A Tempest in a Multi-plex

Christopher Plummer conjures a tempest

I have a friend who has season's tickets to a series of filmed entertainments (concerts, plays, operas) running one and two-night only at the local multiplex. Last night he treated me to a filmed performance of The Tempest staged by the Stratford Shakespeare Festival with Christopher Plummer as Prospero.  I don't know if this is a one-time only thing (the Festival's site notes that the movie will be playing on June 14, and no other dates) but if you love Shakespeare, you owe it to yourself to hunt this production down.
The Tempest is my favorite of Shakespeare's plays. I love the spectacle of it--the sea storm, the fanciful interpretations of Ariel and Caliban, the fabulous language. "You really  like this play don't you?" my friend said, which was my first clue I was saying some of the lines out loud along with the actors.
Christopher Plummer is the best Prospero I've ever seen and I've seen some Prosperos. Anthony Hopkins played the role here in L.A. opposite Stephanie Zimbalist as Miranda. Ellis Rabb starred in a production he also directed at the Old Globe Theater in San Diego. The set, I remember, was a beach with several huge seashells scattered about. Rabb played the magician in a very patrician manner that was interesting but not engaging. Plummer's performance was ... magical. 

Soelistyo and Plummer plot

I was a little leery of the idea of a filmed play--I've seen some really static ones. And in the opening storm sequence, the sound was really muffled and muddy, which made my heart sink. But once everyone was on the island, those technical issues faded away. And let's just say, filming a play has come a long way since the days my father was recording that production of The Fantasticks from half a mile away in a school gymnasium.
The Tempest was part of the Stratford's season a few years ago (I think Plummer did King Lear last year) and I've always wanted to  go up there for a week and see as many productions as I can. This season they're doing Henry V, everybody's favorite history play, Much Ado About Nothing (my favorite comedy) and Cymbeline, which I can't even remember, although I know I read it.
This version of The Tempest was directed by Des McAnuff.
I really liked McAnuff's conception of Ariel. The tricksy spirit was played by tiny (4'10") Julyana Soelistyo  whose naughty giggle was a reminder that spirits aren't human and find different things funny. (McAnuff definitely played up the humor in the text and made the most of the subplot involving Caliban and the two comic drunkards, Trinculo and Stephano.)
Geraint Wyn Davies played Stephano and he was so hilarious I wish I'd seen him playing Bottom in A Midsummer Night's Dream when it played in rep. If you caught his turn as  pompous Shakespearean actor Henry Breedlove on the wonderful show Slings and Arrows, you have some idea of what he can do.  The man was born to speak Shakespeare and not everyone in the company was up to his and Plummer's level. (The young woman playing Miranda, for instance, sounded like she'd learned her lines phonetically at times.)
I haven't seen the Julie Taymore version of The Tempest starring Helen Mirren, but now I have to go track it down. Because really, can you think of a better way to spend a few hours?

One picure is worth a thousand words

This has been floating around the blogosphere. Not sure where it came from, or I'd tell you, but seems appropriate to post it here on Feminist Fiction Friday.

Happy Birthday Rob!

It's my brother's birthday. I hate that he's 3000 miles away and I can't bake him a cake. And razzing him about his age is not as much fun on email as it is in person.

Feminist Fiction Friday--bits and pieces

There's still time to get in on Patti Abbott's "drabble contest." She supplies the prompts, you write a story in exactly 100 words.

Huzzah--Gillian Flynn has a new book out. Gone Girl. About a marriage gone horribly, horribly wrong.

Coming at the end of the month is a debut novel called The Age of Miracles by  Karen Thompson Walker. It's a combinatin of science fiction, thriller and coming of age story. 

in July, there will be another entry in Tana French's excellent Dublin Murder Squad series. It's called Broken Harbor.

Update to You are not as smart as you think you are...

My landlady got an A in English. The grade was based half on the letter she wrote and half on a final taken in class, so she earned that A herself. And now she will never have to sit in that teacher's classroom again!  I'm very happy for her. 

Feminist Fiction Friday--the TBR Edition

Priscilla Royal

The lovely people at Poisoned Pen Press aare offering the first of Priscilla Royal's medieval mysteries free if you buy them from the Apple Store and for 99 cents over at Amazon.com and on other platforms. (They wanted to offer it and several other books for free everywhere but not all the outlets are cooperating)
I don't know Royal's work, but when I read the blurb for The Wine of Violence, it sounded right up my alley. I snapped up the first two books in the series (for a whopping $4 altogether) and can't wait to dig in. The series, which is now up to eight, with a ninth coming in December,  "stars" a prioress named Eleanor of Wynethorpe.  Here's a link to an interview with Priscilla Royal done for Women on Writing.  Here's a link to eleven more books from PPP, all priced at 99 cents.
I suspect the first medieval mystery most people read was either one of the books in Ellis' Peters' Brother Cadfael series or one of Candace Robb's Margaret Kerr or Owen Archer mysteries. (There's actually a Medieval Mysteries site that has lots of lists and an open review policy for writers of medieval mysteries.) A lot of medieval mysteries (and series) feature clever female sleuths who are often nuns or churchwomen, but not always. I'm particularly fond of Peter Tremayne's "Sister Fidelma" series, and Margaret Frazer's Dame Frevisse books. I have not read the most recent book, Winter Heart, which is described as a "tale of frigid winter and icy passion."
Also on my TBR list is the first of the Hawkenlye Mysteries by Alys Clare.  "Alys Clare" is such a beautiful name I was disappointed to find out it's a pseudonym. The sleuths are Abbess Helevise and the knight Josse d'Aquin (friend to King Richard the Lionheart). I'll start with Fortune Like the Moon, which is available used for a penny on Amazon.

I don't mean to be cranky, but....

I saw Snow White and the Huntsman this weekend. It looks gorgeous and had a couple of truly magical moments in it. But it also had a line, a throw-away line, a tossed off moment that got a big laugh and made me cringe.
Snow White and the Huntsman are struggling through a dark enchanted forest chased by the Queen's brother and a miscellaneous assortment of murderous  minions. Realizing that Snow White's long skirt is making it hard for her to run, the Huntsman slashes it off with his knife.
Snow White, who's really been through quite a lot in the last few minutes of screen time, shrinks back, uncertain of the Huntsman's intentions.
"Don't flatter yourself," he snarls and then they move on as the audience chuckles.
"Don't flatter yourself?"

Call me a cranky feminist but I couldn't help but notice that the script was written by three men.

"Don't flatter yourself."

Don't get me wrong. For the most part, Snow White is witten as brave and strong and true and noble. I'm not sure how she learned to sword fight whilst  being locked up in a castle keep for years, or how the Duke managed to procure that snazzy form-fitting armor at short notice, but this is a fairy tale after all.
Did we really need that line?
Am I just being over-sensitive? (One of the disparaging insults hurled at early feminists was that the had no sense of humor when it came to sexist jokes.) After all, I was the only one not laughing.
Sigh