Wednesday, September 21, 2016
Strawberry corn
Cover Comparison The Stephen King edition
I love short story collections and continue to buy them even as my friends and colleagues bemoan the way short story markets have dried up. Paying markets that is. I started out writing short stories and it's still my favorite length. Some ideas are just short story ideas.
Somehow, in the middle of writing longer works and doing good works and just living his life, Stephen King still finds time to write short stories. The most recent collection of these is Bazaar of Bad Dreams, a title I love. But when the book came out, I didn't love the cover. Honestly, it looked like one of those photoshopped numbers that indie authors get slammed for. That's it on the left. The combination of black and white and red just doesn't say "Dreams" to me.
But since today is King's birthday, everyone is offering special deals on his books (Simon and Schuster, his long-time publisher, is wishing him a "Happy Birthday" with all kinds of offers on his backlist.) And so I saw an offer with the UK cover of Bazaar of Bad Dreams and for me, it's a winner. I'm drawn to covers with splotches of color anyway, and I like the typography and the whole "concept" just so much better. Which one would you rather pick up?
Somehow, in the middle of writing longer works and doing good works and just living his life, Stephen King still finds time to write short stories. The most recent collection of these is Bazaar of Bad Dreams, a title I love. But when the book came out, I didn't love the cover. Honestly, it looked like one of those photoshopped numbers that indie authors get slammed for. That's it on the left. The combination of black and white and red just doesn't say "Dreams" to me.
But since today is King's birthday, everyone is offering special deals on his books (Simon and Schuster, his long-time publisher, is wishing him a "Happy Birthday" with all kinds of offers on his backlist.) And so I saw an offer with the UK cover of Bazaar of Bad Dreams and for me, it's a winner. I'm drawn to covers with splotches of color anyway, and I like the typography and the whole "concept" just so much better. Which one would you rather pick up?
Happy Birthday Stephen King!
The first writer I sought out because I loved her books and wanted to read everything she wrote was Beverly Cleary, who just turned 100 in April. (Live long and prosper Bev!) And then it was Carolyn Keene "who" wrote the Nancy Drew books but she wasn't really one person, so "she" doesn't count. And then it was Stephen King.
I didn't start with Carrie; my gateway to the Kingdom was a collection of his short stories. Back then, he wasn't writing six or seven books a year like an indie author, but he'd been writing for a couple of years by the time I discovered him and so it took me a while to work through the backlog. (Well, it probably took me a week. I read fast and back then, I still had a lot of free time.)
I was moved by The Dead Zone and scared by Pet Sematary and blown away by The Stand. To this day, the only epic apocalyptic novel that even comes close to it in terms of Dickensian breadth of characters is Robert McCammon's Swan Song.
So I've been reading along all these years and love that he's writing like his life depends on it.
Wait, maybe it does? Maybe the reason he's so prolific is that in the terrible accident that nearly killed him, he did die? And he made a bargain with the devil to come back. But if he doesn't write 10 books a year, he has to return.
Happy Birthday Stephen King.
Thank you for the books!
I didn't start with Carrie; my gateway to the Kingdom was a collection of his short stories. Back then, he wasn't writing six or seven books a year like an indie author, but he'd been writing for a couple of years by the time I discovered him and so it took me a while to work through the backlog. (Well, it probably took me a week. I read fast and back then, I still had a lot of free time.)
I was moved by The Dead Zone and scared by Pet Sematary and blown away by The Stand. To this day, the only epic apocalyptic novel that even comes close to it in terms of Dickensian breadth of characters is Robert McCammon's Swan Song.
So I've been reading along all these years and love that he's writing like his life depends on it.
Wait, maybe it does? Maybe the reason he's so prolific is that in the terrible accident that nearly killed him, he did die? And he made a bargain with the devil to come back. But if he doesn't write 10 books a year, he has to return.
Happy Birthday Stephen King.
Thank you for the books!
Sunday, September 18, 2016
Seven Skeletons
I am a sucker for books that tell a story through a collection of objects or similar items. (A History of the World in 6 Glasses is one of my favorite books.) This book, Seven Skeletons (from Penguin) bills itself as a "cultural history of each celebrity fossil" that combines into a work of science and history. I'm so there. Plus, I like the cover. It's clean and graphic.
Thursday, September 15, 2016
Random Cat Picture--because cats!
My cat has recently taken to hanging out at the top of the stairs. He likes sitting in the sun and he also likes having a clear view of the upstairs and down into the kitchen. Whenever I see the cat following the sun around, I always think of Robert Heinlein talking about the title of his book The Door Into Summer. It came to him while watching his cat go from room to room in the winter, looking for "the door into summer."
Tuesday, September 13, 2016
For the TBR pile BELOVED POISON
A Victorian mystery! My favorite. Well, one of my favorites. Read a review on Criminal Element.
Thomas Mullen's DARKTOWN, a review
In
Thomas Mullen’s novel DARKTOWN, the
murder of a young black woman exposes a secret that goes all the way to the
highest levels of Atlanta’s white society.
In
post-war Atlanta, LUCIUS BOGGS and TOMMY SMITH are cops. But they’re also black
and “Negro policemen” don’t get a lot of respect from either civilians or white
cops. Their authority is limited, and whites know flout that limited authority wheneve
they feel like it. As when a white man drunkenly plows into a street lamp with
a bruised black woman in the passenger
seat and repeatedly ignores Lucius’ polite requests to hand over his license.
Instead, he simply denies hitting the light pole and rives away … slowly.
The
ongoing information about the black police force and how it was formed and
where it is located is dripped into the story as needed (sometimes a bit
clumsily) along with information on the racial politics of the time and place.
Real-life people are mentioned (including Rev. Martin Luther King SENIOR) and
there’s a real feeling of verisimilitude to the story.
Labels:
Darktown,
historical mystery,
Thomas Mullen
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