It's been a pretty good year so far at the Tomlinson household but I still feel like I'm geting nickel and dimed to death by monthly fees for this and that. I keep coming back to that $9.95 a month Netflix subscription. Month to month, it's not that big a deal but over the course of a year it adds up to $119.40 and I have to wonder, is it worth it? Soemtimes when I log onto Netflix in search of an aafternoon's entertainment, it seems like the only thing available is several season's worth of How I Met Your Mother and the Adam Sandler movie Anger Management. (It reminds me of the early days of HBO where Bill Murray's movies Scrooged and Ghostbusters seemed to be in heavv rotation with precious little on offer. (I confesss I think "the Night the Reindeer Died," the Christmas movie pitch sequence from Scrooged with Lee Majors saving Santa Claus is pretty hilarious, but I digress.)
I decided to see if I could find a month's worth of Netflix streaming movies that would entertain and engage me enough to convince me that keeping the subscription is worth it. Movie #1 is Butter, starring Jennifer Garner. I like Garner. I thought she was terrific in the unerrated romantic comedy Catch and Release (which featured a wonderful supporting turn by filmmaker Kevin Smith). I wasn't as charmed by 13 Going on 30 (a female version of Big) but that wasn't her fault. She could probably spend the next decade doing the kind of movies Sandra Bullock made early in her career and that would be fine. But she's not really playing it safe, and I like that. (I cannot wait to see her in Draft Day, which is the movie Moneyball wanted to be.)
Butter is the kind of quirky little movie that hits theaters for a week and then disappears. It's got a great cast. In addition to Garner, there's Olivia Wilde and Hugh Jackman but the subject of the comedy--competitive butter sculpting--is so nutball that you're surprised the movie wasn't some USC film student's thesis project. (It made a grand total of $175,700 at the box office, and that's counting global ticket sales.) The movie remnded me a lot of the Nicole Kidman film To Die For. My favorite performance in the movie was probably Olivia Wilde, playing a slutty sculptress who enters the contest just to mess with people.
Butter sculpting is a real thing, by the way, with its own Wikipedia entry and everything..
I don't know Batton Lash personally, but I know he's a gracious man. The creator of the Wolff & Byrd "Supernatural Law" comic books, he gave me permission to use the name of one of his characters in one of my "Misbegotten" stories--just because I asked him. He's running a Kickstarter campaign to print his next book, Werewolf of New York.
The project is already fully funded so the extra money will go to a bigger print run. There are some great rewards for donations, and winning one of those rewards is a great way to get to know Batton's work, if you don't already. Here's the link to the campaign.
My friend writer/director John Harrison (Dune, Donor Unknown, Tales from the Darkside) has written his first novel, Destiny Gardens. It's a love-letter to his hometown, Pittsburgh, and a loving recreation of a particular place and time. Part coming-of-age story and part crime fic,the book will be out next month. Here's the cover to whet your appetite.
David Simkins gave me my first computer. It was a Mac Classic II and the sweetest little machine ever. I loved that computer because it was so user-friendly. I've known David since the Eighties when he was developing a movie at Silver Pictures. He and I pitched a television pilot together and were in a writer's group that included talented people like Robert Hewitt Wolfe, Kevin Messick, James McQuaide and Peter Lenkov. Everybody in the group wanted David to critique their scripts because his notes were so good and he was so generous with his time.
Simkins went on to work on television shows as different as Charmed, The Dresden Files (with the aforementioned Robert Hewitt Wolfe), Angel, Lois & Clark, Warehouse 13 (and most recently) Grimm. He writes great characters and terrific dialogue and if you tune into a show he's written, you're guaranteed a good time. (And in case you're wondering, the heroine of my Misbegotten stories, Kira Simkins, is named for him.)
David Simkins is running a Kickstarter campaign for his new project Lily, and one of the premiums you can get for your contribution is a critique of a television script by him. Forget the project--those notes alone are worth the contribution.
I know you see a lot of pleas for Kickstarter campaigns, but this one is different. Really. The campaign is to fund a show called LILY, starring Lynn Ayala. It's a crime show but not like the cookie cutter crime shows the networks give us every pilot season. check out the campaign here, and let the creators tell you about it. There's a lot of talent involved and it's going to be something special. Wouldn't you like to be a part of that? I know I do.
