Patricia
Abbott crafts stories like Cartier designs jewelry, one polished gem of a word
at a time. And yet there’s nothing “precious” about any of these
stories—gritty, gravely, raw stories about people and their worst impulses.
Many of these stories take place on the margins, in the places between memory
and the present. Things aren’t always what they seem, and if there is any
justice to be had in the end, it is rough justice, vigilante justice, final
justice.
Abbott’s
stories are character-heavy, and dialogue-rich. Even the internal musings of
the characters have substance. Her descriptions are precise, and immediately
relatable, as when she describes the “gluey, mousey” smell of all used
bookstores. “I thought only cops used the word vehicles,” one character muses,
“but maybe prisoners and cops traded words like a cold.” It’s an offhand
comment but it seems like the perfect combination of words.
Most of the
stories here are dark, effortlessly noir-ish and strongly rendered slices of low-life
pie. But there are also delights like “Bit Players,” which features the late,
great character actor Jack Elam and a telling bit about the way casting
directors work in Hollywood.