Halloween Movie Marathon: What Lies Beneath

This is a ghost story that's subtle enough to really be more of a psychological thriller. I saw it at a screening with a friend who, as it turns out, has an almost pathological fear of drowning. She had to leave the theater during the most suspenseful and nerve-wracking scene in the movie and it was harrowing enough  I was thinking of joinging her.
I really liked Michelle Pfeiffer in this movie. She was incredibly sympathetic.
The movie poster (as you can see) features a bath tub. Creepy bathtub/shower scenes are a staple of horror movies. (Let's talk The Shining, or Psycho for that matter.)  There's something extra menacing about something supernatural lurking around when you're totally naked. (I used to rent a house that had one of those makeup mirrors bolted to the tile by the sink. If you caught it at just the right angle, the image it reflected was upside down. Imagine how scary that would be the first night you used the bathroom and caught a glimpse in the moonlight of SOMETHING upside down.) 
I liked all the cast in the movie--from Miranda Otto and James Remar as the neighbors to a blink-and-you-missed-her Amber Valletta.  (I have really liked her in other movies where she had a chance to show some acting chops, like Hitch and Transporter 2.)  Harrison Ford made a good villain.
The scares in this movie are atmospheric, designed to come to a slow build and leave you wondering what's real and what's spooky.
The movie was written by Clark Gregg, who is also an actor. (He played Agent Coulson in Iron Man, Iron Man 2 and The Avengers.) He also wrote and directed the screen adaptation of Chuck Palahniuk's Choke (starring Sam Rockwell, who was also in Iron Man 2). 

The movie was directed by Robert Zemeckis, who has actually produced a lot of horror movies in his partnership with Joel Silver, including Ghost Ship, Thirteen Ghosts and Gothika. I didn't find any of those movies particularly scary although there's a moment in Ghost Ship with a wire that's flinch-producing.  Still, Bob Z directed one of my favorite movies, Romancing the Stone, so who am I to complain about the scare-factor of his other movies?  (And I also liked the poster for Ghost Ship, which was in the same vein as Cabin Fever, which I thought was...wretched.)
On the other hand, Cabin Fever was made for $1.5 million and earned $30 million worldwide, so clearly mine is a minority opinion.
What Lies Beneath is not like either Ghost Ship or Cabin Fever, which would probably work well as a double feature movie night if you're feeling nostalgic for old school horror that's heavy on gore and not really offering much else.  (The best thing about Cabin Fever is Ryder Strong, who was from Boy Meets World. One of his costars was Jordan Ladd, daughter of Charlie's Angel Cheryl Ladd.)
If you're looking for something you can watch in "mixed company" (that is, with people who aren't necessarily horror movie fans), What Lies Beneath is a good choice. Just make sure no one's afraid of drowning.

Halloween Movie Marathon: The Omen

There's a scene in The Omen (I am speaking about the original, Richard Donner-directed version, the other one isn't really worth mentioning) where I was suddenly very, very uncomfortable and I couldn't figure out why. And then I realized it was because I was looking at the scene from an unknown point of view. And then moments later, I realized I was watching the scene from the POV of those devil dogs who were watching over Damien. And long before I knew what "subjective point of view" was, I was experiencing it. And it was creepy.  Twelve years after being scared to death by the movie, I ended up working for Donner and his producer wife Lauren Shuler Donner. And all these years later, I'm still working for them as a freelancer. They are the best kind of Hollywood people and I hope to work for them forever.
But I was talking about The Omen.
Movies about creepy and evil kids are often very effective. There's the original Bad Seed, of course, but the first really creepy movie about children I ever saw was The Other, based on the best-selling book by Thomas Tryon. (The Other got extra points for being an evil twin story as well.)  There was something truly perverse about The Other.  (I read all of Tryon's books and thought the most effective was Harvest Home, which was made into a terrifically cheesy miniseries called The Dark Secret of Harvest Home. Bette Davis starred as the creepy matriarch of a small town where men had just one use. But more about that on another day.)
Elijah Wood, who starred in Donner's movie Radio Flyer and would later become everybody's favorite hobbit, starred in another creepy kid movie, The Good Son. The star was Macauley Culkin (as the title character) and though Culkin is a good actor, Elijah just acted him right off the screen. Check out the trailer.
The Omen was a classy horror movie, like the original Haunting or the Sixth Sense. It depended on atmosphere and intensity for its shocks and above all it was intelligent. Timing was everything--like the moment where you know David Warner's character is going to be decapitated by that sheet of glass and there's nothing he can do about it. You can't look away and yet instead of lingering on gore, the way a lot of torture porn horror movies would have, we're on to the next moment. There was something ... elegant about the horror and the understated nature of the story helped to sell it. The Omen was a great horror movie precisely because it was rooted in the familiar, in the very realest of real-world settings. It was much creepier than Rosemary's Baby, at least in my opinion. (I saw Rosemary's Baby at a midnight show when I was in college and I was bored. I thought the book was a lot scarier.)
I saw The Omen again a few years ago ad it holds up.  the acting (by Gregory Peck, Lee Remick, David Warner, and Dr. Who's Patrick Troughton) is first rate. This movie should definitely be on your playlist for the holiday.

Halloween Movie Marathon: The Crawling Hand

I saw this movie as a kid, probably on the horror movie show hosted by Richmond's answer to Elvira, a guy who called himself the Bowman Body. He wore Dracula drag and had a bandaid on his forehead. (As it turns out, I'm not the only one who remembers Bill Bowman fondly, a documentary about "the Bowman Body" called "Hi there horror movie fans" is having a run at the Byrd Theater in Richmond, VA on October 28. For more infomation, check the Bowman Body's official site.)
The movie was from 1963, a black and white horror tale about an astronaut's disembodied hand that crept around choking people. (How the hand/arm survived the re-entry process was, not as I remember, explained.)
I don't remember very much about the movie but I do know it scared the bejesus out of me. I remember hearing scuttling noises while taking a bath after I'd seen it and I knew, I just KNEW that there was a disembodied arm in a silvery astronaut suit sleeve just waiting, waiting for me. 

I looked the movie up on imdb and it looks like the only version of The Crawling Hand still available is one that MST3K has worked over. I find Mystery Theater kind of hit or miss, but again, this is the kind of movie that you throw on when you've had a couple of hard ciders and are jacked up on sugar  cookies shaped like pumpkins.  I think it's the kind of movie that you really need to see in a crowd so the snark can flow.
Peter Breck, who most notably played one of the sons on The Big Valley (and who died earlier this year at the age of 82) was the star and other names of note in the cast were  Alan Hale, Jr. (the "Skipper" in Gilligan's Island) and Richard Arlen, who did a lot of genre films, including Island of Lost Souls. He also seems to have been a guest star on every single western made in the 50s and 60s, including some now almost forgotten, like Yancy Derringer.  (An actor named Jock Mahoney starred in the series and he's notable now because he was Sally Field's stepfather.)
The movie was written and directed by Herbert L. Strock, who did a lot of television (77 Sunset Strip, Highway Patrol) and a lot of genre movies, including I Was a Teenage Frankenstein. That movie starred the original Lois Lane herself, Phyllis Coates, Whit Bissell and Gary Conway.

Halloween Movie Marathon: Sixth Sense

I used to walk my dog with a neighbor who was a union reader (aka "story analyst") at Paramount and inevitably, we talked about scripts we were reading, both good and bad. She'd been on the job longer than I had and was fairly jaded. But one morning she was full of praise for a script she'd read the night before and she told me the story. It sounded good to me too (especially since I'd just read the script for yet another misbegotten remake), but I didn't really think about that conversation until a summer night several years later when I was in Arizona and at a drive-in where Sixth Sense was showing. The moment it started I remembered hearing the plot and so I knew all the way through that Bruce Willis' character was dead.
I liked the movie anyway.
I liked the movie enough to see it again (something I rarely do) with my sister (who was not really a big movie fan). Several minutes into the movie, she leaned over to me. "Bruce Willis is dead," she said.
"How do you know?"
"When he opened the door there was no reflection in the doorknob."
I hadn't noticed that, but she was right.
And so she knew the twist of the movie all the way through and still liked it.
The movie doesn't really have a lot of scares in it. There's a shock moment when we see a girl who was murdered by her mother (the late Brittany Murphy) and another near the very, very end when the boy sees a dead person who's wandered off from an accident up ahead. What works in the movie is the relationship between Bruce Willis' character and the boy's, played by Haley Joel Osment. (Haley Joel Osment is 24 now, does that make you feel old? He was just 11 when he appeared in Sixth Sense.)
This is a movie you'd put on at the end of a marathon of Halloween movies to mellow everyone out before they head home.

Halloween Movie Marathon: Trilogy of Terror

This was a television movie that aired in 1975 and as the name suggests, it was a trio of stories strung together only by their star, Karen Black, who played different parts in each section. I only remember one thing about the movie and that's a scene where a creepy witch doctor doll chases Karen Black around with a knife-sized spear. If you ever saw the movie, you remember that scene (and probably not much else). I suspect watching the movie as an adult would be a very different experience. It's probably campy as hell and not scary at all, but I was scared to death.
Karen Black starred in Nashville the same year she did Trilogy of Terror, and she was also in Airport 1975. (Remember?  she was the plucky flight attendant who ends up landing the plane.) The year before, she'd played Myrtle Wilson in the Redford/Farrow Great Gatsby.  She's still working, and in fact has roles in three movies coming out in 2013.
The movie had a lot of geek cred--Dan Curtis (Dark Shadows) was the director and William F. Nolan (Logan's Run) wrote it.  Nolan also wrote the horror movie Burnt Offerings, which also starred Karen Black and was also directed by Dan Curtis. this is the kind of movie you put on in the background while decorating the house for a Halloween party. 

Dakota does it in French

I'm reading Dakota Cassidy's Burning Down the Spouse and loving every page. She just posted the French cover of her book You Dropped a Blonde on Me, from her ex-trophy wife series or as they say in French, "Le club des ex."  The puppy in the pink bag kills me.
"Larguee" means something like "abandoned" but it may be an idiom. "Abandoned and recycled?" 

Halloween Movie Marathon--The Haunting

The 1963 version of The Haunting, based on Shirley Jackson's novel The Haunting of Hill House, is one of the scariest movies I've ever seen. And yet ... it's all done with dutch angles and music and suggestion. (That was not true of the remake from 1999. I was working at DreamWorks at the time the remake was released and we were shown the trailer during one of our story meetings. The trailer line was, "Some houses are born bad." I laughed out loud, was not the reaction they were looking for.)
I am a big, big fan of the novel, which I believe is flat out the best haunted house story written in the 20th century. If you haven't read it, give it to yourself as a Halloween present. It's a fast read and available used online at a zillion places.  And any reasonably stocked library should have it on their horror shelves as well.
the movie stars Julie Harris, Claire Bloom, Russ Tamblyn, and Richard Johnson as the paranormal researcher. Of the four, Johnson had the lowest profile. He was a theater actor who'd mostly done television in England. (He's still working, and had a multi-episode arc on MI-5.) Russ Tamblyn had had a huge hit in West Side Story two years before this movie came out, but he worked mostly in television after that. (One high-profile gig was his role on Twin Peaks.) Julie Harris was a well respected stage actress whose breakout role had been recreating her part in A Member of the Wedding.  She was also in East of Eden and Requiem for a Heavyweight, playing "good girl" ingenue roles.  Like Tamblyn, she then divided her time between television and features and theater. (She was last on-screen in 2009.)
The movie is in black and white, and the lighting is moody and creepy. It was directed by Robert Wise, who also directed the classic The Day The Earth Stood Still, West Side Story, The Sound of Music, and the first of the Star Trek movies.
If you're putting together a night of Halloween movies, this movie should be in the mix.