L.A. Nocturne II--More Tales of the Misbegotten

My collection of short stories L.A. Nocturne II (More Tales of the Misbegotten) is now up at Amazon. There are nine stories in this collection, some of them written just for the collection and not previewed anywhere else.

Joy Sillesen did the cover through her Indie Author Services, and you should check out her current promotion because she's offering $10 covers for ebooks all month long.  Joy has already created the cover for Misbegotten, which should be out in September.  (Hold me to that deadline.)

One of the stories in the book, "Bear Baiting" introduces two of the characters who are part of the cast of characters of my novel--Detectives Lee Park and C.J. Bowe who work in the paracrimes division of LAPD.  Lee's second-generation Korean-American, C.J. (named for two of my friends) is his long-time partner but they've recently realized there might be something else there. (You know what they say about proximity.)  I really liked writing their relationship.  I'm interested in knowing what you think...  (The two briefly appear in "Fairy Story," which is another "Tale of the Misbegotten.")

Feminist Fictionistas Take Note: Women Talk Sci-Fi

Three writers in Australia (Eugenia, Gerri and Writer X) talk about science fiction. Check out their site here.  They haven't updated in awhile and their "about us" section is sadly lacking, but check them out on Twitter @GENEWS_WTSF

Review of The Sisters Brothers by Patrick De Witt

Death follows in the wake of two brothers headed to California to kill a man for their employer, a wealthy man known as “The Commodore.” 

In The Sisters Brothers, Patrick DeWitt has done a 180 from his first novel Ablutions, a dark, grim story about the denizens of a seedy Hollywood bar.  His new book is a darkly comic Western noir that serves notice with its whimsical title that DeWitt’s west is not the same place as the west you’ll find in a Louis L’Amour novel.

There is a lot to like here.  The story is episodic and reminiscent in some ways of Little Big Man, only taking place in a more focused context.  Eli and Charlie Sisters seem to run across a whole cross-section of Western types (the diligent Chinese house boy, the luckless prospectors, the soiled doves and so forth) that Larry McMurtry (Lonesome Dove) would recognize.  There’s also a tinge of superstition and the paranormal (the weird gypsy) that unsettles us a bit.  What the story mostly reminds us of is a graphic novel, even though this is a fully fleshed tale that doesn’t need illustrations.

First of all, the dialogue is absolutely great.  Eli’s horse-trading when he sells the Indian horse that simply walks up to him is reminiscent of Mattie’s dickering in True Grit, and there are other places where we suspect the writer might have been influenced by the Charles Portis novel, if not the movie(s) of the same name.

Is this a fiction challenge in the making or what?

Over at BuzzFeed, they've compiled a list of 60 completely unusable stock photographs from sources as diverse as Getty Images and ThinkStock. The images ae hilariously, atrociously bad. And yet. They're also strangely compelling in the stories they suggest--the gas-masked mother and child engaged in a tug of war over a sheet of cookies, for example; or the guy with the Mona Lisa superimposed over his tongue.  Then there's the girl with the Hitler mustache and the gingham dress peeling potatoes. Really, you have to see this group of photogrpahs for yourself here. And tell me if at least one of them doesn't suggest a story.

Gifts of the Sidewalk Fairy

I live in an apartment building on a small block of apartment buildings and periodically, in the time-honored tradition of apartment-dwellers everywhere, people put their discards on the sidewalk for strangers to look at and, perhaps, claim.  Someone in my building regularly dumps boxes of paperback books on the little patch of grass near our garage entrance and I always grab these boxes and take them over to our local library, which is woefully under-funded. But I always go through them first.  The books are not in shabby, you-wouldn't-pay-a-nickel-for-them-at-a-yard-sale condition either.  Most of the time they look brand new. And I have to wonder, how did the person get all these books if he/she isn't reading them?  Were they gifts?
Today the grab bag on the sidewalk was filled with movie dvds.  Everything from Kung Fu Panda to Charlie Wilson's War. Lots of movies for kids--Cloudy With a Chance of Meatballs, Madagascar 2, Shrek 2. Beverly Hills Chihuahua.  So they're now in the pile of stuff headed for the library, but first I'm going to watch Cloudy With a Chance of Meatballs.
Thank you Sidewalk Fairy.

Aliette de Bodard--on my to be read pile

I stumbled across writer  Aliette de Bodard while looking for a short story to read for Brian Lindenmuth's 365 Short Story Challenge.  I loved the story ("Worlds Like a Hundred Thousand Pearls") so much I immediately headed over to Amazon.com to buy the first book in her historical fantasy/mystery series Servant of the Underworld, Obsidian & Blood, Book 1.  (I love the instant gratification of kindle sales, I really do.)
If you like gorgeous writing, you will love her work.  Check out her website here.  Check out her Wikipedia entry here.

You can follow her on twitter @aliettedb and she's on Facebook as well. But don't waste your time fiddling with social media, go to her site and read some of the free samples of her work.  You can read "Worlds Like a Hundred Thousand Pearls" here.

Feminist Fiction Friday--Interview with Jennifer Parsons of Luna Station Quarterly

This week I have a very special Feminist Fiction Friday, an interview with Jennifer Parsons, the founding editor of Luna Station Quarterly.

Here's how she describes herself:  A highly-skilled pixel slinger and code monkey by trade, Jennifer writes speculative fiction and fairy tales because she loves stories, reads books as part of the Geek Girls Book Club, devours comic books because she's loved Batman her entire life, writes essays and reviews for The Loser’s Table, and edits the literary magazine Luna Station Quarterly because she believes women write awesome stories. When not doing those things, she makes things from yarn, cuddles her kitties, and goes on sporadic bouts of television watching and gourmet cooking. She's been known to swing a Wii controller like a Jedi. Sometimes, she sleeps.


This is what she had to say:

Kattomic: I love the look of the Luna Station Quarterly site, especially the colors.  Who designed it?  (I know you did, because I read the fine print, but I’m in awe of people who can do their own sites and/or book covers or whatever.)

JP: This is where being a professional web designer comes in handy. I do all of my own design and development work (LSQ is built on Drupal), so thank you, I’ll take all credit. LOL. The color scheme came about because the last thing I wanted on a women-authored fiction site is any hint of cliched pink. I wanted something that invoked a retro feel, a reminder of the wonder Sci-Fi authors of the past had for the future. Some call it Retro-futurism, that nostalgia for the future that has yet to come about. I didn’t want it to feel too masculine either, so the little stars and planets reflect that bit of whimsy that I often find in female-written spec-fic.

Kattomic: This is the third year of publication for LSQ, right?  Any plans for expansion—more issues per year? Print publication?

JP:  Oh, the plans that are in my brain! I want to expand LSQ, though what form that will take is up in the air. I want to keep the quarterly magazine as a quarterly, but I’ve had ideas since LSQ’s inception for ways to increase our output. As submission numbers grow, I’m asking myself this question more and more often, with a print anthology foremost in that thought process. Would you like me to be more vague? LOL.

Actually, my first priority before adding other editions or offshoots, is to find a way to pay my authors. Right now, web hosting costs come out of my own pocket and my personal finances don’t allow for much more than that. I’m incredibly hesitant to put ads on the site as I feel that it would be a distraction and possibly make it appear that I’m looking to monetize the site, which I’m not. I’m considering a donation button, but I have yet to make a firm decision. LSQ has never been about money for me. In fact, it’s never been about me at all, which is why I never publish any of my own stories.