G. M. Malliet's A Fatal Winter

I just read G.M. Malliet's A Fatal Winter, and will be doing a full review soon. You can read the post I did for Criminal Element's Fresh Meat here.  A Fatal Winter is the second in Malliet's series about Max Tudor, a former MI5 operative-turned-vicar of a small English village called Nether Monkslip where the biggest problems facing the populace are who'll house the cat that runs around the hisoric church where Max preaches and whether poinsettias and holly are toxic.
After reading so much dark matter lately, reading Fatal Winter was like sinking into a warm bath scented with lavender.  I loved the characters. I loved the village. (I want to move there.) And I loved the description of the food at the Yuletide party at the end.  A Fatal Winter is highly recommended for those of you who love "traditional" mysteries.

Feminist at Fourteen--Malala Yousufzai

There's an indiegogo campaign that's been started to provide funds to Malala and her family as she continues what will be a long convalescence. Here's the link.

This year's Oscar for best picture goes to...

The movie to beat is Argo.
The year the American embassy in Tehran was overrun, I was living in my parents' house taking care of my dying mother. Desperate for distraction, I watched hours of news, and rarely missed Ted Koppel on Nightline.
I can't say that overdosing on reality made me feel better but it did take my mind off my personal problems.
Day after day the chanting mobs from Iran filled the television screen, the hate in the faces of the men and women so visceral that it radiated in an almost palpable wave.
So many people, day after day after day.
"Don't any of these people have jobs?" my mother and I wondered.
I don't know when it became known that the Canadian ambassador had risked his life to shelter six American diplomats but I do remember the news stories at the time. His actions were so honorable and so brave. The Ambassador's name is Kenneth Taylor.
Several years ago I was paid to read the Argo script for one of my clients. It came to me cold, the only information attached was that Ben Affleck was going to direct it. At the time he'd directed Gone, Baby, Gone, so I didn't roll my eyes the way I sometimes do when I'm told an actor has a passion project he/she wants to direct. (I know, that's not very nice of me, but I've read scripts that actors have chosen for their directorial debuts and at lot of them are truly dreadful.  Tai-Chi Man?  Really?)
Argo was so good it made the hairs on the back of my neck tingle.
The movie is even better.
Go see it.

Halloween Movie Marathon: Hush...Hush Sweet Charlotte

When I talk about "horror movies," I'm usually talking about something with a supernatural elements--ghosts or demons or witches or vampires or something. But there's a whole level of movies without that element, movies that are terrible in a wholly human way. Hush...Hush Sweet Charlotte is a movie like that, an over-the-top melodramatic version of a psychological horror story starring two great actresses in the sunset of their careers. On IMDB, the movie is tagged as a drama/horror/thriller and it is all three of those.veryone remembers that Olivia de Havilland and Bette Davis starred in this movie about a southern belle gone looney, but most people don't remember that the movie was chock full of fabulous supporting actors including Agnes Moorehead, Bruce Dern, Cecil Kellaway, VictoBuono, and  Joseph Cotton.You can watch the full movie on IMDB.

I always associate this movie with What Ever Happened to Baby Jane, starring Bette Davis and Joan Crawford. I've always seen them together and my memory of them is so entwined that I can't remember which one had the moment where a boiled rat is served up for dinner. (I'm pretty sure that's Baby Jane). Baby Jane came out in 1962; Hush...Hush Sweet Charlotte came out in 1964. Both were directed by Robert Aldrich, who went on to direct The Dirty Dozen three years later. (Victor Buono co-starred in both movies, which was another connection between them.) Buono was only 43 when he died in 1982, and he was all over the landscape of the television shows I watched as a kid.

Nitpicking 666 Park Avenue

I really wanted to like this series; I really, really did. I loved the idea that it was a Faustian sort of show with touches of Stephen King's Needful Things. And there are some things about it that the writers and producers got right. That elevator scene with the photographer, for example. It was unexpected and really effective. There were also a couple of cool moments when things showed up in the dark, out of the field of vision of the characters, one of which was a really good things that go bump in the night" bit.
Terry O'Quinn is terrifically reptilian as the master of ceremonies in the dark circus that is the building (the Drake Apartments), and Vanessa Williams is just stunning. The show is filled with young women we know are beautiful, but they all seem to be cookie cutter types, pretty enough but not memorable, either as faces or as actresses.  (The young men are pretty bland as well and O'Quinn just acts them all off the screen. I'd love to see him and Bryan Cranston in an acting face-off.)
I love the dragon mosaic in the basement of the building. (Just in case we don't know, we're told that the word "Drake" is another word for "Dragon" but no one mentions its biblical symbolism, which is surprising because this is NOT a subtle show.)
I can tell you the exact moment that the show lost me and that was when the pretty blonde resident manager runs into the lovely Samantha Logan, playing a sort of psychic gypsy type, and the character and she complains about a washer in the laundry room being on the fritz.
Okay--to review--the building at 666 Park Avenue is a luxurious old building from the Twenties with a doorman and a concierge/bellman and the apartments don't have their own laundry facilities?  Really?
Then later, our plucky new resident manager decides she's going to do some research about the building at the public library, apparently never having heard of Google. (And the library's really old special collection turns out to have a whole lot of stuff about the building out in the general stacks. I've worked in libraries--that sort of thing would be kept under lock and key.
I wouldn't quibble if the show had engaged me but it just didn't. There's a moment t hat seems to have been lifted from The Devil's Advocate (and other movies I can't recall).
I think, if I had to put my hand on one thing that's not working, it's that the writers aren't giving their viewers enough credit. Every throwaway line is UNDERLINED, as if the audience won't get the innuendo.
I'm so disappointed. I don't watch a lot of television, but I had high hopes for this show. 

Feminist Horror Films--Where are they?

I'm not the first woman to ask this question and I won't be the last. Bitch Media, a site that accompanies the magazine Bitch (a feminist response to pop culture) has an interesting post on faux feminism and the lack of feminist horror films. (They don't count rape-and-revenge films and neither do I.)
Are so few horror movies feminist because if you take out "women as victim" you don't have much of a movie?  Is Cat People a feminist movie?
Heartless Doll posted a list of 10 top horror movie heroines back in 2008. I doubt they'd have many to add in the four years since they compiled their list. (Is The Others feminist?) Among those they listed were Carrie from Carrie; Wendy from The Shining, Ripley in Alien (which I don't really call a horror movie) and Rosemary in Rosemary's Baby. I don't quite get that last one. It's not like Rosemary prevails, but at least she is more than the usual drippy heroine who screams a lot.
The NBC television show Grimm is about to do an episode based on the myth of La Lorona (the weeping woman who steels children she finds by running water) and I'm looking forward to that because the stories of La Lorona are so sad and gender-specific. There must have been a horror movie centered on this myth/folk tale before but I've never seen it.
We need more horror movies with female villains and even more with empowered females hunting monsters. Buffy the Vampire Slayer can't really be the only one, can it?

Deb Butler's campaign ad

I went to college in North Carolina and I wish I still lived there so I could vote for Deb Butler.Butler's the kind of person I admire. She worked her way through college, according to her bio, toiling at restaurants and on landscape crews and a bunch of other jobs to pay her way through college and law school.
She has run businesses. She has gotten involved in her community. She. Gets. It.
Deb Butler is running for the North Carolina State Senate against Republican Thom Goolsby. Goolsby like his Virginia colleagues, supports mandatory trans-vaginal scans for women seeking abortions. (It's part of the "Women's Right to Know" Act enacted in 2011.)  In her latest campaign ad, Butler holds a transvaginal wand and says, "I think we need to have a candid conversation..."
You can see the article here, and watch the ad as well.
The Raleigh News & Observer (in a massive understatement) called the ad "visually frank."  Butler's opponent has voted to slash funds for birth control  (He's also voted to cut funds for cancer screenings, which is another topic altogether.)
Abortion is such a hot-button issue that at times it doesn't seem like anyone can discuss it in a calm and rational manner. I have a friend, who is long past the age where it's even an issue for her, who is so rabid a supporter of unfettered reproductive rights that it is the ONLY political issue she considers when she goes to the polls. (And no, she never had an abortion.)