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Showing posts with label Ryan Gattis. Show all posts
Showing posts with label Ryan Gattis. Show all posts

Tuesday, January 3, 2017

Your Heart is a Muscle the Size of a Fist

I am a huge fan of Ryan Gattis' multi-POV novel All Involved, which revolves around the L.A. riots that ensued when an all white jury acquitted four white cops for the horrific beating of Rodney King. When this book popped up on a friend's list of the books she'd read last year, I was intrigued enough by the title, to find out more. Set in 1999 during the Seattle protests over the World Trade Organization meeting being held there, Your Heart is a Muscle the Size of a Fist was Sunil Yapa's debut novel. Here's the NPR review of it. Like All Involved, the story is told by multiple characters, including a kid who's in the streets, not to protest but to sell marijuana to the activists. The NPR reviewer found Yapa's work full of compassion but decided, ultimately, that his execution was a little amateurish.On Amazon, the book has 92 reviews and comes in with a solid 4-star ranking. The top review is headlined, "Edgy, Dystopian, Melodramatic Lyricism." I'm willing to forgive a lot if a book gives me passion and lyricism. This may be my first book purchase of 2017. I'll get it here.

Wednesday, May 25, 2016

All Involved by Ryan Gattis...a review



This novel, inspired by the events of the L.A. Riots in 1992,  interweaves stories and points of view in a cinematic way (think CRASH or SYRIANA) with the authenticity of actual events told the lens of Gattis’ multi-cultural cast. It makes a wonderful copansion piece to Anna Deavere Smith’s TWILIGHT, her one-woman, multi-character theater piece about the L.A. riots that erupted in the wake of the verdict in the Rodney King case.

 And while much of the L.A. riot coverage focused on the clashes between the African-American and Korean communities, this novel also gives us a snapshot of one complicated extended Hispanic family (both blood family and gang affiliations). Gattis has done a terrific job of getting inside the heads of his characters, particularly Lupe (aka Payasa). .

The characters here are complex and mostly sympathetic, and the adage “Live by the gun, die by the gun” has never seemed so apt.

There’s not a whole lot of story here, but what there is, is absorbing. The plot has a lot of different threads that are woven together, with unexpected connections every step of the way. This is a lot like CRASH, and it’s visceral.  No one group is singled out as the good or bad guys and Gattis does a terrific job giving us viewpoints from all different directions.