I like the way he thinks--I follow him on Twitter and on FB andPinterest where among other images, he posts cool "noir" photos.
If you check out his Amazon author page, you'll see ten books listed, and I suspect that's not everything.
His most recent releases are the movel City of Heretics, a crime novel set in Memphis, and the novella "Bluff City Brawler," which is part of the "Fight Card' series. Earlier in the summer his short story "My Life With the Butcher Girl" appeared in Pulp Ink 2, an anthology edited by Nigel Bird and Chris Rhatigan.
I am delighted that Heath found the time to stop by Kattomic Energy on his blog tour.
Let's talk about the new book.
How different was it writing a novel than writing a short story? Was it
difficult to work on a broader canvas or did it seem natural?
Writing City of
Heretics in particular was very much like the experience of writing a short
story, except, you know, more of it. I tried to approach it the same way I'd
approach a short story-- that is, cutting to the chase, leaving out everything
extemporaneous, and just moving from scene-to-scene. I wanted it to feel like a
long short story, so that even though the plot is a bit complex, it never feels
weighed down. That was the idea, anyway.
You’ve said you
prefer character-driven stories to plot-driven stories. In the case of the
book, what came first? The idea or the image of your protagonist?
In this particular case, the character of Crowe came first.
I had in mind an older man, coming out of a bad time and about to enter into an
even worse time. I knew he was carrying around some anger, letting it simmer in
his guts, and I knew he planned on doing something he could never take back.
The novel came out of working out what exactly Crowe was angry about.
The gritty backdrop
of the story seems real enough you could navigate the streets by your
landmarks. Have you lived in Memphis? Why did you set your story in Memphis?
I lived in Memphis for about five years, back in the late
'90's. Something about that city, it just sparked for me. It was seedy and
run-down, very modern in all the worst ways-- and at the same time, its history
was apparent on every corner. It had stories to tell everywhere you looked and
it felt like a living, breathing thing to me. It was an old, sick Southern lady
and if you looked really hard you could see vestiges of the beauty it used to
be. Memphis made me melancholy, and I thought it was the perfect setting for a
novel. Or multiple novels
Do you “cast” your
stories when you write them? And if someone made a movie out of COH, who would
you like to play Crowe?
I've found myself casting imaginary movies after the fact,
but not usually while writing. For instance, I got into a discussion about who
would play the roles of Charlie and the Reverend if The Bastard Hand ever became a movie, and I still think Casey
Affleck and Daniel Day-Lewis would be great. As for Crowe, I haven't given it
any real thought yet, but I'll go again with Daniel Day-Lewis, I think.
Let's talk marketing:
You have an impressive number of reviews posted on your books. How
important do you think reviews are in selling books?
If all the talk about algorithms and the
rating system and all that confusing stuff about Amazon is true, then reviews
are HUGELY important. I have to admit, I can hardly get my head around the fine
points of the way Amazon works. But every review, every click of the “like”
button, helps. And I’ve noticed that the more reviews I get, the more copies move.
It’s bizarre and inexplicable to me.
For Cityof Heretics, you're doing a blog tour, promotion on your site and social
media. What else? Any readings? Events
like Bouchercon? Book store appearances?
I’d love to make it to Bouchercon or
Noircon, but it ain’t in the cards. Mostly what I’m doing to promote City of
Heretics and Bluff City Brawler (my new Fight Card novella) is the blog tour.
This is the first time I’ve ever attempted anything like this on this big a
scale, so it’s daunting enough, I think.
