Character interview: Yalira of Bride of the Midnight King

Portrait of Yalira by Joanne Renaud

As part of the March Mayhem promotion, artist/rwiter Kat Laurange is hosting a "character interview" with Yalira, the heroine of Bride of the Midnight King. It's a lot of fun to answer questions in the voice of a character you've created, and I hope readers will enjoy it. You can see the interview on Kat's blog here.

Artists Who Write/Writers Who Art

Ambrose Bierce by J.H.E. Partington

I actually know a lot of artists who write. In addition to Joanne Renaud and Kat Laurange, I can name friends--John Donald Carlucci, Mark Satchwill, Jefferson Moore--as well as inspirations--Edward Gorey, Beatrix Potter, Maurice Sendak, Janell Cannon (writer/illustrator of the lovely Stellaluna), and misanthropic writer.artist Ambrose Bierce.

I first encountered Bierce as an illustrator. I thought his King Arthur illustrations were fantastic. (To see a portfolio of his illustrations for Oscar Wilde's Salome. go here.)

Beardsley's illustrations were lush and detailed and for me, as much as Alphonse Mucha, defined Art Nouveau.

He had a very distinct style, and even for a kid, instantly recognizable.

I then stumbled across The Devil's Dictionary (formerly known as The Cynic's Word Book), a dark satire that was snarky and satisfying. For example: 

Lawyer 

(n.) One skilled in circumvention of the law.




I then read a number of his short story collections, which tended toward the fantastical and speculative. I liked his short fiction a lot--especially his writing on war--and wondered why he was so often eclipsed by Mark Twain in English classes. 

Here's an interesting article on whether Ambrose Bierce was a better writer than Mark Twain. I don't think he was--I took a whole semester of Twain when I was in college and read pretty much everything he wrote, including "War Prayer" and Gilded Age. I think Twain had more range. But if you're stacking up short stories, I'll take Ambrose Pierce's "An Occurrence at Owl Creek Bridge" over "The Celebrated Jumping Frog of Calaveras County." Kurt Vonnegut considered the Bierce story to be the greatest short story ever written.

Excerpt from DOORS by Joanne Renaud

 

From now until the end of the month, enter the March Mayhem contest sponsored by Joanne Renaud, Kat Laurange, Donna Thorland, Lynne Connelly and Kat Parrish. Details and entry form here.

Artist/illustrator Joanne Renaud's new novel, Doors is a sequel to her 2915 A Question of Time. As the title implies, the story involves a form of time travel, but she has created a new twist on an old trope, playing with the multiverse.  Here's how the publishers at Champagne books describe Doors:

Jackie Karam always knew her friend Orne was a weirdo, even before he enlists her help in opening a door to an alternate dimension. His theory is that if one could find a book one lost, a book one loved but can no longer remember anything about, it might open a door to another world. Jackie just happens to have such a book in her past. A science fiction novel her high school teacher had recommended to her before he died in a car crash.

Jackie loves hanging out with her handsome, charming, eccentric friend, so she agrees on a trip back to her hometown to look for Mr. Forrest's book. She finds it in the White Springs library, and just as Orne hoped, opens a door to another dimension, one altered from the world she knows. Not just altered, but better. Her career is a success, her old teacher is alive and well, and her relationship with Orne is so much more intimate. Her own world is so drab and hopeless by contrast, she's tempted to stay.

But does she truly belong in this other world? What happens to this world's Jackie if she stays? And what will happen to her, if she refuses to go back through that door?  

 Sounds like fun doesn't it? Here's an excerpt:

Ordinarily I would have been afraid of running in heels, but I was so determined to get down to the Village that it didn’t occur to me to trip. I think a guy whistled at me while I sprinted down the street, but I barely noticed.

Enter and Win!! Five Authors, Fifteen Days, Lots of Prizes

March Mayhem: Five Writers, Fifteen Days, A Whole Lot of Prizes!!!

Enter to win our swag basket including some incredible and unique prizes from five amazing authors, including Donna Thorland, Lynne Connolly, Kat Parrish (aka Katherine Tomlinson), Joanne Renaud and Kat Laurange!

From AAR-nominated author Donna Thorland, we bring you two (2) autographed trade paperbacks of The Dutch Girl and Mistress Firebrand, the latest books in her acclaimed Renegades of the Revolution series!

From bestselling author Lynne Connolly, we bring you one (1) ebook copy of her latest Georgian historical romance, Dilemma in Yellow Silk, and the one-of-a-kind chance to be a character in her next contemporary romance.

Interview with author/artist Joanne Renaud

From now until the end of the month, enter the March Mayhem contest sponsored by Joanne Renaud, Kat Laurange, Donna Thorland, Lynne Connelly and Kat Parrish. Details and entry form here.

And now, on to the interview with Joanne Renaud!

Let’s talk about Doors, your latest novel, a time-travel romance.

Do you listen to music as you write and if so, what was in your playlist for this book?

Why yes, I listened to a great deal of music—Doors is partially about people bonding through music, even if they don’t always listen to the same thing. Orne, the hero of Doors, is an ex-raver who loves electronica, both classic and current (including seminal acts like Phuture and Orbital), and Jackie is an ex-punk who loves Rage Against the Machine.  You can listen to the playlist here—there are many songs that I referred to throughout the book, including Wall of Voodoo’s “Mexican Radio,” and Phuture’s “Acid Trax.”

Did you watch any television shows or movies to transport you to the period? Any other resources you used?

Well, Doors isn’t really a time travel book where people travel to another period of history—it’s more about how parallel timelines form as a result of time travel.  It’s more along the lines of Sliding Doors or Lathe of Heaven. (Lathe and Ursula LeGuin was a HUGE influence on this book.) It’s very much in the multiverse theory of time travel. It’s set in the present day. (Well, 2010.)

Your first book, A Question of Time, was also a time-travel romance, but Doors is not a direct sequel. Will there be a third time-travel book to “round out” the series?

Yup! There’s going to be a third book, set in 1966—it’s called Out of Time.  It gets into the origin event of what causes the ‘time bubble’ phenomenon in the first place, plus Cold War spying shenanigans and mod culture and music and lots of awesome swinging ‘60s stuff. It’s set in New York, again, but it’s such a fascinating city to me.

The Next Big Thing

Nuyorican Noir writer Richie Narvaez tapped me for The Next Big Thing (read what he had to say about HIS next big thing here). If you haven't read his outstanding short story collection Roachkiller and Other stories, do yourself a favor and buy it for Christmas. Or you can sample his story "Hurricane" for 99 cents.

The idea is that everyone on the blog tour answers the same questions, then taps another five writers to move it forward. Here are my answers:

1) What is the working title of your current/next book?  Misbegotten.

2) Where did the idea come from?  Several years ago I wrote a story about a vampire with senile dementia for John Donald Carlucci's Astonishing Adventures Magazine. The protagonist of the story was a crime reporter named Kira Simkins and I really enjoyed the world of the story (a not-so-normal Los Angeles), so much so that I've written around 20 or so stories set in the world since then, some with Kira and some without, but all about supernatural crime.  I decided I wanted to write a larger story for Kira, who is a "misbegotten," a not-quite-human born of a mother who was bitten by a vampire while pregnant with her. That's where the title came from. 

3) What genre does your book fall under? Urban fantasy melded with mystery with a dash of noir.

4) What actors would you choose to play the part of your characters in a movie rendition?  Liv Tyler or Selma Blair for Kira. The vampire in charge of L.A. in my story is a folksy, avuncular guy who hides his evil under a bland exterior so that you only get glimpses of what he's really like. Scott Wilson or Beau Bridges would be perfect. For Michael Etebari, the head of a security company and the alpha wolf of a local werewolf pack, I'd love Oded Fehr. Kira is older than she looks (a benefit of her "Misbegotten blood" that means she's slow to age), so her on-again/off-again love interest, John Dannon (head of LAPD's paranormal crime unit) is the same age but looks older. Idris Elba would be wonderful.

5) What is the one-sentence synopsis of your book?  A paranormal crime reporter is caught up in a power struggle when war between vampire factions breaks out in Los Angeles.

6) Will your book be self-published or represented by an agency? I've had a nibble of interest from an agent but the book will be published under the Dark Valentine imprint that I run jointly with Joy Sillesen. (Dark Valentine's latest books are the Nightfalls anthology and Christine Pope's fantasy romance Dragon Rose.)

7) How long did it take you to write the first draft?  I've been working on it off and on since forever, it seems like, but once I got started in earnest, about six months. I hope to have it done by January 15 at the latest.

8) What other books would you compare this story to within your genre?  Laurell K. Hamilton's Anita Blake series; Jim Butcher's Dresden Files series; Carrie Vaughn's Kitty Norville books.

9) Who or what inspired you to write this book?  Well, isn't everyone writing a novel? Basically I wanted to stretch my boundaries. I'm  pretty comfortable writing short stories, but I really wanted to explore my supernatural city and my characters. I also wanted to write a paranormal book that made these creatures seem real and not just fantasy objects with tattooed shoulders and shimmering skin. That was how the first story about the senile vampire (called "Tired Blood") came about. I wondered how a really old vampire's mind would hold out.

10) What else about the book might pique the reader's interest?  I think I've created a spin on the tired old tropes, offering an Urban Fantasy about characters that have a ring of reality about them whether they're human or not. There are no tramp stamps here and no emo longings for forbidden love. Kira has a very practical attitude toward the paranormals in her circle (who include shape-shifters and were-bears and goblins and fire demons, not just the usual vamps and weres)--they're all monsters. Sleeping with monsters never ends well, in her opinion. You either end up a monster yourself, or you end up dead. 

The writers I'm tagging are:  Canadian horror writer G. Wells Taylor, whose vanpire novel Bent Steeple is one of my favorite books.

Christine Pope, whose lush fantasy romances and zippy contemporary novels are entertaining and smart. Check out her latest, Dragon Rose.

Kat Laurange who's a double menace--a writer and an illustrator who balances a career, a life as a wife and mother, and half a dozen other responsibilities. I'm a hard worker but she makes me look like a slacker. 

Steven Luna, a friend of a friend whose story for the Nightfalls anthology ("Last Shift") was just superb. Check out his Joe Vampire stories.

Joanne Renaud, also a writer and illustrator whose romance novella, Question of Time, has just been published by Champagne Press.

Nine Ladies Dancing

Cover design by Joanne Renaud

I will be releasing a new collection of stories in the next few weeks, a group of Christmas stories loosely based on "The Twelve Days of Christmas." Joanne Renaud has created the cover for the collection, and I am very pleased with it. You may know Joanne as a writer; or an illustrator; but she is also now designing book covers. Check out her graphic design work here.

Here's a sample story...Nine Ladies Dancing, which originally ran as part of the Dark Valentine "Twelve Days of Christmas" fiction fest last year. 

Nine Ladies Dancing

There were four little cubicles crammed into the basement of Jake Mirzoyan’s club, each with a mirror, a tiny shelf for makeup, a couple of hooks for costumes, and two chairs. On Saturday nights, when all the girls were working, things got a little crowded in the basement. There was only one bathroom down there—the girls weren’t allowed to use the one upstairs, the one the customers used—so if someone ate a bad taco for lunch, everybody knew it.

They all knew about a lot of things—about Reva’s abortion, about Lanelle’s problem with her ex, about Kim’s relapse with the vikes. You get eight women in close quarters and they’re going to be all up in each other’s business. It was kind of like a family that way, a big dysfunctional family with an abusive daddy. The girls knew all about abusive daddies.

Jake was greedy but he wasn’t ambitious and he was bone lazy. He made a lot of money from the club—almost all of it cash, almost all of it untraceable. Girls came and went at the club but there were never more than eight dancers at one time. Eight was enough. Eight was a number he could handle.

And then Suki showed up. Suki with her pale, pale skin and her dark, dark eyes. Suki with the red hair right out of a shampoo commercial. Her real name was probably Susan or something but as far as Jake was concerned, she could call herself Angelina Jolie if she wanted to. She was tall—taller than him—and big-breasted, just the way his customers liked them. And they weren’t fake tits like Jude’s or Kitta’s either.

Even though Jake had a rule about not mixing business with pleasure, he would have chopped off his own dick to dip into Suki’s honey-pot. He wasn’t the only one. Brianna, who’d been dancing at the club since she was an underage runaway, took one look at Suki and fell in love.

Suki was too good for Jake’s little place, but didn’t seem to know it. The girls all knew it, though. They knew Suki could have been working the gentlemen’s clubs in L.A., somewhere she could maybe find a sugar daddy to take care of her. A lot of celebrities go to those clubs for kicks. A lot of money gets thrown around. The girls wondered why Suki would come to a rat-hole like Jake’s club when she had other options. None of the girls who worked for Jake had options. At least, not any more.

Jake let it be known that he would be firing one of the girls to make room for Suki but he didn’t tell them which one and suggested if anyone wanted to discuss the matter privately with him, then he’d be available in his office any time. Jude was the first to climb the stairs to Jake’s office. She had a little one at home that her mother took care of. She supported both of them. She needed the job.

Empower an Entrepreneur

Writer/Artist Joanne Renaud sends word that Caoimhe Ora Snow's Kickstarter Campaign to fund a startup of her RPG fantasy game Wandering Monsters High School has stalled. She needs $200 more to reach her goal of $1000 before her time runs out in two weeks. Donations are as little as $1, so if you can help a sister out, go here.

Patti Abbott's Flash Fiction Challenge

Patti Abbott hosts some terrific flash fiction challenges and this one was irresistible. Choose any work by American artist Reginald Marsh and write a 1000-word story inspired by it.  II spent an excellent hour clicking through decades of Marsh's work. All of it was extremely evocative and lively. (See Sandra Seamans' blog about choosing her picture for the challenge.)  Here's a link to some of his work to give you an idea.  (The painting across the top of the page  reminds me a bit of my friend Joanne Renaud's work.)
The painting I finally chose, "Red Buttons," was painted in 1936 in egg tempera on board.  Coincidentally, it's now in the Huntington Library's collection, so one day soon, I can visit the original.

My story is called "A Friend in Need" and it's 992 words long.  If you go to Patti's site, you'll find links to the other stories participating in the challenge.

A FRIEND IN NEED

Nancy met Bea at Child’s Cafeteria when they both reached for the last piece of lemon meringue pie. “Let’s share it,” Bea suggested, and simple as that they were sitting at a table, talking like old friends.

Bea told Nancy she worked for an insurance company as a comptometer operator, making $28 a week, which sounded like a fortune to Nancy.

Nancy’s father ran a general store back in Ohio and delivered mail as a rural route carrier too. Gas was only ten cents a gallon but there were times when scraping together enough to fill the tank was hard because he let so many people run tabs at his store.

Nancy knew her parents were worried about her living in New York City, even though she was sharing a place with her cousin and her husband.

Nancy’s parents were one generation away from farm folk and had a deep suspicion of the big city.

Still, they knew the only work available to her in Ohio was back-breaking farm labor and they didn’t want that for their only child. Nancy had skills. She could type-write and she knew Gregg shorthand.

They were sure she’d be able to find employment in New York, so they sent her off with their blessing and $48 they’d saved up.

Her father had also sent her off with the admonition to stay away from Harlem—“No good can come of associating with colored people,” he’d told her—and her mother had added her own, vague warnings to avoid “mashers” and “men who only want one thing.”

Bea had laughed when Nancy imitated her mother’s warning about men, and taken another bite of the pie.

“How fast can you type?” Bea asked.

“Seventy words a minute,” Nancy replied proudly. She could actually type a lot faster but if she did, the keys started jamming.

Yes--the return of shameless self-promotion

Mark Satchwill, my partner in crime at NoHo Noir, has been sick for a few weeks so various artists have been filling in for him. Joanne Renaud stepped in for him today, and the illustration is fantastic.
The story's a long one for me, more than 2000 words, mostly because to get to the part I really wanted to tell, I had to explain some things.
And of course there's a place where I switched character names. The CMS we use on the patch.com site is pretty wonky and I don't have administrator privileges so I can't go in and fix things.
This story is a result of a character rebelling against fate. I'd planned to kill Mary off and right up to the last moment when she's discovered, I fully intended to do that. But then, I just couldn't. And now this whole mother/daughter thing is happening.
One last detail. The artwork you see behind the characters? It's real art that's on the walls at the offices of CAA (Creative Artists Agency). Someone put a photo of it up at Flickr, which is where Joanne saw it. Is it not the ugliest piece of corporate art you've ever seen?
Anyway, I hope you enjoy the story.

Dark Valentine reviews Sympathy for the Devil

Friend of Dark Valentine Christine Pope's book Sympathy for the Devil came out just before Christmas, and was a great Christmas present for fans of paranormal romance. Joanne Renaud, DV art director and noted connoisseur of romance, has reviewed it. Check out the review and click on the Pink Petal Books link to read a tantalizing excerpt.

Let the Year of the Rabbit Begin

1/1/11--2011 is here. An not a minute too soon, I might add. I can't really complain about the year just passed, it was great creatively: the launch of Dark Valentine Magazine with my friends and colleagues Joy Sillesen and Joanne Renaud; the launch of the NoHo Noir series with Mark Satchwill; the publication of my collection of fiction, Just Another Day in Paradise; a personal best in the number of short stories written and published. Still, like the mother in the Prince song, I'm never satisfied.

I don't make resolutions but I do set goals and this year is going to be my year of saying "no" to projects that don't advance those goals. I have been unfocused. Last year I was fortunate enough to sustain a full-time freelance career. As you know, freelancers can't always be choosy but I took on some projects I really shouldn't have. I'm not going to do that any more. And to solidify my commitment to that goal, I sent off an email to a potential client and turned a lucrative job down. The client was lovely, the money was great but I just wasn't seeing a good outcome. And I couldn't help but think that the hours I would spend trying to wrestle the project into shape could be better spent working on one of the two novels I nearly finished this year, or the two screenplays languishing in their neglected files on my computer.

I'm making lists. I'm getting motivated. And next year at this time...I'm going to have something to show for it.

Thanks for all your support throughout the year. Happy New Year and Happy Writing to you all.

Seven Days of Skullcrushing Fiction!

The Fall Fiction Frenzy at Dark Valentine Magazine is winding down but not running out of steam as we begin a 7-part presentation of Christine Pope's hilarious novella, "Welcome to Skullcrusher Mountain." That's right, even evil geniuses need love too. Illustrated by Dark Valentine's art director Joanne Renaud, the series will run until October 30. Check it out.

Write Early and Write Often

Novelist Stephanie Draven has created a literary contest for young women inspired by her upcoming trilogy of novels about Cleopatra's daughter Cleopatra Selene. There are two categories--Teen for writers 13-18) and Young Women (19-22), with cash and other prizes for the winners. Go here for more information.

Writer/illustrator Joanne Renaud will be one of the judges. A fan of historical fiction, Renaud illustrated Stephanie Draven's story "The Threshing Floor" in the debut issue of Dark Valentine Magazine.