not Improve
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